timeless
Erik Satie (1866-1925), Ogives (4) (1886, 00:00-), Pièces froides (6) (1897, 12:29-), Gnossiennes 1-6 (1889-97, 25:02-), Sonneries de la Rose+Croix (3) (1892, 44:51-), Gymnopédies (3) (1888, 58:59-); Reinbert de Leeuw (1938-2020, piano), live, 1982
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lagniappe
random sights
other day, Oak Park, Ill.
more
Erik Satie (1866-1925), Ogives (4) (00:00-), Pieces froides (6) (12:29-), Gnossiennes (6) (25:02-), Sonneries de la Rose+Croix (3) (44:51-), Gymnopedies (3) (58:59-); Reinbert de Leeuw (piano), live, 1982
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lagniappe
reading table
driftwood floating
this way, that way . . .
ends the year—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)
sounds of Paris
Erik Satie (1866-1925), Gnossiennes 1-6 (1889-97); Reinbert de Leeuw (piano), live, Netherlands (Utrecht), 2018
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lagniappe
reading table
Silence
of an oak grove
the moon high in the trees—Yosa Buson, 1716-1784 (translated from Japanese by W.S. Merwin and Takako Lento)
Something small, quiet, mysterious for this most unimaginable day.
Erik Satie (1866-1925), Gnossienne 1 (c. 1890); Alessio Nanni, piano
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lagniappe
reading table
The only choice we get is what to worship.
—David Foster Wallace (1962-2008), This Is Water
Let’s listen, after a week of bombings and explosions and earthquakes, to something spare, something quiet.
Erik Satie (1866-1925), Sonneries de la Rose + Croix – Air du Grand Prieur (1892); Reinbert de Leeuw, piano
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lagniappe
radio
Happy Birthday, Charles Mingus!
Today it’s all Mingus, all day at WKCR-FM (Columbia University).