Pierre-Laurent Aimard (1957-, piano) plays Etudes by Debussy, Ligeti, Chopin, Bartok, Scriabin; live, England (Aldeburgh), 2014*
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lagniappe
random sights
other day, Oak Park, Ill.
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*Program (courtesy of YouTube): 0:00-, Debussy: Étude 1 pour les cinq doigts d’après Monsieur Czerny L. 136; 03:42-, Ligeti: Etudes: Book 3: White on white (1995–2001); 07:56-, Debussy: Étude 9 pour les notes répétées L. 136; 11:16-, Ligeti: Etudes: Book 2: Der Zauberlehrling (1988–1994); 13:40-, Debussy: Étude 3 pour les quartes L. 136; 18:57-, Ligeti: Etudes: Book 2: Fém (1988–1994); 22:08-, Chopin: Trois nouvelles études: I. in F minor (1839); 24:29-, Ligeti: Etudes: Book 2: En Suspens (1988–1994); 26:35-, Chopin: Trois nouvelles études: III. in A major (1839); 28:50-, Ligeti: Etudes: Book 1: Arc-en-ciel (1985); 32:20-, Chopin: 12 etudes: II. in F minor (Op. 25); 34:03-, Ligeti: Etudes: Book 1: Touches bloquées (1985); 36:14-, Bartók: 3 etudes: I. Allegro molto Sz. 72; 38:45-, Bartók: 3 etudes: II. Andante sostenuto Sz. 72; 42:17-, Bartók: 3 etudes: III. Rubato-Molto sostenuto Sz. 72;44:25-, Ligeti: Etudes: Book 2: Entrelacs (1988–1994); 47:20-, Ligeti: Etudes: Book 1: Fanfares (1985); 50:56-, Ligeti: Etudes: Book 1: Automne à Varsovie (1985); 55:39-, Scriabin: 3 etudes: I. Allegro fantastico Op. 65; 59:25-, Scriabin: 3 etudes: II. Allegretto Op. 65;01:01:44-, Scriabin: 3 etudes: III. Molto vivace Op. 65;01:03:30-, Ligeti: Etudes: Book 2: Galamb Borong (1988–1994); 01:06:30, Ligeti: Etudes: Book 1: Cordes à vide (1985); 01:10:03-, Ligeti: Etudes: Book 2: L’escalier du diable (1988–1994).
Claude Debussy (1862-1918), String Quartet in G minor (1893);New England Conservatory Student Quartet (Minchae Kim & Harry Chang, violins; Heejin Chang, viola; Hsiao-Hsuan Huang, cello), live, Boston, 2014
Claude Debussy (1862-1918), Preludes, Book 1, Nos. 1-7, 9-11; Sviatoslav Richter (1915-1997), piano, live
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I am not a complete idiot, but whether from weakness or laziness have no talent for thinking. I know only how to reflect: I am a mirror . . . Logic does not exist for me. I float on the waves of art and life and never really know how to distinguish what belongs to the one or the other or what is common to both. Life unfolds for me like a theatre presenting a sequence of somewhat unreal sentiments; while the things of art are real to me and go straight to my heart.
Claude Debussy (1862-1918), String Quartet in G minor (1893);New England Conservatory Student Quartet (Minchae Kim & Harry Chang, violins; Heejin Chang, viola; Hsiao-Hsuan Huang, cello), live, Boston, 2014
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A big birthday shout-out to my son Alex (now twenty-seven), who’s enriched my life, musically and otherwise, more than he could ever know.
Children’s Corner was written for Debussy’s three-year-old daughter, Claude-Emma (nicknamed ‘Chou-Chou’ [AKA Chouchou]) and bears the following dedication: ‘to my dear Chou-Chou, with the tender apologies of her father for what is to follow.’
—All Music Guide to Classical Music (2005)
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Claude & Chouchou
picnicking in a pine forest near Archachon, 1915