Miles Davis Quintet (MD, trumpet; Wayne Shorter, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams, drums), “Footprints” (W. Shorter), live, Sweden, 1967
Vodpod videos no longer available.Time for just one note? 3:34. (Shorter’s entire solo is a marvel [1:54-3:54]: it’s as intimate and delicate as a dream.)
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lagniappe
reading table
just the other day
we said goodbye . . .
dewy grave—Kobayashi Issa, 1790s (trans. David G. Lanoue)
Great drummers are like great basketball players—they lift everybody’s game.
Trixie Whitley with Brian Blade (drums) and Daniel Lanois, “I’d Rather Go Blind,” recording session, 2008
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Herbie Hancock (piano), Wayne Shorter (saxophone), Dave Holland (bass), Brian Blade (drums); live, Germany (Salzau), 2004
Part 1
(It may simply be a coincidence [or my imagination], but a four-note pattern that Herbie keeps repeating, with variations, reminds me, particularly at around 2:27 and following, of the beginning of Alfred Schnittke’s Piano Concerto [featured on 1/14/10].)
Part 2
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lagniappe
Johnny [Vidacovich, featured on 9/30/09], man . . . what an inspiration. His playing is so liquid but at the same time just the street of it is so intoxicating. Studying with him, the drumming aspect was never about fundamental things. It was never about the drums as much as it was about the music and playing with this melodic sensibility. That sticks with me even more than the thickness or the groove, which he never spoke about, really. That was like a given. If you have it inside of you, that groove, you need to lay it down. But also need to be able to sing through the drums.—Brian Blade
music clip of the day 