One-word review: Wow!
Herbie Hancock (1940-, piano) with Ambrose Akinmusire (trumpet), Walter Smith III (tenor saxophone), Ben Williams (bass), Mark Merella (percussion), “Footprints” (Wayne Shorter), 2023 (published yesterday)
**********
lagniappe
random sights
other day, Oak Park, Illinois
timeless
Returning to a record after years away, both you and it are new.
Miles Davis (1926-1991, trumpet), In a Silent Way (with Wayne Shorter [1933-2023], soprano saxophone; John McLaughlin [1942- ], electric guitar; Chick Corea [1941-2021], electric piano; Herbie Hancock [1940-], electric piano; Joe Zawinul [1932-2007], electric piano, organ; Dave Holland [1946-], bass; Tony Williams [1945-1997], drums), 1969
**********
lagniappe
reading table
nothing left of the house
I was born in
fireflies—Taneda Santoka (1882-1940), translated from the Japanese by Burton Watson
passings
Wayne Shorter, saxophonist, composer, August 25, 1933–March 2, 2023
With Art Blakey and the Jazz Messengers (AB, drums; WS, tenor saxophone; Lee Morgan, trumpet; Bobby Timmons, piano; Jymie Merritt, bass), “The Summit” (W. Shorter), live, Tokyo, 1961
***
With the Miles Davis Quintet (MD, trumpet; WS, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams, drums), “Footprints” (W. Shorter), live, Sweden, 1967
***
With his quartet (WS, tenor saxophone; Danilo Perez, piano; John Patitucci, bass; Brian Blade, drums), “Masqualero” (W. Shorter), live, Montreal, 2003
**********
lagniappe
random sights
other day, Oak Park, Ill.
never enough
Yesterday afternoon, feeling in a bit of a funk before visiting a client in jail, I stumbled upon this and within moments, it seemed, the air began to lighten.
Miles Davis Quintet (MD [1926-1991], trumpet; Wayne Shorter [1933-], tenor saxophone; Herbie Hancock [1940-], piano; Ron Carter [1937-], bass; Tony Williams [1945-1997], drums), live, Stockholm (Sweden), 1967
**********
lagniappe
random sights
other day, Chicago
timeless
Miles Davis Quintet (MD, 1926-1991, trumpet; Wayne Shorter, 1933-, tenor saxophone; Herbie Hancock, 1940-, piano; Ron Carter, 1937-, bass; Tony Williams, 1945-1997, drums) , live, Italy (Milan), 1964
**********
lagniappe
musical thoughts
Herbie Hancock: “the best thing that Miles ever said to me.”
*****
random sights
other day, Oak Park, Ill.
what’s new
Robert Glasper, “Gone” (feat. YBN Cordae, Bilal, Herbie Hancock), published 11/25/19
**********
lagniappe
random sights
yesterday, Chicago (Columbus Park)
desert island disc
Miles Davis, In a Silent Way (MD, trumpet; Wayne Shorter, soprano saxophone; John McLaughlin, guitar; Chick Corea, Herbie Hancock, Joe Zawinul, keyboards; Dave Holland, bass; Tony Williams, drums), 1969*
**********
lagniappe
random sights
yesterday, Oak Park, Ill.
*****
*Side A: “Shhh”/”Peaceful”/”Shhh” (M. Davis); Side B: “In a Silent Way” (J. Zawinul)/”It’s About That Time” (M. Davis)/”In a Silent Way” (J. Zawinul).
never enough
Miles Davis (with Wayne Shorter, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams, drums), live, Italy (Milan), 1964*
Listening to Tony Williams never fails to leave me feeling lighter.
**********
lagniappe
art beat: other day, Art Institute of Chicago
Arshile Gorky (1904-1948), The Plough and the Song, 1946-47
*****
*Setlist (courtesy of YouTube):
1. Autumn Leaves 0:43
2. My Funny Valentine 14:34
3. All Blues 26:22
4. All of You 40:03
5. Joshua 50:41
Sometimes the best of what’s new is old.
Betty Davis, “Down Home Girl” (Miles Davis & Teo Macero, prods.; John McLaughlin [guitar], Herbie Hancock [keyboards], Harvey Brooks [bass], Mitch Mitchell [drums]), 6/28/16 (rec. 1969)
**********
lagniappe
art beat: yesterday, Art Institute of Chicago
From Thirteen Laughing at Each Other, Juan Muñoz (1953-2001), through 10/5/16
Miles
Miles Davis Quintet (MD, trumpet; Wayne Shorter, tenor saxophone; Herbie Hancock, piano, Ron Carter, bass; Tony Williams, drums), live, Europe (Karlsruhe, Germany; Stockholm, Sweden), 1967
**********
lagniappe
musical thoughts
Miles may not be the greatest trumpet player in the history of jazz, but he’s arguably the greatest bandleader. Only someone with supreme self-confidence could do what he did. A brilliant judge of talent, a leader who expected, and enabled, others to flourish, he could seem, at times, the least interesting player in his own band.
*****
reading table
Winter solitude—
in a world of one color
the sound of wind.—Matsuo Basho (1644-1694, translated from Japanese by Robert Hass)
music clip of the day 