Sometimes more is more.
Anton Bruckner (1824-96), Symphony No. 8 in C minor; Vienna Philharmonic (Herbert von Karajan, cond.), live, Austria (Abbey of St. Florian), 1979
**********
lagniappe
musical thoughts
Once upon a time, before the human attention span began to shrink, people could actually sit still and pay attention to something—a single thing—for over an hour.
Happy (100th) Birthday, John!
John Cage, composer, September 5, 1912-August 12, 1992
Today, celebrating his centennial, we revisit past clips.
*****
10/9/09
No matter where you are, this landscape is just around the corner.
John Cage (1912-1992), In a Landscape (1948); Stephen Drury, piano
**********
lagniappe
musical thoughts
Music is a means of rapid transportation.
***
What I’m proposing, to myself and other people, is what I often call the tourist attitude—that you act as though you’ve never been there before. So that you’re not supposed to know anything about it. If you really get down to brass tacks, we have never been anywhere before.
***
As far as consistency of thought goes, I prefer inconsistency.
—John Cage
*****
5/22/10
Here’s a piece that sounds different every time you hear it.
John Cage, 4’ 33” (1952); David Tudor, piano
lagniappe
***
*****
musical thoughts
I didn’t wish it [4′ 33″] to appear, even to me, as something easy to do or as a joke. I wanted to mean it utterly and be able to live with it.
***
Until I die there will be sounds. And they will continue following my death. One need not fear about the future of music.
—John Cage
*****
3/8/12
John Cage, Two (1987)
Live, Netherlands (Amsterdam), 2009
Dante Boon (piano), Rutger van Otterloo (soprano saxophone)
*****
Recording, 1991 (hat Art)
Marianne Schroeder (piano), Eberhard Blum (flute)
**********
lagniappe
musical thoughts
Every something is an echo of nothing.
—John Cage, Silence (1961)
*****
7/23/12
Monday, n. the day the weekly tide of confusion rolls in.
How about something simple?
John Cage (1912-1992), Six Melodies (for violin and keyboard; dedicated to Josef & Anni Albers), 1950; Annelie Gahl (violin) & Klaus Lang (electric piano), 2010
*****
lagniappe (new stuff)
radio
Today it’s all Cage all day at WKCR-FM.
***
art beat: more from Sunday’s stop at the Art Institute of Chicago
Agnes Martin, Untitled #12, 1977 (detail)
***
another birthday, closer to home
Today also marks the birthday of MCOTD—our third.
You don’t need to be asleep to be lost in a dream.
Maurice Ravel, Piano Concerto in G Major (1929-31); Martha Argerich, piano; Orchestre National de France (Charles Dutoit, cond.); live, Germany (Frankfurt), 1990
timeless
Sly and the Family Stone
“Thank You (Falettinme Be Mice Elf Again),” TV Show (Soul Train), 1974
*****
“In Time,” Fresh, 1973
Jazz legend Miles Davis was so impressed by the song “In Time” . . . that he made his band listen to the track repeatedly for a full 30 minutes. Composer and music theorist Brian Eno cited Fresh as having heralded a shift in the history of recording, “where the rhythm instruments, particularly the bass drum and bass, suddenly [became] the important instruments in the mix.”
**********
lagniappe
art beat: more from Tuesday’s stop at the Art Institute of Chicago
Roy Lichtenstein, Landscape in Fog (1996)
Sometimes what you’re looking for—when, say, your hard drive crashes (as mine just did)—is something where not much seems to happen, beautifully.
John Luther Adams, “The Farthest Place” (2001); piano (Clint Davis), vibraphone (Brian Archinal & Andy Bliss) bass (Satoru Tagawa), violin (Lydia Kabalen); University of Kentucky (Lexington), 2008
**********
lagniappe
There are all kinds of music.
Gerard Manley Hopkins, “The Leaden Echo and the Golden Echo”
Richard Burton
summer in the city
Jack White, “Take Me With You When You Go”
Lollapalooza, Chicago (Grant Park), 8/5/12
George Lewis (1952-), “Will to Adorn” (2011)
International Contemporary Ensemble (ICE), Chicago, 2012
[W]hen writing “The Will To Adorn,” Lewis was especially “interested in this idea of adornment—color, color, color everywhere.” The piece represents Lewis’ current musical goal to get “more color energy into the pieces.”
