music clip of the day

jazz/blues/rock/classical/gospel/more

Category: violin

Thursday, October 17th

alone

Johann Sebastian Bach (1685-1750), Violin Sonata No. 3 in C major, 3rd movement (Largo); Christian Tetzlaff (1966-), violin, Berlin, 6/22/13


**********

lagniappe

art beat

Robert Adams (1937-), Pikes Peak

03-0073-RA.1027

Wednesday, October 16th

mesmerizing

Benjamin Britten (1913-1976), Lachrymae (1950; arranged for viola and string orchestra, 1976); A Far Cry with Roger Tapping (viola), live, Cambridge, Mass., 2008

#1


#2

Tuesday, October 15th

alone

Canray Fontenot, “Bonsoir Moreau,” live, near Eunice, La., 1983


**********

lagniappe

art beat

Lee Friedlander (1934-)

lee7

Monday, October 14th

less is more*

Rashied Ali (drums), Leroy Jenkins (violin), “Swift Are the Winds of Life,” 1975


*****

*Sometimes, anyway.

Saturday, October 12th


This I could listen to forever.

Morton Feldman (1926-1987), Piano and String Quartet (1985)
Aki Takahashi (piano) and Kronos Quartet


**********

lagniappe

musical thoughts

Earlier in my life there seemed to be unlimited possibilities, but my mind was closed. Now, years later and with an open mind, possibilities no longer interest me. I seem content to be continually rearranging the same furniture in the same room. My concern at times is nothing more than establishing a series of practical conditions that will enable me to work. For years I said if I could only find a comfortable chair I would rival Mozart.

***

If a man teaches composition in a university, how can he not be a composer? He has worked hard, learned his craft. Ergo, he is a composer. A professional. Like a doctor. But there is that doctor who opens you up, does exactly the right thing, closes you up—and you die. He failed to take the chance that might have saved you. Art is a crucial, dangerous operation we perform on ourselves. Unless we take a chance, we die in art.

Morton Feldman

Wednesday, October 2nd

love it or hate it

Anthony Braxton 12+1tet, Composition 355, live, Italy (Venice), 2012


*****

Anthony, a MacArthur “genius” award winner (1994) and professor at Wesleyan University, talks about this and that:


**********

lagniappe

musical thoughts

Music can take us places we’ve never been before, if we’re willing to listen to sounds we’ve never heard before.

Tuesday, September 24th

Some folks are intimidated by this stuff. Part of the problem is the label: “classical” music. That sounds like something for graduate students. Nonsense. You don’t need to know anything—anything at all—to connect with this. All you need are two ears, a mind, and a heart.

Maurice Ravel (1875-1937), String Quartet in F major (1903), first movement; Chiara String Quartet, live, University of Nebraska, 2013

Thursday, September 12th

alone

This is something I would never tire of hearing, not even if I were to live a thousand years.

Johann Sebastian Bach, Violin Sonata No. 1 in G minor, 2nd movement (fugue)
Henryk Szeryng (1918-1988), violin


**********

lagniappe

musical thoughts

Music offers a respite from the mind’s incessant chatter.

Wednesday, September 11th

sounds of Chicago

Edward Wilkerson, tenor saxophone (with Kidd Jordan, tenor saxophone; Henry Grimes, bass, violin; Isaiah Spencer, drums, et al.), live, Chicago, 2010

Tuesday, September 3rd

alone

Jürg Frey (1953-), A Memory of Perfection (2010)
Mira Benjamin (violin), live, London, 2013


**********

lagniappe

reading table

Two more words from Seamus Heaney, who died Friday in a Dublin hospital:

noli timere
[don’t be afraid]

—text message to his wife minutes before his death