3n
Hear In Now (Mazz Swift, violin; Tomeka Reid, cello; Silvia Bolognesi, bass), “Requiem for Charlie Haden” (S. Bolognesi), live, Italy (Basilica di San Silvestro, Trieste), 2015
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lagniappe
musical thoughts
Which is more important: what we listen to—or how?
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random sights
this morning, Oak Park, Ill.
more
Joe Morris (guitar) and Daniel Levin (cello), live, New York, 12/8/17
(Taking a break—back in a while.)
sounds of New York
Daniel Levin (cello) and Ingebrigt Håker Flaten (bass), live, New York, 2015
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Nikhil Banerjee (1931-1986), sitar (with Zakir Hussain [1951-; tabla], et al.), Raag Shyam Kedar, Raag Pilu, live, San Francisco, 1985
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The Pure Heart Travelers, “I Like to Talk About Jesus,” live, Detroit, 7/12/17
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lagniappe
reading table: variations on a theme
History is approaching a speechless end,
As Henry Adams said. Adams was right.—John Berryman (1914-1972, MCOTD Hall of Fame), “The Moon and the Night and the Men,” excerpt
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Never has human extinction seemed so richly merited . . .
—A.O. Scott, New York Times, 12/10/17
sounds of India
That Which Colors the Mind (documentary on sitarist Nikhil Banerjee, 1931-1986; work in progress), excerpt
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Moses Sumney, live, Washington, D.C., 11/29/17
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lagniappe
reading table
Nature is a Haunted House – but Art – a House that tries to be haunted.
—Emily Dickinson (1830-1886), letter (459A, Thomas H. Johnson, ed.)
never enough
Johann Sebastian Bach (1685-1750), Partita No. 2 for Solo Violin in D minor, excerpt (Sarabande); Hilary Hahn, violin
Think you’ve heard it all?
How about a septet with six string players and a drummer?
Tomeka Reid Septet,* “Tokens” (T. Reid), New York, 2017
*TR, cello, composition; Christopher Hoffman, cello; Mazz Swift, violin; Sarah Bernstein, violin; Jason Kao Hwang, viola; Adam Hopkins, bass; Tomas Fujiwara, drums, percussion.
more
Miles Davis (with John Scofield, guitar; Darryl Jones, bass, et al.), live, Tokyo, 1985
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lagniappe
art beat: other day, Intuit: The Center for Intuitive and Outsider Art (Chicago)
Howard Finster, 1916-2001
music clip of the day 