sounds of Chicago
Steve Dawson’s Funeral Bonsai Wedding (SD, vocals and guitar; Jason Adasiewicz, vibraphone; Jason Roebke, bass; Frank Rosaly, drums), “As Soon As I Walk In” (S. Dawson), 2014
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lagniappe
musical thoughts
Music and family have provided two of my life’s through lines. As little boys, my brother Don and I would play in the basement, listening, on the brightly lit juke box, to the Everly Brothers (“Wake Up, Little Susie”), and Johnny Horton (“The Battle of New Orleans”), and Gene Pitney (“The Man Who Shot Liberty Valance”). Soon we were out the door, hearing the Beatles at Comiskey Park, the Velvet Underground at the Kinetic Playground, and the MC5 in Lincoln Park. Still the beat goes on, undiminished by the passing years. Last week, for my sixty-second birthday, Don gave me (what else?) a record—the new album by this guy, Steve Dawson.
After spending a week and a half in federal court, trying a drug-conspiracy case involving the unfortunately named Imperial Insane Vice Lords, I’m ready for a world without words.
Morton Feldman (1926-1987), For Stefan Wolpe (1986)
Helsinki Chamber Choir, live, Helsinki, 2014
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lagniappe
art beat: more from the other day at the Art Institute of Chicago
Wassily Kandinsky (1866-1944), Improvisation No. 30 (Cannons), 1913
Why not begin the week with something beautiful?
Frederic Chopin (1810-1849), Ballade No. 1 in G minor (1831); Arturo Benedetti Michelangeli (1920-1995), piano, live
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lagniappe
musical thoughts
[N]ow Miles [Davis] was relaxed and pianist Arturo Benedetti Michelangeli was sending him into several shades of ecstasy.
“Listen to those trills!” Miles ordered.
—1961 interview (Marc Crawford, The Miles Davis Reader)
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art beat: more from Friday at the Art Institute of Chicago
Henri Matisse (1869-1954), Interior at Nice, c. 1919
That gospel feeling is in all of this music.
—Solomon Burke
Soul Deep: The Story of Black Popular Music, Episode 2: Sam Cooke, with Mavis Staples, Bobby Womack, Solomon Burke, Ben E. King, et al., BBC, 2005
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lagniappe
art beat: more from Friday at the Art Institute of Chicago
Arshile Gorky (1904-1948), The Plough and the Song, 1946
blues festival (day five)
Junior Wells (vocals, harmonica), Buddy Guy (guitar), Phil Guy (guitar), et al., “Ships on the Ocean,” live, Chicago (Theresa’s Lounge, 4801 S. Indiana), c. 1975