Once I start listening to this I don’t want to stop, ever.
The Original Gospel Harmonettes (featuring MCOTD Hall of Famer Dorothy Love Coates), “He’s Calling Me,” 1955
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lagniappe
art beat: Tuesday at the Chicago Cultural Center
Hale Woodruff (1900-1980), Old Farmhouse in Beauce Valley, 1928 (featured, through June 16th, in Rising Up: Hale Woodruff’s Murals at Talladega College)
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random thoughts
It seems to be difficult, if not impossible, for me to grasp the apparent fact that the distance between, say, 2010 and 1960, when I was eight years old, is just as great as that between 1960 and 1910.
After a court hearing and a client meeting, I stopped at the Chicago Cultural Center, where this piece—on a scale many times larger than this—is installed through May 5th. One-word review: go.
Shawn Decker, Prairie
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As with an outdoor prairie, what the current installation looks like—and sounds like—depends on where you’re situated. Here’s one view:
Ahmad Jamal Trio (AJ [1930-], piano; Israel Crosby [1919-1962], bass; Vernel Fournier [1928-2000], drums), “Excerpts From The Blues” (not “Ahmad’s Blues”), TV show, 1959
From The Blues Accordin’ to Lightnin’ Hopkins (1967) by Les Blank, who was remembered here last week:
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free music
Another friend, with whom I worked, thirty-some years ago, at Alligator Records, writes:
Hi Richard,
I continue to receive these [notices of new blog posts] and explore them as I can. I wonder if you might share this with your email list?
It’s a free, downloadable sampler from Alligator Records to celebrate Public Radio Music Month! Seventeen soulful free blues, roots rock and R&B performances by some of the stars of Alligator Records’ current artist roster and a few of our beloved heritage artists. From Chicago to Texas, from New Orleans to California, a collection of some of Alligator’s best “Genuine Houserockin’ Music.” Join us in celebrating Public Radio Music Month! Download it here: http://tinyurl.com/AlligSampler.
Thanks. Of course you’ve heard this music yourself, but there might be some good things you had forgotten.