Fresh Palette Ensemble (Hamid Drake [MCOTD Hall of Fame], drums, percussion, voice; Michael Zerang, drums, percussion; Joshua Abrams, bass; Jason Adasiewicz, vibraphone; Aoki, taiko drums; Tatsu Aoki, shamisen, conduction; Zahra Glenda Baker, voice; Angel Bat Dawid, voice, clarinet, keyboards; Mai Sugimoto, reeds), live (performance begins at 13:30), Chicago, last night
Steve Dawson’s Funeral Bonsai Wedding (SD, vocals and guitar; Jason Adasiewicz, vibraphone; Jason Roebke, bass; Frank Rosaly, drums), “As Soon As I Walk In” (S. Dawson), 2014
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lagniappe
musical thoughts
Music and family have provided two of my life’s through lines. As little boys, my brother Don and I would play in the basement, listening, on the brightly lit juke box, to the Everly Brothers (“Wake Up, Little Susie”), and Johnny Horton (“The Battle of New Orleans”), and Gene Pitney (“The Man Who Shot Liberty Valance”). Soon we were out the door, hearing the Beatles at Comiskey Park, the Velvet Underground at the Kinetic Playground, and the MC5 in Lincoln Park. Still the beat goes on, undiminished by the passing years. Last week, for my sixty-second birthday, Don gave me (what else?) a record—the new album by this guy, Steve Dawson.
Jason Adasiewicz (vibraphone), “Stake,” live, Chicago, 2009
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lagniappe
reading table
Dream Song 1
By John Berryman (1914-1972)
Huffy Henry hid the day,
unappeasable Henry sulked.
I see his point,—a trying to put things over.
It was the thought that they thought
they could do it made Henry wicked & away.
But he should have come out and talked.
All the world like a woolen lover
once did seem on Henry’s side.
Then came a departure.
Thereafter nothing fell out as it might or ought.
I don’t see how Henry, pried
open for all the world to see, survived.
What he has now to say is a long
wonder the world can bear & be.
Once in a sycamore I was glad
all at the top, and I sang.
Hard on the land wears the strong sea
and empty grows every bed.
Klang (James Falzone, clarinet; Jason Adasiewicz, vibraphone; Jason Roebke, bass; Tim Daisy, drums), live (studio performance), 2009
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lagniappe
art beat: the other day at the Art Institute of Chicago
Mark Rothko (1903-1970), Untitled (Purple, White, and Red), 1953
This painting and I have been getting together, several times a year, for decades. Admittedly, our relationship is rather one-sided. But, if anything, its indifference to me only deepens my feelings for it.
Mike Reed’s People, Places & Things (MR, drums; Jason Roebke, bass; Greg Ward, alto saxophone; Tim Haldeman, tenor saxophone), “Wilbur’s Tune,” live, Paris, 2010
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Mike Reed’s Myth/Science Assembly (MR, drums; Tomas Fujiwara, drums; Josh Abrams, bass; Greg Ward, alto saxophone; Ingrid Laubrock, tenor saxophone; Taylor Ho Bynum, trumpet; Mary Halvorson, guitar; Tomeka Reid, cello; Jason Adasiewicz, vibraphone; Nick Butcher, electronics), live (rearranging a found Sun Ra fragment [excerpt]), Chicago (Chicago Jazz Festival), 2011
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Mike Reed’s Loose Assembly (MR, drums; Josh Abrams, bass; Greg Ward, alto saxophone; Tomeka Reid, cello; Jason Adasiewicz, vibraphone), live (studio performance), Chicago, c. 2009
*****
If other Chicago musicians are “busy,” what’s Mike Reed? In addition to leading various groups, he owns and operates Constellation, a performing arts center. Then there’s the Pitchfork Music Festival, which this summer will feature, over the course of three days, Beck, Giorgio Moroder, Kendrick Lamar, Grimes, et al. Hebooks and produces it.