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Tag: Gidon Kremer

Tuesday, April 19th

never enough

Johann Sebastian Bach (1685-1750), Partita No. 1 in B minor; Gidon Kremer (1947-, violin), live, Austria (Lockenhaus), 2006

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random sights

other day, Oak Park, Ill.

Saturday, February 4th

never enough

Johann Sebastian Bach (1685-1750), Partitas No. 1 (B minor), 2 (D minor), and 3 (E major) for solo violin; Gidon Kremer (violin), live, Austria (Lockenhaus), 2006


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art beat: other day, Art Institute of Chicago

Vincent van Gogh (1853-1890), Grapes, Lemons, Pears and Apples, 1887

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Thursday, February 2nd

Last night, in Chicago, worn out by work and the world, I walked from my office to Symphony Center, where I heard these folks perform pieces by, among others, this composer—and I’m so glad I did.

Kremerata Baltica with Gidon Kremer (violin), live; Mieczyslaw Weinberg (1919-1996), Sinfonietta No. 2, excerpt (3rd mvt., Adagio)


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lagniappe

random sights

yesterday, Chicago

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Monday, December 7th

The more kinds of music you love, the more chances you have to make wonderful discoveries, as happened yesterday when I heard this for the first time (Oberon Ensemble, Art Institute of Chicago).

Johannes Brahms (1833-1897), Piano Quartet No. 1 in G minor; Martha Argerich (piano); Gidon Kremer (violin), Yuri Bashmet (viola), Mischa Maisky (cello), 2001

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reading table

You don’t hear the sound; you go into the sound—you and the sound become one.

—Seung Sahn, Only Don’t Know

Thursday, 10/11/12

Alfred Schnittke (1934-98), Concerto Grosso No. 1, live, Russia, 2004
Kremerata Baltica (Gidon Kremer & Tatiana Grindenko, violins)

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musical thoughts

What do we want from music—a mirror or a window?

Wednesday, 5/9/12

If I knew I had a week to live (as someday I will, whether I know it or not), this is one of the things I’d want to hear.

Johann Sebastian Bach, Chaconne in D minor for solo violin (Partita for Violin No. 2 [BWV 1004]); Isaac Stern (violin), live

Another take?

Here (Nathan Milstein).

And here (Gidon Kremer).

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lagniappe

musical thoughts

On one stave, for a small instrument, the man writes a whole world of the deepest thoughts and most powerful feelings. If I imagined that I could have created, even conceived the piece, I am quite certain that the excess of excitement and earth-shattering experience would have driven me out of my mind.

—Johannes Brahms, in a letter to Clara Schumann (translated from German)

Wednesday, 6/23/10

You could listen to his music, and nothing else, every day for the rest of your life and never touch bottom.

Bach, Chaconne in D minor for solo violin (Partita for Violin No. 2 [BWV 1004])/Gidon Kremer (violin), live

Another take? Here.