He played as if his life depended on it.
Glenn Gould (1932-1982, piano), playing Bach’s Partita No. 2 in C minor (The Art of Piano, 1999)
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lagniappe
reading table
Happiness has never been one of my great aspirations.
—poet W.S. Graham (1918-1986, quoted in London Review of Books, 7/18/19)
never enough
Johann Sebastian Bach (1685-1750), Partita for keyboard No. 6, excerpt (Toccata); Glenn Gould (1932-1982, piano), live (studio)
Astonishing performance.
Astonishing piece.
Anton Webern (1883-1945), Variations, op. 27 (1936)
Glenn Gould (1932-1982), piano
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lagniappe
reading table
What Miracles the News is!
Not Bismark but ourselves.—Emily Dickinson (1830-1886), Letter 354
more
Johann Sebastian Bach (1685-1750), Goldberg Variations (excerpt); Glenn Gould (1932-1982), piano, live (studio performance), 1981
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lagniappe
radio
Bach Festival, WKCR-FM (see 12/22/16 post): Day Six.
more
Johann Sebastian Bach (1685-1750), The Art of Fugue (excerpts)
Glenn Gould (1932-1982), piano
Has anyone played Bach—or anything else—more searchingly?
Johann Sebastian Bach (1685-1750), Partita No. 4 in D major
Glenn Gould (1932-1982), piano
#1
#2
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lagniappe
reading table
Musicians wrestle everywhere –
—Emily Dickinson (1830-1886), #229 (Franklin)
never enough
Johann Sebastian Bach, Goldberg Variations (excerpts); Glenn Gould (piano), live, 1964
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lagniappe
radio: Bach Festival 2013
If, like me, you can’t get enough Bach, you’re in luck. Tonight through New Year’s Eve, it’s all Bach all the time at WKCR-FM (Columbia University).
*****
reading table
One, seven, three, five—
Nothing to rely on in this or any world;
Nighttime falls and the water is flooded with moonlight.
Here in the Dragon’s jaws:
Many exquisite jewels.—Setcho Juken (980-1052)
alone
The world seems, sometimes, like an uncatalogued collection of miracles.
Johann Sebastian Bach (1685-1750), Partita No. 6 in E minor; Glenn Gould (1932-1982), piano
He plays Bach as if, at that moment, nothing in the world is more crucial.
Johann Sebastian Bach, Glenn Gould, piano*
TV performance, 1981
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*Here, courtesy of YouTube, is the program:
00:21 Die Kunst der Fuge BWV 1080: Contrapunctus I
Partita n.4 in D-dur BWV 828
05:11 I Ouverture
10:06 II Allemande
15:45 III Courante
18:52 IV Aria
20:07 V Sarabande
25:21 VI Menuett
26:41 VII Gigue
From “Wohltemperierten Klavier”:
28:10 Fuge in E-dur (II)
33:17 Fuge in Es-moll (II)
36:16 Praeludium & Fuge in A-dur (II)
38:52 Die Kunst der Fuge BVW 1080: Contrapunctus IV
(Some of this has been posted before, but not all of it and not in one continuous clip.)