music clip of the day

jazz/blues/rock/classical/gospel/more

Category: viola

Wednesday, 1/16/13

Toru Takemitsu (1930-1996), And then I knew ’twas wind (1992)
Aureole Trio, New Hampshire (Monadnock Music), 2011

My life sometimes seems to consist of a series of trips, back and forth, between the sublime and the wretched. Yesterday afternoon, for instance, I stumbled upon this—a piece I’d never heard before—during a break from work. What was I working on? An oral argument I’ll be presenting this morning before a three-judge panel of the federal court of appeals in Chicago, on behalf of a guy, now in his mid-50s, who spends each day, as he has for decades, in a cell about 45 miles southwest of the city, where he’s serving a sentence of “natural life.”

Tuesday, 11/27/12

Some instruments seem made for certain seasons. Take the viola: it seems most at home when days are getting shorter, shadows longer, nights colder.

Sofia Gubaidulina (1931-), Concerto for Viola and Orchestra (1996)
Yuri Bashmet (viola), WDR Symphony Orchestra Cologne (Semyon Bychkov, cond.)

#1

#2

#3

#4

**********

lagniappe

musical thoughts

I am a religious Russian Orthodox person and I understand religion in the literal meaning of the word, as re-ligio, that is to say the restoration of connections, the restoration of the legato of life. There is no more serious task for music than this.

Sofia Gubaidulina

Thursday, 11/1/12

Forget harps—my heaven’s full of string quartets.

Franz Schubert, String Quartet No. 14 in D minor (“Death and the Maiden,” 1824), excerpt (mvt. 2), Takacs Quartet, live, Scotland (outside Edinburgh), 1998

Thursday, 10/18/12

 fasten your seatbelt

Here’s another take on a piece we listened to the other day.

Alfred Schnittke (1934-98), Concerto Grosso No. 1 (excerpt); A Far Cry with guests Nelson Lee (violin), Meg Freivogel (violin), and Andrus Masden (harpsichord, prepared piano); live, Boston, 2009

(This entire performance can be heard here.)

Thursday, 10/11/12

Alfred Schnittke (1934-98), Concerto Grosso No. 1, live, Russia, 2004
Kremerata Baltica (Gidon Kremer & Tatiana Grindenko, violins)

**********

lagniappe

musical thoughts

What do we want from music—a mirror or a window?

Saturday, 9/15/12

riveting

Anton Bruckner (1824-96), Symphony No. 5 in B flat major; Berlin Philharmonic (Wilhelm Furtwangler, cond.), live, Berlin, 1942

(Yeah, I realize this performance took place in Nazi Germany during World War II and, no, I don’t have anything profound, or even interesting, to say about how such beauty and such horror could coexist.)

Saturday, 9/8/12

Sometimes more is more.

Anton Bruckner (1824-96), Symphony No. 8 in C minor; Vienna Philharmonic (Herbert von Karajan, cond.), live, Austria (Abbey of St. Florian), 1979

**********

lagniappe

musical thoughts

Once upon a time, before the human attention span began to shrink, people could actually sit still and pay attention to something—a single thing—for over an hour.

Tuesday, 9/4/12

You don’t need to be asleep to be lost in a dream.

Maurice Ravel, Piano Concerto in G Major (1929-31); Martha Argerich, piano; Orchestre National de France (Charles Dutoit, cond.); live, Germany (Frankfurt), 1990

Tuesday, 7/24/12

George Lewis (1952-), “Will to Adorn” (2011)
International Contemporary Ensemble (ICE), Chicago, 2012

[W]hen writing “The Will To Adorn,” Lewis was especially “interested in this idea of adornment—color, color, color everywhere.” The piece represents Lewis’ current musical goal to get “more color energy into the pieces.”

Joe Bucciero, Columbia Spectator, 11/10/11

**********

lagniappe

musical thoughts

In February, when I left this concert, which took place on a Sunday afternoon at Chicago’s Museum of Contemporary Art, I felt both exhilarated and wistful. This performance, which had been such a joy to hear, I would never be able to experience again. Or so I thought, until, just the other day, I discovered this recording online. Young people, many of them, anyway, would see nothing remarkable in being able, thanks to the ’net, to return to a musical experience whenever, and wherever, you want. To me it seems a small miracle.

*****

reading table

I was trying to assert myself as the man in the house, taking charge of things no one could control.

—Richard Ford, Canada (2012)

Saturday, 6/2/12

Ever feel like wandering, aimlessly, in a fog?

The Velvet Underground and Nico, directed by Andy Warhol (shot at his NYC studio, The Factory), 1966

**********

lagniappe

reading table

More than twenty years west of Mount Yen . . .
when the moon lights the summit at night I sing

—Stonehouse, The Zen Works of Stonehouse: Poems and Talks of a Fourteenth Century Chinese Hermit (translated from Chinese by Red Pine)

*****

Happy Birthday, Don!

Sixty-two?

I remember when you were twenty-six.

And six.

We met, as I recall, when you were two.