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Tag: Cory Smythe

Tuesday, August 27th

sounds of New York

Craig Taborn (piano, electronics), Cory Smythe (piano, electronics), “X’s and Y’s,” live, New York, 2018

 

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lagniappe

reading table

SHOE FROM THE WAVES

oh he got a shoe from the waves

—Robert Grenier (1941-), A Day at the Beach (1984)

Monday, November 12th

more

Tyshawn Sorey Double Trio (TS, composition, conducting, drums; Cory Smythe, piano; Chris Tordini, bass; Fung Chern Hwei, violin; Kyle Amburst, viola; Rubin Kodheli, cello), “The Inner Spectrum of Variables” (T. Sorey), live, Ojai, Calif., 2017

 

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lagniappe

art beat

other day, National Museum of Mexican Art, Chicago

Nicolas de Jesus (1960-), La ofrenda (The Offering), 2009 (Día de Muertos: A Spiritual Legacy, through December 9th)

Tuesday, November 6th

spellbinding

Tyshawn Sorey Trio (TS, compositions, drums [2017 MacArthur Fellow]), Cory Smythe (piano), Chris Tordini (bass), live, New York, 2015

This I could listen to—I could lose myself in—for a long, long time.

 

They’re playing Thursday night at the University of Chicago.

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lagniappe

random sights

last night, Oak Park, Ill.

Wednesday, November 22nd

trumpet festival
day two

Peter Evans (trumpet) & Cory Smythe (piano), International Contemporary Ensemble (ICE), live, New York, 2014

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#2

 

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#4

Saturday, January 17th

If your appetite for new music is insatiable, what better time to be alive?

Tyshawn Sorey (1980-), Quartet for Butch Morris (2012); International Contemporary Ensemble (ICE), featuring Erik Carlson (violin); Joshua Rubin (bass clarinet), Eric Lamb (flute), Cory Smythe (piano); live, New York, 2012

Six decades of listening and, until yesterday, I’d never heard this particular combination of instruments. You?

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lagniappe

art beat: yesterday at the Art Institute of Chicago

James Ensor (1860-1949), Rooftops of Ostend, 1884 (Temptation: The Demons of James Ensor, through January 25th)

1884-James-Ensor-Acoperisurile-din-Ostend-1

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reading table

Nature, the sky above us, is conducting no mean politics when it presents beauty to all, without discrimination, and nothing old and defective, but fresh and most tasty.

—Robert Walser (1878-1956), “Snowdrops,” excerpt (translated from German by Tom Whalen and Trudi Anderegg)

Thursday, September 4th

composer, n. somebody who wants to hear sounds nobody’s ever heard before.

Mario Diaz de León (1979-), Prism Path; International Contemporary Ensemble (ICE),* live, New York, 2011

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*Claire Chase, flutes; Eric Lamb, flutes; Joshua Rubin, clarinets; Cory Smythe, piano; Nathan Davis, percussion; Mario Diaz de León, electronics.

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