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Tag: Eric Lamb

Thursday, March 28th

sounds of Chicago

John Cage, Solo for flute, from Concert for Piano (1958); Eric Lamb, flute (International Contemporary Ensemble), Chicago, 2012


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lagniappe

musical thoughts

Music is theater for the ear. Take this performance. The phrasing, the interplay between sound and silence—this unfolds like something by Beckett.

Saturday, January 17th

If your appetite for new music is insatiable, what better time to be alive?

Tyshawn Sorey (1980-), Quartet for Butch Morris (2012); International Contemporary Ensemble (ICE), featuring Erik Carlson (violin); Joshua Rubin (bass clarinet), Eric Lamb (flute), Cory Smythe (piano); live, New York, 2012

Six decades of listening and, until yesterday, I’d never heard this particular combination of instruments. You?

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lagniappe

art beat: yesterday at the Art Institute of Chicago

James Ensor (1860-1949), Rooftops of Ostend, 1884 (Temptation: The Demons of James Ensor, through January 25th)

1884-James-Ensor-Acoperisurile-din-Ostend-1

*****

reading table

Nature, the sky above us, is conducting no mean politics when it presents beauty to all, without discrimination, and nothing old and defective, but fresh and most tasty.

—Robert Walser (1878-1956), “Snowdrops,” excerpt (translated from German by Tom Whalen and Trudi Anderegg)

Thursday, September 4th

composer, n. somebody who wants to hear sounds nobody’s ever heard before.

Mario Diaz de León (1979-), Prism Path; International Contemporary Ensemble (ICE),* live, New York, 2011

*****

*Claire Chase, flutes; Eric Lamb, flutes; Joshua Rubin, clarinets; Cory Smythe, piano; Nathan Davis, percussion; Mario Diaz de León, electronics.

Tuesday, May 6th

soundtrack for a dream

Marcos Balter (1974-), Frisson (2011); Chicago Composers Orchestra (Matthew Kasper, cond.) with Eric Lamb (flute), Chicago, 2011


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lagniappe

reading table

Speculative, imaginative writings—texts that ‘open possibility’—help us to live because the definitions by which we live are themselves productions of the cultural imaginary.

—Frances Richard, “Multitudes” (Poetry, May, 2014)

 

Monday, March 4th

alone

John Cage, Solo for flute, from Concert for Piano (1958); Eric Lamb, flute (International Contemporary Ensemble); Chicago, 2012


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lagniappe

musical thoughts

Music is theater for the ear. Take this performance. The phrasing, the interplay between sound and silence—this unfolds like something by Samuel Beckett.

*****

taking a(nother) break

Back in a while.