**********
lagniappe
musical thoughts
In February, when I left this concert, which took place on a Sunday afternoon at Chicago’s Museum of Contemporary Art, I felt both exhilarated and wistful. This performance, which had been such a joy to hear, I would never be able to experience again. Or so I thought, until, just the other day, I discovered this recording online. Young people, many of them, anyway, would see nothing remarkable in being able, thanks to the ’net, to return to a musical experience whenever, and wherever, you want. To me it seems a small miracle.
*****
reading table
I was trying to assert myself as the man in the house, taking charge of things no one could control.
—Richard Ford, Canada (2012)
Monday, n. the day the weekly tide of confusion rolls in.
How about something simple?
John Cage (1912-1992), Six Melodies (for violin and keyboard; dedicated to Josef & Anni Albers), 1950; Annelie Gahl (violin) & Klaus Lang (electric piano), 2010
bread and circuses
This is my idea of good government.
A Summer Solstice Backyard Parade and Procession
Wednesday, June 20th, 2012, 6:00 pm – 9:00 pm
[Garfield Park, Chicago]Featuring Mucca Pazza, the Circus Punk Marching Band, Kaotic Drumline, Oper-a-matic, Food Trucks, and More!
Marching bands, both traditional and unique, will be lining up in our backyard space for a mid-summer’s night march. Chicago’s inspiring community drum corps Kaotic, as well as the fantastic punk rock marching band Mucca Pazza will be parading throughout our backyard spaces, in a non-traditional community parade. Instrument making stations will be stationed throughout the event. Come make your own parade.
*****
Mucca Pazza, live, Evanston (Ill.), 6/30/11
***
Kaotic Drumline, 2009
three takes
“Trials, Troubles, Tribulations” (E.C. Ball)
(AKA “Tribulations”)
Andrew Bird
Live, Nashville (Grimey’s New & Preloved Music), 2009
***
Wayne Henderson, Martha Spencer & Jackson Cunningham
Live, Maryland (Rockville), 2010
***
E.C. Ball & Lacey Richardson
Recording (Alan Lomax), 1959-60
**********
lagniappe
listening room: (some of) what’s playing
• Face A Frowning World: An E.C. Ball Memorial Album (Tompkins Square)
• Merle Haggard, If I Could Only Fly (Anti- Records)
• The Canton Spirituals, The Live Experience 1999 (Verity Records)
• Getatchew Mekuria & The Ex & Guests, Moa Anbessa (Terp Records)
• Derek Bailey, Bill Laswell, Tony Williams, Arcana (DIW Records)
• Peter Brotzmann Octet, Machine Gun (FMP)
• Peter Brotzmann Sextet & Quartet, Nipples (Atavistic Records/Unheard Music Series)
• Miles Davis Quintet, Live in Europe 1967 (Columbia)
• Cecil Taylor European Orchestra, Alms/Tiergarten (Spree) (FMP)
• Alfred Cortot, piano, The Master Pianist (EMI, Icon Series)
• Nathan Milstein, violin, J.S. Bach: Sonatas & Partitas (Deutsche Grammaphon)
• Arnold Schoenberg, Das Klavierwerk, Peter Serkin, piano (Arcana)
• WKCR-FM (broadcasting from Columbia University)
—Bird Flight (Phil Schaap, jazz [Charlie Parker])
—Eastern Standard Time (Carter Van Pelt, Jamaican music)
• WFMU-FM
—Mudd Up! (DJ/Rupture, “new bass and beats”)
—Sinner’s Crossroads (Kevin Nutt, gospel)
—Cherry Blossom Clinic (Terre T, rock, etc.)
—Fool’s Paradise (Rex; “Vintage rockabilly, R & B, blues, vocal groups, garage, instrumentals, hillbilly, soul and surf”)
—Downtown Soulville (Mr. Fine Wine, soul, etc.)
• WHPK-FM (broadcasting from University of Chicago)
—The Blues Excursion (Arkansas Red)
music clip of the day 