mesmerizing
Benjamin Britten (1913-1976), Lachrymae (1950; arranged for viola and string orchestra, 1976); A Far Cry with Roger Tapping (viola), live, Cambridge, Mass., 2008
#1
#2
less is more*
Rashied Ali (drums), Leroy Jenkins (violin), “Swift Are the Winds of Life,” 1975
*****
*Sometimes, anyway.
This I could listen to forever.
Morton Feldman (1926-1987), Piano and String Quartet (1985)
Aki Takahashi (piano) and Kronos Quartet
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lagniappe
musical thoughts
Earlier in my life there seemed to be unlimited possibilities, but my mind was closed. Now, years later and with an open mind, possibilities no longer interest me. I seem content to be continually rearranging the same furniture in the same room. My concern at times is nothing more than establishing a series of practical conditions that will enable me to work. For years I said if I could only find a comfortable chair I would rival Mozart.
***
If a man teaches composition in a university, how can he not be a composer? He has worked hard, learned his craft. Ergo, he is a composer. A professional. Like a doctor. But there is that doctor who opens you up, does exactly the right thing, closes you up—and you die. He failed to take the chance that might have saved you. Art is a crucial, dangerous operation we perform on ourselves. Unless we take a chance, we die in art.
love it or hate it
Anthony Braxton 12+1tet, Composition 355, live, Italy (Venice), 2012
*****
Anthony, a MacArthur “genius” award winner (1994) and professor at Wesleyan University, talks about this and that:
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lagniappe
musical thoughts
Music can take us places we’ve never been before, if we’re willing to listen to sounds we’ve never heard before.
Some folks are intimidated by this stuff. Part of the problem is the label: “classical” music. That sounds like something for graduate students. Nonsense. You don’t need to know anything—anything at all—to connect with this. All you need are two ears, a mind, and a heart.
Maurice Ravel (1875-1937), String Quartet in F major (1903), first movement; Chiara String Quartet, live, University of Nebraska, 2013
alone
This is something I would never tire of hearing, not even if I were to live a thousand years.
Johann Sebastian Bach, Violin Sonata No. 1 in G minor, 2nd movement (fugue)
Henryk Szeryng (1918-1988), violin
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lagniappe
musical thoughts
Music offers a respite from the mind’s incessant chatter.
sounds of Chicago
Edward Wilkerson, tenor saxophone (with Kidd Jordan, tenor saxophone; Henry Grimes, bass, violin; Isaiah Spencer, drums, et al.), live, Chicago, 2010
alone
Jürg Frey (1953-), A Memory of Perfection (2010)
Mira Benjamin (violin), live, London, 2013
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lagniappe
reading table
Two more words from Seamus Heaney, who died Friday in a Dublin hospital:
noli timere
[don’t be afraid]—text message to his wife minutes before his death