Charlie Haden, bassist, composer, bandleader, August 6, 1937-July 11, 2014
Old and New Dreams (Charlie Haden, bass; Ed Blackwell, drums; Dewey Redman, tenor saxophone; Don Cherry, pocket trumpet), “Happy House” (O. Coleman), live, Norway (Molde Jazz Festival), 1979
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lagniappe
radio
Thank God, once again, for college radio. Beginning tomorrow at 2 p.m. (EST), WKCR (Columbia University) will air a memorial broadcast. Two hours? Three? Nope. They’ll be playing Haden’s music, continuously, until 9 p.m.—Monday.
Ornette, at 84, still plays some of the most haunting blues I’ve ever heard.
Ornette Coleman (alto saxophone), with Henry Threadgill (alto saxophone), David Murray (tenor saxophone), Savion Glover (tap dance), et al., live, New York (Prospect Park), 6/12/14
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With Don Cherry (trumpet), Charlie Haden (bass), Billy Higgins (drums), The Shape Of Jazz To Come, 1959
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lagniappe
art beat
Bruce Davidson (1933-), East 100th St., New York, 1966
Ornette Coleman Quartet (OC, alto saxophone; Don Cherry, pocket trumpet; Charlie Haden, bass; Billy Higgins, drums), live, Spain (Barcelona), 1987
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lagniappe
musical thoughts
How can I turn emotion into knowledge? That’s what I try to do with my horn.
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It’s not that I reject categories. It’s that I don’t really know what categories are.
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You take the alphabet of the English language. A to Z. A symbol attached to a sound. In music you have what are called notes and the key. In life you’ve got an idea and an emotion. We think of them as different concepts. To me, there is no difference.
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The violin, the saxophone, the trumpet: Each makes a very different sound but the very same notes. That’s pretty heavy, you know? Imagine how many different races make up the human race. I’m called colored, you’re called white, he’s called something else. We still got an asshole and a mouth. Pardon me.
Among the many things I love about his playing, which dances, always, is the balance of simplicity and complexity—it’s never more complex than it is simple, never simpler than it is complex.
Old and New Dreams (Don Cherry [1936-1995], pocket trumpet; Dewey Redman [1931-2006], tenor saxophone; Charlie Haden [1937-], bass; Ed Blackwell [1929-1992], drums), live
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lagniappe
reading table
Art is not in some far-off place.
—Lydia Davis, “Extracts from a Life” (The Collected Stories of Lydia Davis, 2009)
Ornette Coleman Quartet with guests Joshua Redman (tenor saxophone), James Blood Ulmer (guitar), Charlie Haden (bass), live, Netherlands (North Sea Jazz Festival, Rotterdam), 2010
Part 1
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Part 2
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Part 3
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Part 4
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Part 5
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lagniappe
radio
WKCR-FM (Columbia University): all Ornette, all day.