music clip of the day

jazz/blues/rock/classical/gospel/more

Monday, 2/28/11

When something is this lyrical, this convincing, there’s only one thing I want to do when it ends—hear it again.

Michael Burks, “Empty Promises,” live, Falls Church, Virginia, 8/21/09

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Sunday, 2/27/11

I’ll fly away . . .

DeAndre Patterson, “I’ll Fly Away,” live, Chicago (homegoing service for Eugene Smith, Christian Tabernacle Church, 47th & Prairie), 5/18/09

#1

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#2

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lagniappe

art beat

After a court hearing Friday, I stopped by the Art Institute of Chicago, which is just a couple blocks from the federal courthouse. In the Modern Wing, there’s a wonderful space on the second floor—a small room you enter through a glass door. Once inside, these paintings—each has a wall to itself—surround you.

Jackson Pollock, Greyed Rainbow (1953)

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Joan Mitchell, “City Landscape” (1955)

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Willem de Kooning, Excavation (1950)

Saturday, 2/26/11

If making mindless music is so easy, how come so few do it well?

Ramones, live, London, 1977

#1

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#2

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#3

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lagniappe

reading table

Life on Earth is quite a bargain.
Dreams, for one, don’t charge admission.
Illusions are costly only when they’re lost.
The body has its own installment plan.

—Wislawa Szymborska, “Here” (excerpt; trans. Clare Cavanagh & Stanislaw Baranczak)


Friday, 2/25/11

Our music is a Secret Order.

—Louis Armstrong, 1954 (John F. Zwed, Space Is The Place: The Lives And Times Of Sun Ra [1997], epigraph)

Von Freeman (tenor saxophone, with Ed Petersen, tenor saxophone; Willie Pickens, piano; Brian Sandstrom, bass; Robert Shy, drums), live, Chicago (Green Mill Lounge), 12/31/10

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More? Here. And here.

Thursday, 2/24/11

what’s new
(an occasional series)

Have you heard the Lupe & John Legend?

—my 19-year-old son Luke

Lupe Fiasco (featuring John Legend), “Never Forget You” (2010)

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Listening to music that means a lot to someone else gives you an opportunity nothing else does. You get to hear the world through their ears. This song, for instance, coming to my ears through my son Luke’s, makes me wonder: What’s it like to look back on your life, on all that’s come before, when you’re 19 years old?

More Lupe? Here. And here. And here.

More Legend? Here. And here.

Wednesday, 2/23/11

street music
(an occasional series)

It ain’t just the beats—it’s the show.

drummers, Chicago (Michigan Ave.)

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lagniappe

Drum mashup?

Start the first clip.

Then start the second.

Tuesday, 2/22/11

Don’t forget the Motor City

Theo Parrish, Detroit-based DJ & producer

Collecting sounds around Detroit

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Live, New York (Brooklyn Yard), 8/23/09

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Live, Paris (Elysee Montmarte), 4/30/10

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Recording, “Soul Control”

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Recording (with Marcellus Pittman), “Equality of Patience”

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langiappe

thoughts on music

Music history as a whole has been drastically misnamed. Jazz is just as rugged as hip-hop is, and hip-hop is just as elegant as classical. These things are present, but the language we’re using to talk about them tends to be outdated, outmoded.

—Theo Parrish (in The Wire, 3/11)

Monday, 2/21/11

Whatever I’d say would be an understatement. I can only say my life was made much better by knowing him. He was one of the greatest people I’ve ever known, as a man, a friend, and a musician.

—John Coltrane

Eric Dolphy (alto saxophone, bass clarinet, flute)
June 20, 1928-June 29, 1964

John Coltrane Quintet (JC, tenor saxophone; Eric Dolphy, alto saxophone; McCoy Tyner, piano; Reggie Workman, bass; Elvin Jones, drums), “Impressions,” live, Germany (Baden-Baden), 1961

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(For whatever reason, this clip sometimes seems to play better, on my Mac, with Safari than Firefox.)

More Eric Dolphy? Here. And here.

More John Coltrane? Here.

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lagniappe

reading table

Leviathan

Truth also is the pursuit of it:
Like happiness, and it will not stand.

Even the verse begins to eat away
In the acid. Pursuit, pursuit;

A wind moves a little,
Moving in a circle, very cold.

How shall we say?
In ordinary discourse—

We must talk now. I am no longer sure of the words,
The clockwork of the world. What is inexplicable

Is the ‘preponderance of objects.’ The sky lights
Daily with that predominance

And we have become the present.

We must talk now. Fear
Is fear. But we abandon one another.

—George Oppen

Sunday, 2/20/11

combustible, adj. capable of igniting and burning. E.g., gospel singer
Paul Arnold.

Gospelaires (featuring Paul Arnold), “Joy” & “Rest for the Weary,” live
(TV Gospel Time), 1966

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lagniappe

He was singing, and he touched a lady, and she fainted . . .

—Paul Arnold, Jr., Gospel Memories (WLUW-FM), 2/12/11

 

Saturday, 2/19/11

Listen yesterday; go today.

Burkina Faso: Life & Music in West Africa (2007)

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lagniappe

According to the guidebook, Burkina Faso is one of the poorest countries in the world, but in our experience its people seemed confident and proud of their culture in this 50th anniversary of independence from French colonial rule. Deep red dust carpets the country, kicked up by the mopeds that crisscross the rutted ground and buy markets lining nearly every street. Yet through the coating of dust the people always look impeccably elegant.

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In Burkina, the sun drops away at 7 p.m. sharp. When we returned for the concert, we saw scores of parked mopeds glistening under the full moon., and hundreds of people queuing outside the high crumbling walls enclosing the open air theatre. Inside, beyond the light cast rom the state, a huge crowd bustled quietly in the darkness otherwise shrouding the vast auditorium. Families with children of all ages filled the wooden benches, and here too traders plied bronze jewellery and leather goods around the perimeter.

—Trevor Watts, The Wire, 3/11