3n
Hear In Now (Mazz Swift, violin; Tomeka Reid, cello; Silvia Bolognesi, bass), “Requiem for Charlie Haden” (S. Bolognesi), live, Italy (Basilica di San Silvestro, Trieste), 2015
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lagniappe
musical thoughts
Which is more important: what we listen to—or how?
*****
random sights
this morning, Oak Park, Ill.
never enough
Johann Sebastian Bach (1685-1750), Partita No. 2 for Solo Violin in D minor, excerpt (Sarabande); Hilary Hahn, violin
Think you’ve heard it all?
How about a septet with six string players and a drummer?
Tomeka Reid Septet,* “Tokens” (T. Reid), New York, 2017
*TR, cello, composition; Christopher Hoffman, cello; Mazz Swift, violin; Sarah Bernstein, violin; Jason Kao Hwang, viola; Adam Hopkins, bass; Tomas Fujiwara, drums, percussion.
tomorrow night
They’re playing at the University of Chicago—Bartok and Ligeti.
Wolfgang Rihm (1952-), String Quartet No. 13
Arditti Quartet, live, London, 2012
what’s new
Danish String Quartet, “Shine You No More” (R. T. Sørensen), Last Leaf (2017)
Need a break from listening to yourself?
Kaija Saariaho (1952-), Nocturne for solo violin (1994)
Alexi Kenney (violin), live, New York, 2016
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lagniappe
reading table
John Ashbery (July 28, 1927-September, 3, 2017)
Whatever we’re dealing with catches us
in mid-reconsideration. It’s beautiful,
my lord, just not made to be repeated,
that’s all.***
It was a moment, what can I say.
—John Ashbery (1927-), “A Breakfast Radish,” “Domani, Dopodomani” (fragments), Breezeway (2015)
more
Johann Sebastian Bach, Violin Sonata No. 1 in G minor, mvmts. 1-2 (Adagio, Fugue); Niek Baar, live, Berlin, 2016
never enough
Johann Sebastian Bach, Violin Sonata No. 3 in C major, 3rd mvmt. (Largo); Isabelle Faust, live, New York, 2013