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Category: violin

Thursday, July 24th

Why not listen to something new?

Iva Bittova (voice, violin), Don Byron (clarinet), Hamid Drake (drums), live, Paris, 2008

Monday, May 26th

This piece had its world premiere in 1941; the venue wasn’t fancy—a Nazi prisoner-of-war camp.

Olivier Messiaen (1908-1992), Quatuor pour la fin du temps (Quartet for the End of Time), live, ChamberFest Cleveland (Franklin Cohen, clarinet; Yura Lee, violin; Gabriel Cabezas, cello; Orion Weiss, piano), 2013

Saturday, May 17th

beyond category

John Zorn, Book of Angels (excerpts); Uri Caine, piano; Masada String Trio (Mark Feldman, violin; Erik Friedlander, cello;* Greg Cohen, bass); live, France (Marciac), 2008

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lagniappe

reading table

There’s a line in Tarkovsky’s Solaris: we never know when we’re going to die and because of that we are, at any given moment, immortal.

—Geoff Dyer, “Diary,” London Review of Books, 4/3/14

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*It’s all related: Erik’s the son of photographer Lee Friedlander, whose work is often featured here.

Thursday, May 15th

sounds of Surry County, North Carolina

Tommy Jarrell (fiddle, vocals), Chester McMillan (guitar), Frank Bodie (guitar), Ray Chatfield (banjo), “Let Me Fall,” live, Mt. Airy, North Carolina, 1983

Saturday, May 3rd

never enough

Three more takes on what we heard Thursday.

Johann Sebastian Bach (1685-1750), Violin Sonata No. 1 in G minor (2nd Movt.)

Henryk Szeryng (1918-1988), live


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Arthur Grumiaux (1921-1986), recording


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Yoojin Jang (1990-), live


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lagniappe

reading table

[A] mad person not helped out of his trouble by anything real begins to trust what is not real because it helps him and he needs it because real things continue not to help him.

—Lydia Davis, “Liminal: The Little Man” (The Collected Stories of Lydia Davis)

 

Thursday, May 1st

It never fails. Never. Listening to Bach, no matter what my mood, I feel lighter. And clearer. And more open.

Johann Sebastian Bach (1685-1750), Violin Sonata No. 1 in G minor (2nd Movt.); Kristóf Baráti (1979-), live, Moscow, 2008

Saturday, March 29th

never enough

Last night, while I was listening to this, rain fell on my parched leaves.

Johann Sebastian Bach (1685-1750), Sonata for Solo Violin in C major; Kristóf Baráti (1979-), Moscow, 2008

1st movement


2nd movement


3rd movement


4th movement


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lagniappe

reading table

Past has passed away.
Future has not arrived.
Present does not remain.

—Ryokan (1758-1831; fragment, translated from Japanese by Kazuaki Tanahashi)

 

Wednesday, March 19th

sounds of New York

William Parker (bass), Christian McBride (bass), Cooper-Moore (drums), Charles Gayle (tenor saxophone), Hamiett Bluiett (baritone saxophone), Jason Kao Hwang (violin), live (benefit concert), New York, 2012

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lagniappe

musical thoughts

Q: What would you do if you were not a composer?

Augusta Read Thomas (1964-): . . . I would spend all day listening. I could listen all day long until the day I die to music I’ve never heard and only begin to scratch the surface. There’s so much new. . . .

chicagomusic.org

Tuesday, March 18th

sleepless in Chicago

Some folks sleep all night, or so I’ve heard. Maybe you’re one of them. If not, here’s a mix you might try—a sonic tonic.

1. Play this on repeat.

John Luther Adams (1953-), “The Farthest Place” (2001); piano (Clint Davis), vibraphone (Brian Archinal & Andy Bliss), bass (Satoru Tagawa), violin (Lydia Kabalen); University of Kentucky (Lexington), 2008


2.
Ditto. 

Waterfall Sounds, Cow Creek


3. Adjust volume levels to taste.

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lagniappe

reading table

For you fleas too
the nights must be long,
they must be lonely.

—Kobayashi Issa (1763-1827; translated from Japanese by Robert Hass)

Saturday, January 18th

never enough

One-word review: riveting.

Johann Sebastian Bach, Chaconne in D minor for solo violin (Partita for Violin No. 2); Ivry Gitlis (violin), live, Japan (Tokyo), 1990


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art beat

Weegee (AKA Arthur Fellig, 1899-1968)

weegee_12