music clip of the day

jazz/blues/rock/classical/gospel/more

Friday, 10/26/12

two takes

His stuff gets under my skin.

How To Dress Well (Tom Krell), “Set It Right”

Live (with talk), 2012

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Recording (Total Loss), 2012

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lagniappe

reading table

This world—
call it an image
caught in a mirror—
real it is not,
nor unreal either.

—Minamoto no Sanetomo (1192-1219, translated from Japanese by Burton Watson)

Thursday, 10/25/12

serendipity

Cyrus, “Inversion” (Basic Channel), 1994

Last night, making dinner, I bumped into this on the radio (WFMU-FM). Television I could live without in a heartbeat. Radio? Never.

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lagniappe

found words

Better things will come or worse things, but they will come.

Ozzie Guillen (Twitter, 10/23/12, after being fired by the Marlins)

Wednesday, 10/24/12

The last band I heard with this lineup—trumpet, violin, accordion, bass—was, uh, let’s see . . .

Dave Douglas (trumpet), Charms of the Night Sky*
Live, Germany (Frankfurt), 1999

#1

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#2

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#3

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#4 

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lagniappe

musical thoughts

I am moved by more music now than I have ever been. Trying to see it from a wider and deeper perspective only makes it clear that the lake itself is wider and deeper than we thought.

—David Byrne, How Music Works (2012)

*****

*With Mark Feldman (violin), Guy Klucevsek (accordion), Greg Cohen (bass).

Tuesday, 10/23/12

Last night, working on a federal drug case, I had a decision to make. What to listen to—Obama and Romney, or Bach? Bach won.

Johann Sebastian Bach, Fifteen Two-Part Inventions (BWV 772-786)
Andras Schiff, piano

Monday, 10/22/12

old stuff

The great thing about the 21st century is that it’s so easy to leave.

Count Basie Orchestra (Don Byas, tenor saxophone; Harry “Sweets” Edison and Buck Clayton, trumpets; Freddie Green, guitar; Jo Jones, drums, et al.), “Dance of the Gremlins,” “Swingin’ the Blues,” 1941

Sunday, 10/21/12

Here are a couple more takes on a song we heard the other day.

“I Couldn’t Hear Nobody Pray”

Fisk University Jubilee Quartet, 1909 (first known recording)

*****

Wiley College A Cappella Choir, live, 2010
The Shores at Wesley Manor, Ocean City, New Jersey

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lagniappe

musical thoughts

“Couldn’t Hear Nobody Pray; couldn’t hear nobody pray; way down yonder by myself; couldn’t hear nobody pray.” This “spiritual” was sung as part of a brilliant system of signals devised by men and women attempting an escape from the clutches of American slavery. The song’s coded meaning was, “An escape attempt has failed. We’re all trying to re-group, emotionally and spiritually.”
(http://ctl.du.edu/spirituals/freedom/coded.cfm).
The unfortunate persons singing this lament found themselves in imminent danger. Their best plans toward freedom had not worked; and there existed an immediate need for help, for direction, for protection, for divine intervention. They needed to hear somebody pray!

Vivian M. Lucas

Saturday, 10/20/12

passings

David S. Ware, saxophonist, composer, bandleader
November 7, 1949-October 18, 2012

“Mikuro’s Blues,” live, Europe, 200?*

*****

Live, Lithuania (Vilnius), 2007*

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lagniappe

reading table

“Variations On A Text By Vallejo”
By Donald Justice (1925-2004)

Me moriré en Paris con aguacero …

I will die in Miami in the sun,
On a day when the sun is very bright,
A day like the days I remember, a day like other days,
A day that nobody knows or remembers yet,
And the sun will be bright then on the dark glasses of strangers
And in the eyes of a few friends from my childhood
And of the surviving cousins by the graveside,
While the diggers, standing apart, in the still shade of the palms,
Rest on their shovels, and smoke,
Speaking in Spanish softly, out of respect.

I think it will be on a Sunday like today,
Except that the sun will be out, the rain will have stopped,
And the wind that today made all the little shrubs kneel down;
And I think it will be a Sunday because today,
When I took out this paper and began to write,
Never before had anything looked so blank,
My life, these words, the paper, the gray Sunday;
And my dog, quivering under a table because of the storm,
Looked up at me, not understanding,
And my son read on without speaking, and my wife slept.

Donald Justice is dead. One Sunday the sun came out,
It shone on the bay, it shone on the white buildings,
The cars moved down the street slowly as always, so many,
Some with their headlights on in spite of the sun,
And after awhile the diggers with their shovels
Walked back to the graveside through the sunlight,
And one of them put his blade into the earth
To lift a few clods of dirt, the black marl of Miami,
And scattered the dirt, and spat,
Turning away abruptly, out of respect.

*****

*With Matthew Shipp (piano), William Parker (bass), Guillermo Brown (drums).

Friday, 10/19/12

only rock ’n’ roll

The Ex & Brass Unbound,* live, Dublin, 2010

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lagniappe

last night

He read at the Art Institute of Chicago, where I sat rapt and happy.

Seamus Heaney, “Postscript,” Dublin, 2011

*****

*Mats Gustafsson (baritone saxophone), Ken Vandermark (tenor saxophone), Wolter Wierbos (trombone), Roy Paci (trumpet).

Thursday, 10/18/12

 fasten your seatbelt

Here’s another take on a piece we listened to the other day.

Alfred Schnittke (1934-98), Concerto Grosso No. 1 (excerpt); A Far Cry with guests Nelson Lee (violin), Meg Freivogel (violin), and Andrus Masden (harpsichord, prepared piano); live, Boston, 2009

(This entire performance can be heard here.)

Wednesday, 10/17/12

 father & son

“I Never Asked To Be Your Mountain” (T. Buckley)

Tim Buckley (1947-75), recording (Goodbye and Hello), 1969

*****

Jeff Buckley (1966-97), live, New York, 1991