Bela Bartok (1881-1945), String Quartet No. 4 in C major, Quatuor Ebène, live
**********
lagniappe
reading table
Sometimes it feels like a writer is speaking directly to you. Yesterday, before catching a flight to Orlando, then driving sixty miles to this hotel, which I’ll soon be leaving to see a client at a federal prison, I happened upon this.
in and out
of prison they go . . .
baby sparrows
—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)
—Mudd Up! (DJ/Rupture, “new bass and beats”)
—Sinner’s Crossroads(Kevin Nutt, gospel) —Give the Drummer Some (Doug Schulkind, sui generis, Web only)
—Lamin’s Show (sui generis)
—Mudd Up! (DJ/Rupture, “new bass and beats”)
—Sinner’s Crossroads(Kevin Nutt, gospel) —Give the Drummer Some (Doug Schulkind, sui generis, Web only)
—Daniel Blumin
—Cherry Blossom Clinic (Terre T, rock, etc.)
—Antique Phonograph Music Program (MAC, “78s and cylinders . . . played on actual period reproducing devices”)
—HotRod (“Shamanic vibrational love frequencies for the infinite mind,” Web only)
• WHPK-FM(broadcasting from University of Chicago)
• WKCR-FM (broadcasting from Columbia University)
—Lester Young/Charlie Parker birthday marathon
—John Coltrane birthday broadcast
—Bird Flight (Phil Schaap, jazz [Charlie Parker])
—Traditions in Swing (Phil Schaap, jazz)
—Eastern Standard Time (Carter Van Pelt, Jamaican music)
• WFMU-FM
—Mudd Up! (DJ/Rupture, “new bass and beats”)
—Sinner’s Crossroads(Kevin Nutt, gospel) —Airborne Event (Dan Bodah, “electronic noise to free jazz, drone rock to a capella African song”)
—Give the Drummer Some (Doug Schulkind, sui generis, web only)
—Transpacific Sound Paradise (Rob Weisberg, “popular and unpopular music from around the world”)
• WHPK-FM (broadcasting from University of Chicago)
—The Blues Excursion (Arkansas Red)
I find it hard to understand why some folks wall themselves off from classical music. Jazz, blues, rock, classical: it’s all music. Sure, the musical lines and paragraphs—the units of expression—are usually (though not always) longer and more complex in classical music. But that’s simply a matter of form. Raymond Carver and Marcel Proust, for all their formal differences, both take you places you can’t get to any other way. So too do both Beethoven and Art Pepper, both Magic Sam and Mozart.
Bela Bartok, String Quartet No. 1 in A minor, 3rd movement
The Parker Quartet, live, 11/23/09