David Murray Quartet (DM, 1955-, tenor saxophone; John Hicks, 1941-2006, piano; Fred Hopkins, 1947-1999, bass; Ed Blackwell, 1929-1992, drums), live, New York (Village Vanguard), 1986
Ed Blackwell (drums, 1929-1992) with Mal Waldron (piano), Charlie Rouse (tenor saxophone), Woody Shaw (flugelhorn), Reggie Workman (bass), “The Git Go” (M. Waldron), live, New York (Village Vanguard), 1985
Ed Blackwell (drums, 1929-1992) with Mal Waldron (piano), Charles Rouse (tenor saxophone, flute), Woody Shaw (trumpet, flugelhorn), Reggie Workman (bass), live (“The Git Go,” “All Alone,” “Fire Waltz”), New York (Village Vanguard), 1985
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lagniappe
art beat: other day, Art Institute of Chicago
Utagawa Hiroshige (1797-1858), Irises at Horikiri, 1857
Charlie Haden, bassist, composer, bandleader, August 6, 1937-July 11, 2014
Old and New Dreams (Charlie Haden, bass; Ed Blackwell, drums; Dewey Redman, tenor saxophone; Don Cherry, pocket trumpet), “Happy House” (O. Coleman), live, Norway (Molde Jazz Festival), 1979
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lagniappe
radio
Thank God, once again, for college radio. Beginning tomorrow at 2 p.m. (EST), WKCR (Columbia University) will air a memorial broadcast. Two hours? Three? Nope. They’ll be playing Haden’s music, continuously, until 9 p.m.—Monday.
Among the many things I love about his playing, which dances, always, is the balance of simplicity and complexity—it’s never more complex than it is simple, never simpler than it is complex.
Old and New Dreams (Don Cherry [1936-1995], pocket trumpet; Dewey Redman [1931-2006], tenor saxophone; Charlie Haden [1937-], bass; Ed Blackwell [1929-1992], drums), live
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lagniappe
reading table
Art is not in some far-off place.
—Lydia Davis, “Extracts from a Life” (The Collected Stories of Lydia Davis, 2009)
Who else (besides, of course, Bob Dylan) has played so many different roles so brilliantly?
Miles Davis (with Robben Ford & guest Carlos Santana, guitars), “Burn”
Live, Giants Stadium, East Rutherford, New Jersey, 6/15/86
Listen to stuff long enough and it changes—or you do, anyway. Once I might have faulted this for being repetitive. But that’s a bit like faulting roast beef for being meat. Of course it’s repetitive. That’s part of what makes it soar.
• WKCR-FM (broadcasting from Columbia University)
—Bird Flight (Phil Schaap, jazz [Charlie Parker])
—Morning Classical (Various)
—Amazing Grace (Various)
• WFMU-FM
—Mudd Up! (DJ/Rupture, “new bass and beats”)
—Sinner’s Crossroads(Kevin Nutt, gospel)
—Give The Drummer Some (Doug Schulkind, sui generis)
—Fool’s Paradise (Rex, sui generis)
—Transpacific Sound Paradise (Rob Weisberg, “popular and unpopular music from around the world”)