never enough
Johann Sebastian Bach (1685-1750), Suite No. 3 in C major for Unaccompanied Cello; Anner Bylsma, live, 2000
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lagniappe
art beat: Thursday at the Art Institute of Chicago
Paul Gauguin (1848-1903), Vase in the Form of an Exotic Plant, 1886/87
Ever notice how musical white folks are?
The Handsome Family, “Darling, My Darling” (R. Sparks), live, Australia (Sydney), 2010
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lagniappe
art beat: more from Friday at the Art Institute of Chicago
Paul Klee (1879-1940), Death in the Garden (Legend), 1919
two takes
Buddy Miller, “Chalk” (J. Miller), live
With Don Was (bass), et al., 2007
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With Patty Griffin (vocals), et al., San Francisco, 2010
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lagniappe
art beat: more from Friday at the Art Institute of Chicago
Joseph Cornell (1903-1972), Ann—In Memory, 1954
angels
Marion Williams and the Stars of Faith, “Mean Old World,” live, Netherlands (Utrecht), 1962
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lagniappe
art beat: more from Friday at the Art Institute of Chicago
Joseph Cornell (1903-1972), Untitled (Forgotten Game), c. 1949
*****
reading table
Superiority to Fate
Is difficult to gain
‘Tis not conferred of any
But possible to earnA pittance at a time
Until to Her surprise
The Soul with strict economy
Subsist till Paradise.—Emily Dickinson (1830-1886), #1043 (Franklin)
testify!
Lee Williams and the Spiritual QC’s, “Jesus Is Alive and Well,” live, 10/8/98
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lagniappe
art beat: more from Friday at the Art Institute of Chicago
Claude Monet (1840-1926), Water Lily Pond, 1917/19
alone
John Cage (1912-1992), In a Landscape (1948)
Anton Batagov (1965-, piano), live, Moscow, 2014
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lagniappe
art beat: yesterday at the Art Institute of Chicago
Paul Cezanne, The Bay of Marseilles, Seen From L’Estaque, c. 1885
This, too, I never tire of.
sounds of Detroit
Don Was/Sweet Pea Atkinson, “Slow Down,” recording session, 2007
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lagniappe
art beat: more from the other day at the Art Institute of Chicago
This I never tire of.
Joan Mitchell (1925-1992), City Landscape, 1955
Need a jolt?
Ballet mecanique (1924) by Fernand Leger and Dudley Murphy (cinematography by Man Ray), with original score by George Anthiel (1900-1959), as performed in 1989 by the New Palais Royale Orchestra and Percussion Ensemble (Maurice Peress, cond.)
This I bumped into Friday at the Art Institute of Chicago, where it’s playing, continuously, in the exhibit Shatter Rupture Break, which runs through May 3rd.
If your appetite for new music is insatiable, what better time to be alive?
Tyshawn Sorey (1980-), Quartet for Butch Morris (2012); International Contemporary Ensemble (ICE), featuring Erik Carlson (violin); Joshua Rubin (bass clarinet), Eric Lamb (flute), Cory Smythe (piano); live, New York, 2012
Six decades of listening and, until yesterday, I’d never heard this particular combination of instruments. You?
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lagniappe
art beat: yesterday at the Art Institute of Chicago
James Ensor (1860-1949), Rooftops of Ostend, 1884 (Temptation: The Demons of James Ensor, through January 25th)
*****
reading table
Nature, the sky above us, is conducting no mean politics when it presents beauty to all, without discrimination, and nothing old and defective, but fresh and most tasty.
—Robert Walser (1878-1956), “Snowdrops,” excerpt (translated from German by Tom Whalen and Trudi Anderegg)
sounds of Chicago (day two)
Sometimes encountering a new piece of music can turn your whole day around, which is what happened to me the other day when I bumped into this.
Georg Friedrich Haas (1953-), In Vain (2000)
Ensemble Dal Niente, live, Chicago, 2013
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lagniappe
art beat: yesterday at the Art Institute of Chicago
Claude Monet (1840-1926), Cliff Walk at Pourville (1882)
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Pierre-Auguste Renoir (1841-1919), Seascape (1879)
*****
random thoughts
Eyes taste paintings no less than mouths taste food.
music clip of the day 