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Tag: Friedrich Gulda

Wednesday, June 24th

another take

Wolfgang Amadeus Mozart (1756-1791), Piano Sonata No. 14 in C minor (K. 457); Friedrich Gulda (1930-2000, piano), live, Germany (Munich), 1991

 

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lagniappe

random sights

yesterday, Oak Park, Ill.

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reading table

My old village lies
far beyond what we can see,
but there the lark is singing

—Kobayashi Issa (1763-1827), translated from Japanese by Sam Hamill

Saturday, February 10th

more

Does any pianist play Mozart with more verve?

Friedrich Gulda (1930-2000) playing Mozart (Sonata in D major [K 311], Sonata in F major [K 332]), Germany (Munich), 1991

 

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lagniappe

art beat: other day, Art Institute of Chicago

Pierre-Auguste Renoir (1841-1919), Fruits of the Midi, 1881

Saturday, February 3rd

You can listen, on NPR, CNN, XYZ, to today’s noise (Trump: “This is an American disgrace!”), or you can listen to this—your call.

Friedrich Gulda (1930-2000) playing Mozart (Sonata in F major [K 332], Fantasy in C minor [K 475], Sonata in C minor [K 457]), Germany (Munich), 1990

 

Thursday, September 28th

never enough

Wolfgang Amadeus Mozart (1756-1791), Piano Sonata No. 12 in F major (:07-), Fantasia in C minor (22:42-), Sonata No. 14 in C minor (39:54-); Friedrich Gulda (1930-2000), live, Germany (Munich), 1990


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lagniappe

random sights

this morning, Oak Park, Ill.

*****

Thursday, August 24th

never enough

Frederic Chopin (1810-1849), Prelude No. 15 in D flat major (“Raindrop”); Friedrich Gulda (1930-2000), piano

 

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lagniappe

reading table

dragonfly—
flying two feet,
then two feet more

—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)

Wednesday, May 31st

two takes

Wolfgang Amadeus Mozart, Piano Sonata No. 13 in B-flat major

Friedrich Gulda (1930-2000), live


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Vladimir Horowitz (1903-1989), live


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lagniappe

musical thoughts

Whenever life begins to crush me, I know I can rely on Bandol, garlic, and Mozart.

—Jim Harrison (1937-2016), A Really Big Lunch (2017)

 

Thursday, March 16th

more

Wolfgang Amadeus Mozart (1756-1791), Piano Concerto No. 26 in D major (“Coronation”); Munich Philharmonic Orchestra with Friedrich Gulda (conducting, piano), live, 1986


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lagniappe

reading table

How I wish I’d been a painter . . . that must really be the best profession—none of this fiddling around with words—there are a couple of Daumiers at the Phillips that make me feel my whole life has been wasted.

—Elizabeth Bishop (1911-1979), letter, 1977

Wednesday, March 15th

more

Wolfgang Amadeus Mozart (1756-1791), Piano Sonatas 9 (D major; K. 311) and 12 (F major; K. 332);  Friedrich Gulda (1930-2000), live


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lagniappe

random sights

other day, Chicago (Rookery Building)

Tuesday, March 14th

never enough

Wolfgang Amadeus Mozart (1756-1791), Piano Concerto No. 20 in D minor; Munich Philharmonic Orchestra with Friedrich Gulda (conducting, piano), live


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lagniappe

random sights

today, Oak Park, Ill.

Monday, May 23rd

I love his approach to Mozart. He’s never fussy or mannered. He plays simply, directly—like a bird flying from tree to tree.

Wolfgang Amadeus Mozart (1756-1791), Piano Sonata No. 12 in F major (:07-), Fantasia in C minor (22:42-), Sonata No. 14 in C minor (39:54-); Friedrich Gulda (1930-2000), live, Germany (Munich), 1990


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lagniappe

musical thoughts

Mozart was a kind of idol to me—this rapturous singing . . . that’s always on the edge of sadness and melancholy and disappointment and heartbreak, but always ready for an outburst of the most delicious music.

Saul Bellow (1915-2005)

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reading table

If, instead of the words ‘good’ or ‘right’ (or ‘sacred’) we use the words ‘beautiful’ or ‘pleasurable’ or ‘enlivening,’ . . . how would our lives be different?

—Adam Phillips, Unforbidden Pleasures (quoted in yesterday’s New York Times Book Review)

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