music clip of the day

jazz/blues/rock/classical/gospel/more

Wednesday, December 16th

sweet soul music

D’Angelo & The Vanguard, “Ain’t That Easy”
Live, Netherlands (Rotterdam), 2015


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lagniappe

musical thoughts

Like music, baseball is the universal language.

Joe Torre

Tuesday, December 15th

Has anyone played Bach—or anything else—more searchingly?

Johann Sebastian Bach (1685-1750), Partita No. 4 in D major
Glenn Gould (1932-1982), piano

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lagniappe

reading table

Musicians wrestle everywhere –

—Emily Dickinson (1830-1886), #229 (Franklin)

Monday, December 14th

This I turned to late yesterday afternoon, amidst darkness and rain and news of a neighbor’s terminal illness. I’ve been living with this piece for forty-some years, and it has never let me down—never failed, whatever the circumstances, to make life seem lighter, brighter, more porous, more spacious. Never.

Johann Sebastian Bach (1685-1750), Suite No. 1 in G major for Unaccompanied Cello; Mischa Maisky, cello

Sunday, December 13th

Hearing this voice, from a gone world, gives me goosebumps.

Vera Hall, “Death Is Awful,” live, Livingston, Ala., 1939

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lagniappe

random sights

other day, Oak Park, Ill.

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Saturday, December 12th

sounds of Chicago

DJ Heather, live, Chicago, 2015


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lagniappe

art beat: yesterday at the Art Institute of Chicago

Willem de Kooning (1904-1997), Interchanged, 1955

15-Willem-de-Kooning-Interchanged-1955

Friday, December 11th

what’s new

Joanna Newsom, “Leaving the City,” live (TV show), 12/8/15

Thursday, December 10th

alone

Toshimaru Nakamura (no-input mixing board), live, England

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lagniappe

random sights

yesterday, Oak Park, Ill.

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Wednesday, December 9th

Why God made “repeat.”

Morton Feldman (1926-1987; MCOTD Hall of Fame), Coptic Light (1986); Royal Concertgebouw Orchestra (Peter Eotvos, cond.), live, Amsterdam, 1998

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lagniappe

art beat

William Eggleston (1939-)

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Tuesday, December 8th

Frederic Chopin (1810-1849), Nocturne in E flat (Op. 55, No. 2); Ignaz Friedman (1882-1948), piano, 1936

The Friedman performance of Chopin’s E flat Nocturne (Op. 55, No. 2) is considered by many to be the greatest single recorded performance of any Chopin nocturne.

Harold C. Schonberg, New York Times, 9/23/90

Monday, December 7th

The more kinds of music you love, the more chances you have to make wonderful discoveries, as happened yesterday when I heard this for the first time (Oberon Ensemble, Art Institute of Chicago).

Johannes Brahms (1833-1897), Piano Quartet No. 1 in G minor; Martha Argerich (piano); Gidon Kremer (violin), Yuri Bashmet (viola), Mischa Maisky (cello), 2001

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lagniappe

reading table

You don’t hear the sound; you go into the sound—you and the sound become one.

—Seung Sahn, Only Don’t Know