what’s new
Laurie Anderson (1947-, vocals, electronics, violin, compositions) with Roma Baran (synthesizer), Rubin Kodheli (cello), live (“Let x=x,” “Violin Cello Improv,” “O Superman”), New York, published 5/20/21
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lagniappe
random sights
other day, outside Chicago (Glen Ellyn)

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reading table
The distant mountains
are reflected in the eye
of the dragonfly—Kobayashi Issa (1763-1827), translated from the Japanese by Sam Hamill
more
Spektral Quartet (Clara Lyon [violin], Maeve Feinberg [violin], Doyle Armbrust [viola], Russell Rolen [cello]): Joseph Haydn, The Seven Last Words of Christ, recorded in Chicago (St. James Cathedral), 3/20/21 (performance begins at 4:00)
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lagniappe
random sights
this morning, Oak Park, Ill.

Suppose that, for the rest of your life, you could listen to only one piece of music. What would you choose? For me it might be this.
Morton Feldman (1926-1987; MCOTD Hall of Fame), Piano and String Quartet (1985); Kronos Quartet with Aki Takahashi (piano), 1993
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lagniappe
art beat: other day, Art Institute of Chicago
Jackson Pollock (1912-1956), Number 17A, 1948 (detail)
like nobody else
Lou Harrison (1917-2003), Concerto for Violin with Percussion Orchestra (1959); Todd Reynolds (violin), Third Coast Percussion, John Corkill (percussion), 2018
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lagniappe
random sights
yesterday, Oak Park, Ill.
*****
reading table
I’d have to be really quick
to describe clouds—
a split second’s enough
for them to start being something else.— Wislawa Szymborska (1923-2012, MCOTD Hall of Fame), from “Clouds” (translated from Polish by Clare Cavanagh and Stanislaw Baranczak)
More beauty?
Maurice Ravel (1875-1937), String Quartet in F major (1903); Sacconi Quartet, live, London, 2015
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lagniappe
random sights
yesterday, Chicago
*****
reading table
The snow is melting
and the village is flooded
with children.—Kobayashi Issa, 1763-1827 (translated from Japanese by Robert Haas)