Morton Feldman (1926-1987, MCOTD Hall of Fame), For Christian Wolff (1986); Eberhard Blum (flute), Nils Vigland (piano, celesta), 1992
It can be hard to recall, after an hour or two, what the world sounded like before this began.
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lagniappe
listening room
Clear, open, luminous: pianist Aki Takahashi’s recently released recording of For Bunita Marcus (1985), available on Spotify, is one of the finest renderings of Feldman’s unique sound-world that I’ve ever heard.
Morton Feldman (1926-1987), Palais de Mari (1986); Aki Takahashi, piano
Today Feldman enters the MCOTD Hall of Fame, joining saxophonists Von Freeman and Henry Threadgill, trumpeter Lester Bowie, poets John Berryman and William Bronk and Wislawa Szymborska, photographer Helen Levitt, and gospel singer Dorothy Love Coates.
Emily “Cissy” Houston (born Emily Drinkard), singer, 1933-
The Drinkard Singers (Cissy Houston, lead vocals), “Lift Him Up,” live (TV broadcast), c. early 1960s
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lagniappe
Live (TV broadcast), 1970
“Be My Baby” (P. Spector, J. Barry & E. Greenwich)
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“I Just Don’t Know What To Do With Myself” (B. Bacharach & H. David)
*****
listening room: (some of) what’s playing
• Ambrose Akinmusire, When the Heart Emerges Glistening (Blue Note)
• Johann Sebastian Bach, Suites for Unaccompanied Cello, Pierre Fournier, cello (Archiv Production)
• Johann Sebastian Bach, Well-Tempered Clavier, Glenn Gould, piano (Sony)
• Johann Sebastian Bach, Partitas Nos. 3, 4, 6, Jeremy Denk, piano (Azica)
• Ludwig van Beethoven, Piano Sonatas Nos. 14 (“Moonlight”), 8 (“Pathetique”), 23 (“Appassionata”), Rudolf Serkin, piano (CBS)
• Alfred Cortot, The Master Pianist (EMI)
• Claude Debussy, Pour Le Piano, Etudes Books 1 & 2, Gordon Fergus-Thompson, piano (Musical Heritage Society)
• The Dirtbombs, Ultraglide In Black (In the Red Records)
• Morton Feldman, For Bunita Marcus, John Tilbury, piano (London Hall)
• Morton Feldman, Piano and String Quartet, Aki Takahashi (piano), Kronos Quartet (Nonesuch)
• Mary Halvorson Quintet, Saturn Sings (Firehouse)
• Slim Harpo, The Best of Slim Harpo (Hip-O)
• Paul Hindemith, Benjamin Britten, Krzysztof Penderecki; Kim Kashkashian (viola), Stuttgarter Kammerorchester (Dennis Russell Davies, cond.), Lachrymae (ECM)
• Steve Lehman Octet, Travail, Transformation, and Flow (Pi Recordings)
• Jimmie Lunceford, The Complete Jimmie Lunceford Decca Sessions (Mosaic)
• Guilliaume de Michaut, Motets, The Hilliard Ensemble (ECM)
• Paul Motian Trio (with Joe Lovano, Bill Frisell), Sound of Love (Winter & Winter)
• Mudd Up!, WFMU-FM (DJ/Rupture, “new bass and beats”)
• Pee Wee Russell, Swingin’ with Pee Wee (Prestige)
• Pharoah Sanders, Karma (GRP)
• Pharoah Sanders, Live (Evidence)
• Giacinto Scelsi, Natura Renovatur (ECM)
• Arnold Schoenberg, Piano Works, Peter Serkin, piano (Arcana)
—Mudd Up! (DJ/Rupture, “new bass and beats”)
—Sinner’s Crossroads(Kevin Nutt, gospel) —Give the Drummer Some (Doug Schulkind, sui generis, Web only)
—Lamin’s Show (sui generis)
—Mudd Up! (DJ/Rupture, “new bass and beats”)
—Sinner’s Crossroads(Kevin Nutt, gospel) —Give the Drummer Some (Doug Schulkind, sui generis, Web only)
—Daniel Blumin
—Cherry Blossom Clinic (Terre T, rock, etc.)
—Antique Phonograph Music Program (MAC, “78s and cylinders . . . played on actual period reproducing devices”)
—HotRod (“Shamanic vibrational love frequencies for the infinite mind,” Web only)
• WHPK-FM(broadcasting from University of Chicago)
Ever feel like, each day, you understand less and less?
Davis Sisters (with Jackie Verdell), “We’ll Understand It Better By and By,” live (TV broadcast), early 1960s
Vodpod videos no longer available.
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lagniappe
reading table
So long as that woman from the Rijksmuseum
in painted quiet and concentration
keeps pouring milk day after day
from the pitcher to the bowl
the World hasn’t earned
the world’s end.
I am a big admirer of her [Szymborska’s] work. I have read everything she has written, and I keep coming back to it. She is a very witty poet and she has greatly helped me to enjoy life. She exactly fits my definition of an artist. Who shouldn’t only have profound insight and a sharp mind but also remember that his obligation is to entertain the reader. And this is exactly what she does.
• WKCR-FM(broadcasting from Columbia University)
—Bird Flight (Phil Schaap, jazz [Charlie Parker])
—Traditions in Swing (Phil Schaap, jazz)
—Eastern Standard Time (Carter Van Pelt, Jamaican music)
—Raag Aur Taal (Various, Indian music)
If I were a piece of music (as Barbara Walters might put it), here’s the one I’d want to be (today, anyway): deceptively simple, continually (albeit subtly) changing, perpetually fresh.
Morton Feldman, Triadic Memories, excerpt (1981)/Aki Takahashi, piano
(Feldman’s late piano pieces, including this one, accompany more of my daily life than any other music. Among other things, they work wonders when sleep won’t come [I mean that as a compliment]: slip the CD into the bedside Bose player, turn the volume down, hit the repeat button, and drift.)
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lagniappe
[Triadic Memories is] Feldman’s greatest piano piece, and thus one of the great piano works of the 20th century.—Kyle Gann
*****
Some modernist composers such as Stockhausen want to embrace everything in their music. Others work by exclusion, ruthlessly paring their music down until only the essential core remains. The American composer Morton Feldman, who died in 1987 aged 61, was perhaps the most ruthless of all these great renouncers. He didn’t want lyricism or complication or any of the storm and stress and conflict that go with ‘expression.’ What he wanted was to ‘tint the air’ with gentle sounds, revealed in slowly changing patterns.—Ivan Hewitt
*****
Even if you’re not up for discerning the grand construction in Feldman’s meditative, pared-down music, its medicinal value is so strong that, while I was recovering from surgery, it worked as well as Motrin—or the Mozart piano concertos I have used after a wisdom-teeth extraction. Think of what Feldman could do for hangovers.—David Patrick Stearns
