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Tag: Alexander Scriabin

Tuesday, April 5th

alone

Alexander Scriabin (1872-1915), Etude in F-sharp minor, Op. 8, No. 2 (1894); Ivo Pogorelić (1958-, piano), published 2014

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lagniappe

musical thoughts

Music is a means of rapid transportation.

—John Cage (1912-1992)

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random sights

other day, Oak Park, Ill. (Oak Park Conservatory)

Thursday, February 10th

another take

Alexander Scriabin (1872-1915), Etude in D-sharp minor, Op. 8, No. 12 (1894)
Vladimir Horowitz (1903-1989), live, New York (Carnegie Hall), 1968

https://youtube.com/watch?v=7ClDFmFmr0k%3Fversion%3D3%26rel%3D0%26showsearch%3D0%26showinfo%3D1%26iv_load_policy%3D1%26fs%3D1%26hl%3Den%26autohide%3D2%26wmode%3Dtransparent

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lagniappe

random sights

yesterday, Chicago

Monday, February 7th

alone

Nikolai Lugansky (1972-, piano), live, Ivanovka (Russia): Alexander Scriabin (1872-1915), Etudes, Op. 8 (1894-95), Nos. 2 (F-sharp minor), 4 (B major), 10 (D-flat major), 11 (B-flat minor), 12 (D-sharp minor)

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lagniappe

random sights

other day, Oak Park, Ill.

Wednesday, December 2nd

alone

One-word review: Wow!

Pierre-Laurent Aimard (1957-, piano) plays Etudes by Debussy, Ligeti, Chopin, Bartok, Scriabin; live, England (Aldeburgh), 2014*

 

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lagniappe

random sights

other day, Oak Park, Ill.

*****

*Program (courtesy of YouTube): 0:00-, Debussy: Étude 1 pour les cinq doigts d’après Monsieur Czerny L. 136; 03:42-, Ligeti: Etudes: Book 3: White on white (1995–2001); 07:56-, Debussy: Étude 9 pour les notes répétées L. 136; 11:16-, Ligeti: Etudes: Book 2: Der Zauberlehrling (1988–1994); 13:40-, Debussy: Étude 3 pour les quartes L. 136; 18:57-, Ligeti: Etudes: Book 2: Fém (1988–1994); 22:08-, Chopin: Trois nouvelles études: I. in F minor (1839); 24:29-, Ligeti: Etudes: Book 2: En Suspens (1988–1994); 26:35-, Chopin: Trois nouvelles études: III. in A major (1839); 28:50-, Ligeti: Etudes: Book 1: Arc-en-ciel (1985); 32:20-, Chopin: 12 etudes: II. in F minor (Op. 25); 34:03-, Ligeti: Etudes: Book 1: Touches bloquées (1985); 36:14-, Bartók: 3 etudes: I. Allegro molto Sz. 72; 38:45-, Bartók: 3 etudes: II. Andante sostenuto Sz. 72; 42:17-, Bartók: 3 etudes: III. Rubato-Molto sostenuto Sz. 72; 44:25-, Ligeti: Etudes: Book 2: Entrelacs (1988–1994); 47:20-, Ligeti: Etudes: Book 1: Fanfares (1985); 50:56-, Ligeti: Etudes: Book 1: Automne à Varsovie (1985); 55:39-, Scriabin: 3 etudes: I. Allegro fantastico Op. 65; 59:25-, Scriabin: 3 etudes: II. Allegretto Op. 65; 01:01:44-, Scriabin: 3 etudes: III. Molto vivace Op. 65; 01:03:30-, Ligeti: Etudes: Book 2: Galamb Borong (1988–1994); 01:06:30, Ligeti: Etudes: Book 1: Cordes à vide (1985); 01:10:03-, Ligeti: Etudes: Book 2: L’escalier du diable (1988–1994).

Saturday, June 6th

alone

Alexander Scriabin (1872-1915), Piano Sonata No. 9 (1913); Sviatoslav Richter (1915-1997, piano), live, England (Aldeburgh Festival), 1966

 

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lagniappe

random sights

this morning, Oak Park, Ill.

Monday, March 16th

Want to be swept away?

Alexander Scriabin (1871-1915), Etude in D-sharp minor, Op. 8, No. 12 (1894); Daniil Trifonov (1991-, piano), live, Berlin, 2019

 

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lagniappe

random sights

yesterday, Oak Park, Ill.

*****

reading table

And I Was Alive
by Osip Mandelstam (1891-1938),
translated from Russian by Christian Wiman

And I was alive in the blizzard of the blossoming pear,
Myself I stood in the storm of the bird-cherry tree,
It was all leaflike and star shower, unerring, self-shattering power,
And it was all aimed at me.

What is this dire delight flowering fleeing always earth?
What is being? What is truth?

Blossoms rupture and rapture the air,
All hover and hammer,
Time intensified and time intolerable, sweetness raveling rot.
It is now. It is not.

Thursday, June 18th

sounds from the other side of the moon

Alexander Scriabin (1872-1915), Piano Sonata No. 5; Dmitry Rachmanov, live, San Francisco, 2015

*****

Here’s another take.

Sviatoslav Richter (1915-1997), live recording, Prague, 1972

Thursday, 11/29/12

riveting

Alexander Scriabin, Etude in D-sharp minor, Op. 8, No. 12 (1894)
Vladimir Horowitz, live, New York (Carnegie Hall), 1968