music clip of the day

jazz/blues/rock/classical/gospel/more

Monday, January 14th

Why not begin the week with something beautiful?

Tarkovsky Quartet (François Couturier, piano; Anja Lechner, cello; Jean-Marc Larché, soprano saxophone; Jean-Louis Matinier, accordion), “Nuit blanche,” 2017

 

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lagniappe

reading table

I prefer winter . . . when you feel the bone structure of the landscape . . . . Something waits beneath it, the whole story doesn’t show.

—painter Andrew Wyeth (1917-2009), Times Literary Supplement, 11/23/18

Sunday, January 13th

sounds of St. Louis

O’Neal Twins, “Jesus Dropped the Charges,” live

 

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lagniappe

random sights

this morning, Oak Park, Ill.

Saturday, January 12th

This I could listen to all day.

Morton Feldman (1926-1987, MCOTD Hall of Fame), For Philip Guston (1984); Claire Chase (flute, alto flute, piccolo), Steven Schick (percussion), Sarah Rothenberg (piano, celesta), live, Houston (Rothko Chapel), 2013

 

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lagniappe

random sights

today, Oak Park, Ill.

Friday, January 11th

more

Arthur Russell (1951-1992), singer, songwriter, cellist, producer

“You and Me Both” (A. Russell)

 

*****

“This Is How We Walk on the Moon” (A. Russell)

 

*****

“Springfield” (A. Russell)

 

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lagniappe

reading table

I’m saying this and it’s saying me

—Peter Gizzi (1959-), from “Archeophonics”

Thursday, January 10th

what’s new

Joe Lovano (tenor saxophone), Marilyn Crispell (piano), Carmen Castaldi (drums), playing and talking about their forthcoming album, Trio Tapestry (published 1/8/19)

 

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lagniappe

random sights

other day, Oak Park, Ill.

Wednesday, January 9th

Here, rehearsing, is the most influential pianist in jazz of the last fifty years.

Bill Evans (piano, 1929-1980), Eddie Gomez (bass), Alex Riel (drums), live, Denmark (Copenhagen), 1966

 

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lagniappe

musical thoughts

The ‘open’ voicings that Evans used [i.e., leaving out a chord’s root note] were not new . . . . They had been there in ‘classical’ music since the early part of the century, since Bartok and Stravinsky. But they were new to jazz, and they opened up melody and flow in new ways.

—Martin Williams, The Jazz Tradition (2d ed. 1983)

*****

Bill had this quiet fire that I loved on piano. The way he approached it, the sound he got was like crystal notes or sparkling water cascading down from some clear waterfall.

—Miles Davis, Miles: The Autobiography (with Quincy Troupe1989)

Tuesday, January 8th

more

Johann Sebastian Bach (1685-1750), Cello Suite No. 1 in G major; Lucia Swarts (cello), live, Netherlands (Amsterdam), 2014

 

Monday, January 7th

sounds of New York

Tim Berne (alto saxophone), Michael Formanek (bass) Andrew Cyrille (drums), live, New York, 2018

 

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lagniappe

reading table

One need not be a Chamber – to be Haunted –

—Emily Dickinson (1830-1886), from 407 (Franklin)

Sunday, January 6th

back to church

“Heavenly Home (Got to Take a Journey),” live, Langrun Branch Baptist Church, York, S.C.


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lagniappe

random sights

yesterday, Chicago

Saturday, January 5th

A wonderful drummer lifts everyone.

Wolfgang Muthspiel Quintet (WM, guitar; Ambrose Akinmusire, trumpet; Brad Mehldau, piano; Larry Grenadier, bass; Brian Blade, drums), “Father and Sun” (W. Muthspiel), live, Austria (Innsbruck), 2016

 

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lagniappe

random sights

yesterday, Chicago (near the Art Institute)