This, by someone I’d never heard of (much less heard) until yesterday, I could listen to all day.
Nikolai Korndorf (1947-2001), In Honour of Alfred Schnittke (AGSCH), string trio for violin, viola, cello (1986), excerpt (1st Mvt.); Patricia Kopatchinskaya (violin), Daniel Raiskin (viola), Alexander Ivashkin (cello), 2005
**********
lagniappe
random sights
other day, Chicago
sounds of Detroit
Detroit Mass Choir, “The Storm Is Passing Over” (C. Tindley, D. Vails), live, Detroit, 2001
**********
lagniappe
random sights
yesterday, Chicago
*****
reading table
No matter how hard
I try, I can’t stop thinking
of my old village—Kobayashi Issa (1763-1827), translated from Japanese by Sam Hamill
sounds of Mexico
Son Rompe Pera, live (“Proteus,” “FOS,”” Reina de Cumbias,” “Ay David!,” “El Palo Poste”), Mexico City, published 10/17/20
**********
lagniappe
random sights
other day, Chicago
*****
reading table
All I want
is not to befirst on one side,
then the other,but to conjure
a streamof sounds and images
for which I am notresponsible.
and maneuver within it—mouth and tail
one thought.—Rae Armantrout, from “Conjure” (Conjure, 2020)
never enough
Johann Sebastian Bach (1685-1750), Cello Suite No. 1 in G major; Lucia Swarts (cello), live, Netherlands (Amsterdam), 2014
**********
lagniappe
random sights
a while ago, Ireland (Dingle Peninsula)
*****
reading table
This road—
no one goes down it,
autumn evening.—Matsuo Basho, 1644-1694 (translated from Japanese by Robert Hass)