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Category: viola

Saturday, March 2nd

last night

I heard a concert, at the University of Chicago, devoted to the work of this man, a composer, a longtime professor, a MacArthur “genius” grant recipient. The performances featured different combinations of violin, viola, cello, clarinet, and piano. The music was often thorny. Occasionally whimsical. Frequently emphatic. Sometimes beautiful. And wholly absorbing.

Ralph Shapey (1921-2002), String Quartet No. 6 (1963)
The Lexington Quartet of the Contemporary Players of the University of Chicago

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lagniappe

musical thoughts

To me, [it’s] very important that [the audience] can recall it as an emotional experience; as though it were something they could hold in their hands.

—Ralph Shapey

Monday, February 18th

yesterday afternoon 

I took a journey that began in late 18th-century Austria, proceeded to mid-20th-century Russia, and concluded in early 20th-century France. Joseph Haydn, Dmitri Shostakovich, Maurice Ravel—they were the hosts. These folks, playing at the University of Chicago’s new Logan Arts Center, were the guides. If one day I learned that my life would be over at midnight, I’d be happy to spend the afternoon, after lunching at a Mexican restaurant (maybe Nuevo Leon on 18th Street), listening to a string quartet.

Pacifica Quartet, New York, 2009; Leo Janacek (1854-1928), String Quartet No. 2 (“Intimate Letters”), first movement

Thursday, February 7th

1 + 1 = infinity

Dmitri Shostakovich (1906-1975), Sonata for Viola (1975); Yuri Bashmet (viola), Ksenia Bashmet (Yuri’s daughter, piano)


This is the last thing Shostakovich composed before he died.

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lagniappe

Here’s another take on the last movement, with a younger Yuri Bashmet and Sviatoslav Richter.

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Saturday, 1/26/13

last night

I heard these guys at the University of Chicago’s Mandel Hall, where the program ranged from Felix Mendelssohn to John Zorn.

Philip Glass, Mishima (1984-85, excerpt); Brooklyn Rider, New York, 2006

Monday, 1/21/13

last night

I went back to Northwestern’s Pick-Staiger Hall—they’re in the midst of a Winter Chamber Music Festival—where I heard this string quartet, along with this clarinetist, play this piece.

Aaron Jay Kernis (1960-), Perpetual Chaconne (2012); Calder Quartet with John Bruce Yeh (clarinet), 2012

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lagniappe

musical thoughts

When we go out to hear live music, we realize, again, something that seldom occurs to us when we listen at home: the world, in its messy unpredictability, its insistent particularity, is way more interesting than we are.

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the music of words

Martin Luther King, Jr., Shreveport, La. (Galilee Baptist Church), 1958

Saturday, 1/19/13

last night

I heard these folks at Northwestern University’s Pick-Staiger Concert Hall, where they played another piece by this composer (Last Round), a MacArthur “genius” grant recipient.

Osvaldo Golijov, Tenebrae; A Far Cry, Boston, 2011

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lagniappe

Here’s another take (four players, no conversation).

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musical thoughts

Nobody sits down and thinks, “I’m going to create some classical music.”

Wednesday, 1/16/13

Toru Takemitsu (1930-1996), And then I knew ’twas wind (1992)
Aureole Trio, New Hampshire (Monadnock Music), 2011

My life sometimes seems to consist of a series of trips, back and forth, between the sublime and the wretched. Yesterday afternoon, for instance, I stumbled upon this—a piece I’d never heard before—during a break from work. What was I working on? An oral argument I’ll be presenting this morning before a three-judge panel of the federal court of appeals in Chicago, on behalf of a guy, now in his mid-50s, who spends each day, as he has for decades, in a cell about 45 miles southwest of the city, where he’s serving a sentence of “natural life.”

Tuesday, 11/27/12

Some instruments seem made for certain seasons. Take the viola: it seems most at home when days are getting shorter, shadows longer, nights colder.

Sofia Gubaidulina (1931-), Concerto for Viola and Orchestra (1996)
Yuri Bashmet (viola), WDR Symphony Orchestra Cologne (Semyon Bychkov, cond.)

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lagniappe

musical thoughts

I am a religious Russian Orthodox person and I understand religion in the literal meaning of the word, as re-ligio, that is to say the restoration of connections, the restoration of the legato of life. There is no more serious task for music than this.

—Sofia Gubaidulina

Thursday, 11/1/12

Forget harps—my heaven’s full of string quartets.

Franz Schubert, String Quartet No. 14 in D minor (“Death and the Maiden,” 1824), excerpt (mvt. 2), Takacs Quartet, live, Scotland (outside Edinburgh), 1998

Thursday, 10/18/12

 fasten your seatbelt

Here’s another take on a piece we listened to the other day.

Alfred Schnittke (1934-98), Concerto Grosso No. 1 (excerpt); A Far Cry with guests Nelson Lee (violin), Meg Freivogel (violin), and Andrus Masden (harpsichord, prepared piano); live, Boston, 2009

(This entire performance can be heard here.)