The more I listen to this, the more I hear.
Brian Eno, “New Space Music,” 2014
next week in Chicago
She’s playing Thursday at Thalia Hall.
Julia Holter, live (studio), Seattle, 2013
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lagniappe
musical thoughts
There was nobody as good as her when I was making music back in the day. If Julia Holter had existed in the 1970s she would be a goddess.
*****
random sights
other day, Oak Park, Ill.
Feel like floating?
Brian Eno, Thursday Afternoon, 1985 (Jonathan Jolly, video, 2014)
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lagniappe
reading table
Nothing in the cry
of cicadas suggests they
are about to die—Matsuo Basho, 1644-1694 (translated from Japanese by Sam Hamill)
more
Brian Eno, Ambient Music 1: Music for Airports, 1978
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lagniappe
reading table
All night long
the windswept clouds
plovers calling under the moon—Yosa Buson, 1716-1784 (translated from Japanese by W.S. Merwin and Takako Lento)
what’s new
Brian Eno with Kevin Shields (My Bloody Valentine), “Only Once Away My Son,” 11/6/17
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lagniappe
reading table
It is like the story of the Chinese Zen Master Dongshan, who was asked, “Is there joy in your practice?” He replied, “It is not without joy. It’s like sweeping shit into a pile and then picking up a precious jewel from within it.”
—Roshi Pat Enkyo O’Hara, “Simple Joy”
Feel like floating?
Music for Airports, “1/1” (B. Eno, R. Davies, R. Wyatt), 1978; Bang on a Can All-Stars, live (arr. Michael Gordon), San Diego Airport, 2015
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lagniappe
reading table
To a Snail
By Marianne Moore (1887-1972)If “compression is the first grace of style,”
you have it. Contractility is a virtue
as modesty is a virtue.
It is not the acquisition of any one thing
that is able to adorn,
or the incidental quality that occurs
as a concomitant of something well said,
that we value in style,
but the principle that is hid:
in the absence of feet, “a method of conclusions”;
“a knowledge of principles,”
in the curious phenomenon of your occipital horn.