Spare, lyrical, introspective—what better way to end the week?
Abdullah Ibrahim (1934-, piano), live (“Blue Bolero,” “Signal on the Hill,” “Once Upon a Midnight”), Germany (Chiemgau), published 3/9/22
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lagniappe
my back pages
In the digital age, nothing, it seems, ever disappears, including, for instance, a review of his trio that I wrote, for the Chicago Reader, in 1995.
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random sights
a while ago, Ireland (Dingle Peninsula)

what’s new
Patricia Kopatchinskaja (1977-, violin), Joonas Ahonen (1984-, piano), live, Vienna (Austria), published 3/8/22: Ludwig van Beethoven (1770-1827), Violin Sonata No. 7 in C minor (excerpt [Movts. III-IV]); George Antheil (1900-1959), Violin Sonata No. 1 (excerpt [Movt. IV), 1923)
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lagniappe
random sights
other day, Oak Park, Ill.

like nobody else
In a world of too much—news, suffering, noise—he offers a small, quiet space to inhabit.
Morton Feldman (1926-1987, MCOTD Hall of Fame), For John Cage (1982); Jesse Mills (violin), Rieko Aizawa (piano), live, New York (Bargemusic, Brooklyn), 7/30/21
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lagniappe
random sights
yesterday, Oak Park, Ill.

sounds of Ukraine
Valentin Silvestrov (1937-, composer, pianist), Kyiv (Ukraine), 4/18/21, playing Johann Sebastian Bach (1685-1750, from The Well-Tempered Clavier), Robert Schumann (1810-1856, from Op. 99)
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lagniappe
reading table
Hard on the land wears the strong sea / and empty grows every bed.
—John Berryman (1914-1972, MCOTD Hall of Fame), from “Dream Song 1”
sounds of Ukraine
Alyona Alyona (1991-), “Open,” 2018
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lagniappe
reading table
Any fence maintains the other / side is “without form.”
—Rae Armantrout (1947-), from “As We’re Told”