passings
Tony Bennett, singer, August 3, 1926–July 21, 2023
With Bill Evans (1929–1980, piano), “Lucky to Be Me,” “My Foolish Heart,” “When in Rome,” “We’ll Catch up Some Other Time,” “A Child Is Born,” “Make Someone Happy,” “Together Again,” 1976
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lagniappe
random sights
other day, Oak Park, Ill.
timeless
Lee Konitz (1927-2020, alto saxophone), Bill Evans (1929-1980, piano [25:33-]), Niels-Henning Ørsted Pedersen (1946-2005, bass), Alan Dawson (1929-1996, drums), live (“What’s New,” “All the Things You Are,” “Detour Ahead,” “My Melancholy Baby”), Paris, 1965
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lagniappe
random sights
yesterday, Oak Park, Ill.
three takes
“Spring Is Here” (R. Rogers, L. Hart), 1938
Audra McDonald (1970-), live
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Frank Sinatra (1915-1998), 1958
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Bill Evans Trio (BE, 1929-1980, piano; Scott LaFaro, 1936-1961, bass; Paul Motian, 1931-2011, drums), 1959
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lagniappe
random sights
yesterday, Oak Park, Ill.
*****
streaming
NPR Music: “A List of Live Virtual Concerts to Watch During the Coronavirus Shutdown.”
If I were to count, on my fingers, the number of times I have listened to this over the years, I would need an awful lot of hands.
Bill Evans (piano, 1929-1980), “Never Let Me Go” (J. Livingston, R. Evans), 1968 (Alone)
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lagniappe
random sights
this morning, Oak Park, Ill.
Why not begin the week with something beautiful?
Bill Evans (1929-1980, piano), “Like Someone in Love” (J. Burke, J. Van Heusen), recorded 1962
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lagniappe
random sights
yesterday, Oak Park, Ill.
No one fired up this pianist—one of the most influential in the history of jazz—like this drummer.
Bill Evans Trio (BE [1929-1980], piano; Philly Joe Jones [1923-1985], drums; Marc Johnson [1953-], bass), “Nardis” (M. Davis), live, Italy (Umbria), 1978
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lagniappe
reading table
How many poems have gotten so much attention with so few words?
so much depends
upona red wheel
barrowglazed with rain
waterbeside the white
chickens—William Carlos Williams (1883-1963), “The Red Wheelbarrow”
Here, rehearsing, is the most influential pianist in jazz of the last fifty years.
Bill Evans (piano, 1929-1980), Eddie Gomez (bass), Alex Riel (drums), live, Denmark (Copenhagen), 1966
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lagniappe
musical thoughts
The ‘open’ voicings that Evans used [i.e., leaving out a chord’s root note] were not new . . . . They had been there in ‘classical’ music since the early part of the century, since Bartok and Stravinsky. But they were new to jazz, and they opened up melody and flow in new ways.
—Martin Williams, The Jazz Tradition (2d ed. 1983)
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Bill had this quiet fire that I loved on piano. The way he approached it, the sound he got was like crystal notes or sparkling water cascading down from some clear waterfall.
—Miles Davis, Miles: The Autobiography (with Quincy Troupe, 1989)
After such a staggeringly noisy and ugly election season, how about something quiet and beautiful?
Bill Evans Trio (BE [1929-80], piano; Chuck Israels, bass; Larry Bunker, drums), “My Foolish Heart” (V. Young), live, Sweden, 1964
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lagniappe
random sights
this morning, Oak Park, Ill.
passings
Jim Hall, guitarist, December 4, 1930-December 10, 2013
With Joe Lovano (tenor saxophone), “In a Sentimental Mood” (D. Ellington), live, Italy (Umbria Jazz Festival), 1996
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With Bill Evans (piano), Undercurrent (“My Funny Valentine,” “I Hear a Rhapsody,” “Dream Gypsy,” “Romain,” “Skating in Central Park,” “Darn that Dream,” “Stairway to the Stars,” “I’m Getting Sentimental Over You”), 1962
When I was in college in the early ’70s, this album was a frequent late-night companion. Since then I’ve listened to it more times than I could count. It never grows old.
Yesterday, listening to WKCR-FM (Columbia University), I bumped into this, a track I never tired of hearing when, in the ’70s, I was in college.
Bill Evans (1929-1980), piano, “Never Let Me Go” (Alone, 1968)
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