music clip of the day

jazz/blues/rock/classical/gospel/more

Saturday, 2/18/12

 passings

In?

Out?

No matter—he played it all.

Jodie Christian, February 2, 1932-February 13, 2012, Chicago-based pianist; cofounder, AACM (Association for the Advancement of Creative Musicians)

With Eddie Harris, tenor saxophone (Melvin Jackson, bass; Billy Hart drums), “Listen Here” (with a nod at the end to “Freedom Jazz Dance”), live, Montreux, 6/20/1969

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With Roscoe Mitchell, soprano saxophone (Malachi Favors, bass, et al.), live, Chicago, 1984

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lagniappe

reading table

A dead beetle lies on the path through the field.
Three pairs of legs folded neatly on its belly.
Instead of death’s confusion, tidiness and order.
The horror of this sight is moderate,
its scope is strictly local, from the wheat grass to the mint.
The grief is quarantined.
The sky is blue.

To preserve our peace of mind, animals die
more shallowly: they aren’t deceased, they’re dead.
They leave behind, we’d like to think, less feeling and less world,
departing, we suppose, from a stage less tragic.
Their meek souls never haunt us in the dark,
they know their place,
they show respect.

And so the dead beetle on the path
lies unmourned and shining in the sun.
One glance at it will do for meditation—
clearly nothing much has happened to it.
Important matters are reserved for us,
for our life and our death, a death
that always claims the right of way.

—Wislawa Szymborska, “Seen From Above,” (translated from Polish by Stanislaw Baranczak and Clare Cavanagh)

Friday, 2/17/12

Blues is a big tent. Over here is Slim Harpo (“I’m A King Bee,” 2:18-). And over there are the Stooges (“I Wanna Be Your Dog,” 4:48-).

Alejandro Escovedo, live, Austin (Continental Club), 11/29/11
With guests Marc Ribot & David Hidalgo (guitars)

More Alejandro Escovedo? Here. And here.

Marc Ribot? Here. And here. And here. And here. And here.

David Hidalgo? Here.

Thursday, 2/16/12

Some music creates a space so mysterious—so different from what you ordinarily inhabit—that the moment it ends you feel bereft.

Toru Takemitsu (1930-1996), Rain Tree, Line C3, New York, 2011

Vodpod videos no longer available.

Wednesday, 2/15/12

the ecstatic impulse

Pharoah Sanders, tenor saxophonist, composer, bandleader, 1940-

“You’ve Got To Have Freedom” (P. Sanders)

Take 1: Live (with William Henderson, piano; James Leary, bass; Kharon Harrison, drums), Los Angeles, 2011

***

Take 2: Live (with John Hicks, piano; Walter Booker, bass; Idris Muhammad, drums), Los Angeles, 1981 (Live [Evidence])

More? Here.

Jazz, R&B, gospel—listening to him you’re reminded, again, that they all come from the same place.

Tuesday, 2/14/12

two takes

“La-La (Means I Love You)” (T. Bell & W. Hart)

Bill Frisell (guitar) with Tony Scherr (bass) & Kenny Wollesen (drums)
Live, Rochester (NY), 2007

***

The Delfonics, 1968

(First clip originally posted 5/28/10.)

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lagniappe

reading table

And this disease which was Swann’s love had so proliferated, was so closely entangled with all his habits, with all his actions, with his thoughts, his health, his sleep, his life, even with what he wanted after his death, it was now so much a part of him, that it could not have been torn from him without destroying him almost entirely: as they say in surgery, his love was no longer operable.

—Marcel Proust, Swann’s Way (translated from French by Lydia Davis)

Monday, 2/13/12

There are all kinds of love songs.

Sonny Boy Williamson II (AKA Aleck [or Alex] “Rice” Miller), “Your Funeral and My Trial,” live, Europe, 1960s

More? Here.

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lagniappe

reading table

Moonlight in the kitchen is a sign of God.

—Anne Carson, “God’s Work” (excerpt)

Sunday, 2/12/12

 passings

Whitney Houston, singer, August 9, 1963-February 11, 2012

What takes your breath away isn’t the way she pulls out all the stops—lots of singers do that. It’s how she pulls back (2:00-2:35, 3:00-3:20, etc.).

“A Quiet Place,” TV show (with mother Cissy Houston looking on), 1980s

***

As a girl she sang at her family’s church.

New Hope Baptist Church, Newark, New Jersey, 1970s

(First clip originally posted 7/25/10, second 1/18/12.)

Saturday, 2/11/12

two takes

“I’m Your Puppet” (D. Penn & S. Oldham)

James & Bobby Purify, TV show, 1966

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Dan Penn (guitar, vocals) & Spooner Oldham (keyboards), TV show, 1999

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This is one of the sadder, and stranger, love songs I know. “I’ll do funny things if you want me to”: someone who’ll “do funny things” on command but isn’t, as far as we can tell, otherwise funny is someone who’s desperate to please. And that, to me, is what this song’s about more than anything else—desperation. This is a guy who’ll “do anything.” He’s “hanging on a string.”

Friday, 2/10/12

only rock ’n roll

Terry Malts (Phil Benson, vocals, bass; Corey Cunningham, guitar; Nathan Sweatt, drums), “Nauseous,” “Something About You,” 2012

Vodpod videos no longer available.

Thursday, 2/9/12

how to cast a spell

Tip #1: Be under one yourself.

Gretchen Parlato (with Taylor Eigsti, piano; Alan Hampton, bass; Mark Guiliana, drums), “Better Than,” live, Germany (Stuttgart), 2010

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lagniappe

reading table

thin wall—
with the moonlight
comes the cold

—Kobayashi Issa, 1824 (translated from Japanese by David G. Lanoue)