Levon Helm, drummer, singer, songwriter, actor, etc.
May 26, 1940-April 19, 2012
Live, 2/12, Woodstock, NY (Levon’s home)
“Ophelia”
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“The Weight”
*****
“When I Go Away,” recording (Electric Dirt, 2009)
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lagniappe
Levon Helm will always hold a special place in my heart. He was as great of an actor as a musician. For me watching him play the role of my daddy in Coal Miner’s Daughter is a memory I will always treasure.
When I heard The Band’s Music from Big Pink, their music changed my life. And Levon was a big part of that band. Nigel Olson, my drummer, will tell you that every drummer that heard him was influenced by him. He was the greatest drummer and a wonderful singer and just a part of my life that was magical. They once flew down to see me in Philadelphia and I couldn’t believe it. They were one of the greatest bands of all time. They really changed the face of music when their records came out. I had no idea he was sick so I’m very dismayed and shocked that he died so quickly. But now my son [Zachary Jackson Levon Furnish-John] has his name.
He was my bosom buddy friend to the end, one of the last true great spirits of my or any other generation. This is just so sad to talk about. I still can remember the first day I met him and the last day I saw him. We go back pretty far and had been through some trials together. I’m going to miss him, as I’m sure a whole lot of others will too.
Who else (besides, of course, Bob Dylan) has played so many different roles so brilliantly?
Miles Davis (with Robben Ford & guest Carlos Santana, guitars), “Burn”
Live, Giants Stadium, East Rutherford, New Jersey, 6/15/86
Listen to stuff long enough and it changes—or you do, anyway. Once I might have faulted this for being repetitive. But that’s a bit like faulting roast beef for being meat. Of course it’s repetitive. That’s part of what makes it soar.
• WKCR-FM (broadcasting from Columbia University)
—Bird Flight (Phil Schaap, jazz [Charlie Parker])
—Morning Classical (Various)
—Amazing Grace (Various)
• WFMU-FM
—Mudd Up! (DJ/Rupture, “new bass and beats”)
—Sinner’s Crossroads(Kevin Nutt, gospel)
—Give The Drummer Some (Doug Schulkind, sui generis)
—Fool’s Paradise (Rex, sui generis)
—Transpacific Sound Paradise (Rob Weisberg, “popular and unpopular music from around the world”)
The New Yorker (8/16/10) writes of Matisse’s Bathers by a River, which is currently on view, in the exhibit “Matisse: Radical Invention, 1913-1917,” at the Museum of Modern Art: “it consumes at least as much aesthetic energy as it imparts.” Except when it’s on loan elsewhere, this painting hangs at Chicago’s Art Institute. Over the years I’ve seen it dozens (maybe hundreds) of times. Never once, as I looked at it, did it occur to me how much “aesthetic energy” it was “consum[ing].”
Suppose Blind Willie McTell, who died in 1959, came back to life for a day.
How would you explain this to him—a video clip of a pop icon singing a song about him, during a recent concert in Slovenia, captured by a cell-phone camera then uploaded onto the ’net for anyone, anywhere in the world, to see?
Bob Dylan, “Blind Willie McTell,” live, Slovenia (Ljubljana), 6/13/2010
“Like A Rolling Stone,” live (with Mike Bloomfield, guitar; Jerome Arnold, bass; Barry Goldberg, piano; Al Kooper, organ; Sam Lay, drums), Newport Folk Festival, July, 1965
“Maggie’s Farm,” live (with Mike Bloomfield, guitar; Jerome Arnold, bass; Barry Goldberg, piano; Al Kooper, organ; Sam Lay, drums), Newport Folk Festival, July, 1965