Sunday, October 9th
back to church
“He Set Me Free,” Mt. Do-Well Baptist Church, McConnells, S.C., 1991
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lagniappe
reading table
And all is always now.
—T.S. Eliot (1888-1965), “Burnt Norton”
back to church
“He Set Me Free,” Mt. Do-Well Baptist Church, McConnells, S.C., 1991
**********
lagniappe
reading table
And all is always now.
—T.S. Eliot (1888-1965), “Burnt Norton”
more
Kris Davis & Craig Taborn, live, Washington, D.C., 10/3/16
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lagniappe
musical thoughts
Musicians wrestle everywhere –
—Emily Dickinson (1830-1886), #229 (Franklin)
tonight in Chicago
They’ll be playing, together, at Constellation.
Kris Davis & Craig Taborn, “Fox Fire” (Duopoly), 2016
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lagniappe
musical thoughts
Is not all music, even the most niggardly, beautiful to the person who loves the very being and existence of music?
—Robert Walser (1878-1956), “The Walk” (translated from German by Christopher Middleton and Susan Bernofsky)
career plans for the next life
If none of those other things work out (tap dancer, rubboard player in a zydeco band, bass player in a reggae band, guitar player in a Malian band, cellist in a string quartet, bird), maybe I’ll be an accordionist.
Dre Hocevar Collective Effervescence,* live, New York, 2016
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*DH, drums; Elias Stemeseder, accordion; Chris Pitsiokos, alto saxophone; Lester St. Louis, cello; Philip White, electronics.
old school
Blind Boys of Alabama, live (studio performance), Seattle, 9/2/16
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lagniappe
random thoughts
Is any word more wearisome than “I”?
sounds of Mali and South Africa
Twelve strings, two voices—that’s it.
Habib Koite (Mali; lead vocals, guitar), Vusi Mahlasela (South Africa; vocals, guitar), “Africa,” live (studio performance), Seattle, 2016
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lagniappe
reading table
Deep autumn—
my neighbor,
how does he live, I wonder?—Matsuo Basho (1644-1694), translated from Japanese by Robert Hass