Sometimes what you’re looking for—when, say, your hard drive crashes (as mine just did)—is something where not much seems to happen, beautifully.
John Luther Adams, “The Farthest Place” (2001); piano (Clint Davis), vibraphone (Brian Archinal & Andy Bliss) bass (Satoru Tagawa), violin (Lydia Kabalen); University of Kentucky (Lexington), 2008
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lagniappe
There are all kinds of music.
Gerard Manley Hopkins, “The Leaden Echo and the Golden Echo”
Richard Burton
summer in the city
Jack White, “Take Me With You When You Go”
Lollapalooza, Chicago (Grant Park), 8/5/12
George Lewis (1952-), “Will to Adorn” (2011)
International Contemporary Ensemble (ICE), Chicago, 2012
[W]hen writing “The Will To Adorn,” Lewis was especially “interested in this idea of adornment—color, color, color everywhere.” The piece represents Lewis’ current musical goal to get “more color energy into the pieces.”
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lagniappe
musical thoughts
In February, when I left this concert, which took place on a Sunday afternoon at Chicago’s Museum of Contemporary Art, I felt both exhilarated and wistful. This performance, which had been such a joy to hear, I would never be able to experience again. Or so I thought, until, just the other day, I discovered this recording online. Young people, many of them, anyway, would see nothing remarkable in being able, thanks to the ’net, to return to a musical experience whenever, and wherever, you want. To me it seems a small miracle.
*****
reading table
I was trying to assert myself as the man in the house, taking charge of things no one could control.
—Richard Ford, Canada (2012)
Monday, n. the day the weekly tide of confusion rolls in.
How about something simple?
John Cage (1912-1992), Six Melodies (for violin and keyboard; dedicated to Josef & Anni Albers), 1950; Annelie Gahl (violin) & Klaus Lang (electric piano), 2010
bread and circuses
This is my idea of good government.
A Summer Solstice Backyard Parade and Procession
Wednesday, June 20th, 2012, 6:00 pm – 9:00 pm
[Garfield Park, Chicago]Featuring Mucca Pazza, the Circus Punk Marching Band, Kaotic Drumline, Oper-a-matic, Food Trucks, and More!
Marching bands, both traditional and unique, will be lining up in our backyard space for a mid-summer’s night march. Chicago’s inspiring community drum corps Kaotic, as well as the fantastic punk rock marching band Mucca Pazza will be parading throughout our backyard spaces, in a non-traditional community parade. Instrument making stations will be stationed throughout the event. Come make your own parade.
*****
Mucca Pazza, live, Evanston (Ill.), 6/30/11
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Kaotic Drumline, 2009
three takes
“Trials, Troubles, Tribulations” (E.C. Ball)
(AKA “Tribulations”)
Andrew Bird
Live, Nashville (Grimey’s New & Preloved Music), 2009
***
Wayne Henderson, Martha Spencer & Jackson Cunningham
Live, Maryland (Rockville), 2010
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E.C. Ball & Lacey Richardson
Recording (Alan Lomax), 1959-60
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lagniappe
listening room: (some of) what’s playing
• Face A Frowning World: An E.C. Ball Memorial Album (Tompkins Square)
• Merle Haggard, If I Could Only Fly (Anti- Records)
• The Canton Spirituals, The Live Experience 1999 (Verity Records)
• Getatchew Mekuria & The Ex & Guests, Moa Anbessa (Terp Records)
• Derek Bailey, Bill Laswell, Tony Williams, Arcana (DIW Records)
• Peter Brotzmann Octet, Machine Gun (FMP)
• Peter Brotzmann Sextet & Quartet, Nipples (Atavistic Records/Unheard Music Series)
• Miles Davis Quintet, Live in Europe 1967 (Columbia)
• Cecil Taylor European Orchestra, Alms/Tiergarten (Spree) (FMP)
• Alfred Cortot, piano, The Master Pianist (EMI, Icon Series)
• Nathan Milstein, violin, J.S. Bach: Sonatas & Partitas (Deutsche Grammaphon)
• Arnold Schoenberg, Das Klavierwerk, Peter Serkin, piano (Arcana)
• WKCR-FM (broadcasting from Columbia University)
—Bird Flight (Phil Schaap, jazz [Charlie Parker])
—Eastern Standard Time (Carter Van Pelt, Jamaican music)
• WFMU-FM
—Mudd Up! (DJ/Rupture, “new bass and beats”)
—Sinner’s Crossroads (Kevin Nutt, gospel)
—Cherry Blossom Clinic (Terre T, rock, etc.)
—Fool’s Paradise (Rex; “Vintage rockabilly, R & B, blues, vocal groups, garage, instrumentals, hillbilly, soul and surf”)
—Downtown Soulville (Mr. Fine Wine, soul, etc.)
• WHPK-FM (broadcasting from University of Chicago)
—The Blues Excursion (Arkansas Red)
It’s easy to play a lot of notes; what’s hard is to play a few.
Jon Hassell (trumpet), “Last Night The Moon Came,” live, Switzerland (Lausanne), 2009
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lagniappe
reading table
Barn’s burnt down—
now
I can see the moon.—Mitzuta Masahide, 1657-1723 (translated from Japanese by Lucien Stryk and Takashi Ikemoto)
If I knew I had a week to live (as someday I will, whether I know it or not), this is one of the things I’d want to hear.
Johann Sebastian Bach, Chaconne in D minor for solo violin (Partita for Violin No. 2 [BWV 1004]); Isaac Stern (violin), live
Another take?
Here (Nathan Milstein).
And here (Gidon Kremer).
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lagniappe
musical thoughts
On one stave, for a small instrument, the man writes a whole world of the deepest thoughts and most powerful feelings. If I imagined that I could have created, even conceived the piece, I am quite certain that the excess of excitement and earth-shattering experience would have driven me out of my mind.
—Johannes Brahms, in a letter to Clara Schumann (translated from German)
Not even with all the fingers on all the hands of all the people in the city of Chicago could you count the possibilities offered by just three instruments.
Gyorgy Ligeti, Trio for Violin, Horn, and Piano (1982); Tomas Major (violin), Zora Sloka (horn), Denes Varjon (piano), 2009
Part 1
***
Part 2
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lagniappe
art beat: Sunday at the Art Institute of Chicago
Robert Rauschenberg, Short Circuit, 1955
passings
Levon Helm, drummer, singer, songwriter, actor, etc.
May 26, 1940-April 19, 2012
Live, 2/12, Woodstock, NY (Levon’s home)
“Ophelia”
***
“The Weight”
*****
“When I Go Away,” recording (Electric Dirt, 2009)
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lagniappe
Levon Helm will always hold a special place in my heart. He was as great of an actor as a musician. For me watching him play the role of my daddy in Coal Miner’s Daughter is a memory I will always treasure.
***
When I heard The Band’s Music from Big Pink, their music changed my life. And Levon was a big part of that band. Nigel Olson, my drummer, will tell you that every drummer that heard him was influenced by him. He was the greatest drummer and a wonderful singer and just a part of my life that was magical. They once flew down to see me in Philadelphia and I couldn’t believe it. They were one of the greatest bands of all time. They really changed the face of music when their records came out. I had no idea he was sick so I’m very dismayed and shocked that he died so quickly. But now my son [Zachary Jackson Levon Furnish-John] has his name.
***
He was my bosom buddy friend to the end, one of the last true great spirits of my or any other generation. This is just so sad to talk about. I still can remember the first day I met him and the last day I saw him. We go back pretty far and had been through some trials together. I’m going to miss him, as I’m sure a whole lot of others will too.
music clip of the day 