music clip of the day

jazz/blues/rock/classical/gospel/more

Monday, March 18th

From Zion Baptist Church in Shreveport to Miles Davis Hall in Montreux.

Black Dub (Daniel Lanois, guitar, pedal steel guitar, vocals; Brian Blade, drums; Trixie Whitley, guitar, keyboards, vocals; Jim Wilson, bass, vocals), Montreux, Switzerland, 2011

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Set list (courtesy of YouTube):

1) Intro
2) Surely
3) I Believe In You
4) Steel
5) The Collection Of Marie Claire
6) Silverado
7) The Messenger
8) I’d Rather Go Blind
9) Ring The Alarm

Sunday, March 17th

Pastor B. L. Blade (with Daniel Lanois, guitar; Brian Blade, drums, et al.), “Louisiana Poor Boy,” Zion Baptist Church, Shreveport, La.


Most guitarists, most drummers would muck this up, thinking it needed a fill here, a roll there. Great musicians know how not to draw attention to themselves.

Saturday, March 16th

old school

Arthur Conley (1946-2003), “Nothing Can Change This Love” (S. Cooke), live (TV show), Netherlands (Amsterdam), 2001

Friday, March 15th

Screwdriver business just gets me confused . . .

Billy Bragg, “Handyman Blues,” 2013

Thursday, March 14th

basement jukebox

Tina Harvey, “Nowhere To Run” (Holland-Dozier-Holland), 1972


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Ted Taylor, “You Got To Feel It,” 1969

Wednesday, March 13th

heaven, n. a place where each morning you’d be awakened by a different combination of musical instruments.

Living By Lanterns (Mike Reed, drums; Jason Adasiewicz, vibraphone; Tomeka Reid, cello, et al.), live, Switzerland (Zurich), 2013

Tuesday, March 12th

Want to be swept away?

Bela Bartok (1881-1945), String Quartet No. 5 (excerpts); Aeolus Quartet

 first movement


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 fifth movement

Monday, March 11th

two takes: “Vana Vasesi”

Mancingelani (South Africa), 2010


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Theo Parrish Remix, 2011


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lagniappe

found words

I love America but America don’t love me.

—a guy sitting in front of me on the ‘L’, over and over

Sunday, March 10th

Too much dough? Here’s a solution: the annual marathon fundraiser for WFMU-FM, arguably the best radio station in the world (maybe the universe).

Kevin Nutt, Sinner’s Crossroads, WFMU-FM (Thurs., 8-9 p.m. [EST]); Marathon Broadcast, 2009

Saturday, March 9th

Happy (83rd) Birthday, Ornette!

Ornette Coleman Quartet (OC, alto saxophone; Don Cherry, pocket trumpet; Charlie Haden, bass; Billy Higgins, drums), live, Spain (Barcelona), 1987

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lagniappe

musical thoughts

How can I turn emotion into knowledge? That’s what I try to do with my horn.

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It’s not that I reject categories. It’s that I don’t really know what categories are.

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You take the alphabet of the English language. A to Z. A symbol attached to a sound. In music you have what are called notes and the key. In life you’ve got an idea and an emotion. We think of them as different concepts. To me, there is no difference.

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The violin, the saxophone, the trumpet: Each makes a very different sound but the very same notes. That’s pretty heavy, you know? Imagine how many different races make up the human race. I’m called colored, you’re called white, he’s called something else. We still got an asshole and a mouth. Pardon me.

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I don’t try to please when I play. I try to cure.

—Ornette Coleman

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radio

All Ornette, all day: WKCR-FM (Columbia University).