Thursday, 4/5/12
passings
Earl Scruggs, banjo player, January 6, 1924-March 28, 2012
With Doc Watson (vocals, guitar) and their sons (Merle Watson, Randy & Steve Scruggs), live, 1971, Deep Gap, North Carolina (Doc’s home)
passings
Earl Scruggs, banjo player, January 6, 1924-March 28, 2012
With Doc Watson (vocals, guitar) and their sons (Merle Watson, Randy & Steve Scruggs), live, 1971, Deep Gap, North Carolina (Doc’s home)
Welcome to the maelstrom.
Miles Davis Group,* live, Berlin, 1973
Part 1: Turnaroundphrase
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Part 2: Turnaroundphrase, cont.; Tune in 5
*MD, trumpet; David Liebman, saxophone; Pete Cosey, guitar, percussion; Reggie Lucas, guitar; Michael Henderson, bass; Al Foster, drums; Mtume, percussion.
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lagniappe
reading table
Last night as I was sleeping,
I dreamt—marvelous error!—
that a spring was breaking
out in my heart.
I said: Along which secret aqueduct,
Oh water, are you coming to me,
water of a new life
that I have never drunk?Last night as I was sleeping,
I dreamt—marvelous error!—
that I had a beehive
here inside my heart.
And the golden bees
were making white combs
and sweet honey
from my old failures.Last night as I was sleeping,
I dreamt—marvelous error!—
that a fiery sun was giving
light inside my heart.
It was fiery because I felt
warmth as from a hearth,
and sun because it gave light
and brought tears to my eyes.Last night as I slept,
I dreamt—marvelous error!—
that it was God I had
here inside my heart.—Antonio Mochado (1875-1939), “Last Night As I Was Sleeping” (translated from Spanish by Robert Bly)
One singer’s garbage is another’s gold.
Nina Simone, “Ain’t Got No/I Got Life” (adapted from Hair)
Live, New York (Harlem Cultural Festival), 1969
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lagniappe
yesterday
Listening to the radio, where they were talking about post-war modernist architecture, I learned a new term for people my age: “mid-century.”
When we last saw Miles, playing in Germany in 1967, he was wearing a suit and tie. Here, two years later, his wardrobe is headed in a new direction. So is his music.
Miles Davis Quintet,* live, France (Antibes), 1969
“Milestones,” “Footprints,” “’Round Midnight”
*MD, trumpet; Wayne Shorter, tenor and soprano saxophones; Chick Corea, electric piano; Dave Holland, bass; Jack DeJohnette, drums.
Willie Neal Johnson & The Gospel Keynotes
“Just For Me,” live
“Well, all right?” Gospel singers often follow a song, immediately, with a question. This opens a performance up, welcoming anyone who wants to come in, believer or not.
passings
Jerry McCain, singer, songwriter, harmonica player
June 18, 1930-March 28, 2012
These tracks were recorded, in the mid-1950s, as demos in Jerry’s living room in Gadsden, Alabama, using a single microphone and a one-track home tape recorder.
“Geronimo Rock ’n’ Roll”
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“Rock ’n’ Roll Ball”
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“A Cutie Named Judy”
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“Bell In My Heart”
only rock ’n’ roll
The Cramps, live
California State Mental Hospital (Napa), 1978
Erlend Viken, “Storpolsdansen,” live
This guy I stumbled upon the other day, as I do so many things, listening to the radio (Transpacific Sound Paradise, WFMU-FM, Sat., 6-9 p.m. [EST]). His studio performance, and interview, can be heard here.
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lagniappe
random thoughts
Does life become more understandable as you get older—or less?
What better experience for playing with the Velvet Underground, whose mentor, Andy Warhol, once observed “the channels switch, but it’s all television,” than to appear on I’ve Got a Secret?
I’ve Got a Secret (Garry Moore, host; John Cale, guest), 1963
The piece he plays at the end, Vexations, was composed in the early 1890s by Erik Satie.
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lagniappe
MCOTD’s granddog, and muse, Roscoe
what’s new
Let’s pick up where we left off—Mali.
Amadou & Mariam (with Tunde Adibimpe & Kyp Malone [TV on the Radio]), “Wily Kataso,” 2012