music clip of the day

jazz/blues/rock/classical/gospel/more

Sunday, 6/17/12

four takes

“I’ll Fly Away,” Albert E. Brumley, 1929 (publ. 1932)

Jerry Lee Lewis and Mickey Gilley
Live (TV show), 1980

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The Caravans (feat. Shirley Caesar)
Recording, 1964

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Bill Monroe and Ralph Stanley
Live, Virginia (Coeburn), 1970s (?)

***

Aretha Franklin
Live (Albertina Walker’s home-going service), Chicago, 2010

(This last clip was originally posted on 10/24/10, shortly after Albertina Walker, the leader of the Caravans, passed away.)

Saturday, 6/16/12

two takes

Santigold, “Disparate Youth”

Recording & video, 2012

***

Live (studio performance), BBC, 2012

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lagniappe

reading table

After a certain age our memories are so interwoven with each other that the object of our thoughts or the book which we are reading has practically no importance. We have left traces of ourselves everywhere, everything is fertile, everything is dangerous, and we can make discoveries every bit as precious in an advertisement for soap as Pascal’s Pensées.

—Marcel Proust, The Fugitive (translated from French by Peter Collier)

Sunday, 6/10/12

Aretha’s father

Rev. C. L. Franklin (1915-1984), live, Dallas
“The Doors of the Church Are Open”/“I Will Trust in the Lord”
(recording ends at 5:55)

One thing I love about this is the ease with which he slides into and out of song (1:20, 2:25, 2:50, etc.). (Or is it all song?)

More? Here.

*****

taking a break

I’m going to take some time off—back in a bit.

Saturday, 6/9/12

Spirits need a lift?

Consider this: how much wonderful music—more than a lifetime’s worth—waits to be heard for the first time.

Morton Feldman, For Philip Guston (1984)*

Part 1

Part 2

Part 3

Part 4

More Feldman?

Here.

Here. 

And here.

Here. 

And here. And here. And here.

Here. 

And here.

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lagniappe

musical thoughts

Q. This is a tough question, but what would be your five Desert Island disks?

John Luther Adams: I’d want music I could live inside for a long time; music that’s complex and enigmatic enough that there’s always something new to discover. Off the top of my head, my choices might be . . .

One of Morton Feldman’s major works, probably the Second String Quartet. Or maybe For Philip Guston.

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*For piano, celesta, piccolo, flute, alto flute, glockenspiel, vibraphone, marimba, chimes.

Friday, 6/8/12

only rock ’n’ roll

The Hives, “Tick Tick Boom”
Live, Coachella (California), 4/15/12

More? Here.

Thursday, 6/7/12

Ken Vandermark (saxophone) & Paal Nilssen-Love (drums)
Live, Romania (Bucharest), 2010

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lagniappe

musical thoughts

Last night, while I was listening to these guys at a little club on Chicago’s near northwest side (The Hideout), a thought kept running through my head: there’s nothing like live music; there’s nothing at all like live music; there’s nothing at all in this world even remotely like live music.

Wednesday, 6/6/12

three takes

“Fool For You” (C.L. Green)

Alice Smith, recording and video, 2011

*****

Cee Lo Green, feat. Melanie Fiona, recording, 2011

*****

Alice Smith, live, Washington, D.C. (Howard Theatre), 2012

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lagniappe

reading table

What will it all be like in five years’ time
when you try to remember?

—John Ashbery, “For John Clare” (excerpt)

Tuesday, 6/5/12

only rock ’n’ roll

Granted, there are no sure things in pop music; but how can a shaggy-red-haired sister-and-brother duo miss?

White Mystery, “Switch It Off,” live, New York, 2010

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lagniappe

reading table

World is crazier and more of it than we think,
Incorrigibly plural.

—Louis MacNiece (1907-1963), “Snow” (excerpt)

Monday, 6/4/12

passings

Pete Cosey, guitar player, October 9, 1943-May 30, 2012

Miles Davis, “Ife,” live, Austria (Vienna), 1973
With Pete Cosey, guitar (solo begins at 5:30) and percussion; Dave Liebman, flute, soprano and tenor saxophones; Reggie Lucas, guitar; Michael Henderson, bass; Al Foster, drums; James Mtume Forman, conga and percussion

*****

Here’s an earlier post (12/31/09):

In the public imagination, the guitar’s associated with freedom and individuality. The musical reality’s different. Guitarists travel in herds; few stray from the pack. One who has gone his own way is this man, who’s played with everyone from Muddy Waters (as a session musician for Chicago-based Chess Records) to Miles Davis (as a member of his group [1973-1975]). He employs a variety of unusual tunings and effects. He sounds like no one else.

Pete Cosey, guitar

“Calypso Frelimo” (excerpt), Pete Cosey’s Children of Agharta (JT Lewis, drums; Gary Bartz and John Stubblefield, saxophones & flute; Matt Rubano, bass; Johnny Juice, turntables; Baba Israel, words and beats; Kyle Jason, voice; Bern Pizzitola, guitar; Wendy Oxenhorn, harmonica), live, 2002, New York

*****

Live (with Melvin Gibbs, bass; JT Lewis, drums; Johnny Juice, congas and turntables)

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lagniappe

. . . the guy who, after Hendrix, showed you how ‘out’ you could go with guitar playing, particularly in the improvised context.

—Greg Tate

Sunday, 6/3/12

Vernard Johnson, “Praise Is What I Do”
Live, Detroit, 2007

The sounds he makes on his horn are, to these ears, among the most moving in all of music.

More? Here. And here. And here.