music clip of the day
jazz/blues/rock/classical/gospel/more
Category: vibraphone
2015
Monday, November 2nd
1n
Ches Smith (percussion, electronics), live, Italy (Catania), 2015
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lagniappe
random sights
yesterday, outside Lincoln, Nebr.
2015
Saturday, May 9th
tonight in Chicago
These guys will be at Constellation, as will I.
Tim Berne’s Snakeoil (TB, alto saxophone; Oscar Noriega, clarinet, bass clarinet; Matt Mitchell, piano; Ches Smith, drums, vibes, conga), “Lost in Redding,” live, Buenos Aires, 2015
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lagniappe
art beat
Bruce Davidson (1933-), Palisades, New Jersey, 1958
2014
Wednesday, December 3rd
sounds of New York (day two)
Here, as in the city itself, density and spaciousness coexist.
Tim Berne’s Cornered,* “Embraceable Me,” live, New York, 10/12/14
*TB, alto saxophone; Oscar Noriega, clarinets; Ryan Ferreira, guitar; Matt Mitchell, piano; Michael Formanek, bass; Ches Smith, drums, vibraphone.
2014
Thursday, November 20th
alone
Masayoshi Fujita, “Snow Storm,” 2012
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lagniappe
reading table
early winter seclusion—
whose thin smoke
over there?—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)
2014
Friday, November 14th
sounds of Chicago
Steve Dawson’s Funeral Bonsai Wedding (SD, vocals and guitar; Jason Adasiewicz, vibraphone; Jason Roebke, bass; Frank Rosaly, drums), “As Soon As I Walk In” (S. Dawson), 2014
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lagniappe
musical thoughts
Music and family have provided two of my life’s through lines. As little boys, my brother Don and I would play in the basement, listening, on the brightly lit juke box, to the Everly Brothers (“Wake Up, Little Susie”), and Johnny Horton (“The Battle of New Orleans”), and Gene Pitney (“The Man Who Shot Liberty Valance”). Soon we were out the door, hearing the Beatles at Comiskey Park, the Velvet Underground at the Kinetic Playground, and the MC5 in Lincoln Park. Still the beat goes on, undiminished by the passing years. Last week, for my sixty-second birthday, Don gave me (what else?) a record—the new album by this guy, Steve Dawson.
2014
Thursday, November 13th
After spending a week and a half in federal court, trying a drug-conspiracy case involving the unfortunately named Imperial Insane Vice Lords, I’m ready for a world without words.
Morton Feldman (1926-1987), For Stefan Wolpe (1986)
Helsinki Chamber Choir, live, Helsinki, 2014
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lagniappe
art beat: more from the other day at the Art Institute of Chicago
Wassily Kandinsky (1866-1944), Improvisation No. 30 (Cannons), 1913
2014
Tuesday, April 8th
alone
Jason Adasiewicz (vibraphone), “Stake,” live, Chicago, 2009
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lagniappe
reading table
Dream Song 1
By John Berryman (1914-1972)Huffy Henry hid the day,
unappeasable Henry sulked.
I see his point,—a trying to put things over.
It was the thought that they thought
they could do it made Henry wicked & away.
But he should have come out and talked.All the world like a woolen lover
once did seem on Henry’s side.
Then came a departure.
Thereafter nothing fell out as it might or ought.
I don’t see how Henry, pried
open for all the world to see, survived.What he has now to say is a long
wonder the world can bear & be.
Once in a sycamore I was glad
all at the top, and I sang.
Hard on the land wears the strong sea
and empty grows every bed.
2014
Tuesday, March 18th
sleepless in Chicago
Some folks sleep all night, or so I’ve heard. Maybe you’re one of them. If not, here’s a mix you might try—a sonic tonic.
1. Play this on repeat.
John Luther Adams (1953-), “The Farthest Place” (2001); piano (Clint Davis), vibraphone (Brian Archinal & Andy Bliss), bass (Satoru Tagawa), violin (Lydia Kabalen); University of Kentucky (Lexington), 2008
2. Ditto.
Waterfall Sounds, Cow Creek
3. Adjust volume levels to taste.
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lagniappe
reading table
For you fleas too
the nights must be long,
they must be lonely.—Kobayashi Issa (1763-1827; translated from Japanese by Robert Hass)
2014
Thursday, February 27th
sounds of Chicago
Klang (James Falzone, clarinet; Jason Adasiewicz, vibraphone; Jason Roebke, bass; Tim Daisy, drums), live (studio performance), 2009
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lagniappe
art beat: the other day at the Art Institute of Chicago
Mark Rothko (1903-1970), Untitled (Purple, White, and Red), 1953
This painting and I have been getting together, several times a year, for decades. Admittedly, our relationship is rather one-sided. But, if anything, its indifference to me only deepens my feelings for it.
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