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Category: trumpet

Friday, 7/8/11

It takes a village, in Fela’s world, to put on a show.

Fela Anikulapo Kuti, October 15, 1938-August 2, 1997

Live, Paris, 1981

Part 1

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Part 2

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lagniappe

1938 Born 15 October in Abeokuta, Nigeria to politically active and middle class family.

1958 Sent to London to train as a doctor, but instead enrolled in the Trinity College of Music. Formed Koola Lobitos in 1961.

1969 Took Koola Lobitos to Los Angeles. His political zeal was fired when he befriended radical black activists including Angela Davis.

1971 Kuti renames his band Afrika 70 (and later Eygpt 80), and, newly politicised, he determines to give voice to Nigeria’s underclass.

1974 After he enraged the Nigerian establishment, the army almost destroyed Kuti’s home while trying to arrest him.

1977 In a second government-sanctioned attack, 1,000 soldiers descended on Kuti’s compound. He suffered a fractured skull, arm and leg in the onslaught and his 82-year old mother was thrown from an upstairs window. He left for voluntary exile in Ghana.

1978 Ghanian authorities deported Kuti back to Lagos. On his arrival he married 27 women simultaneously. Divorcing them in 1986, he said: ‘ no man has the right to own a woman’s vagina’.

1979 Founded his own political party MOP (Movement of the People)

1984 Jailed in Nigeria for five years on what was regarded as sham currency smuggling charges, and released in 1986 after a change of government.

1996 Arrested and released on an alleged drug charge.

1997 Died of complications from Aids aged 59.

Peter Culshaw, The Guardian, 8/15/04

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Monday, July 4, 2011

Happy Birthday, Pops!*

Louis Armstrong, “Basin Street Blues” (three takes)

#1 (live, 1959, Germany [Stuttgart])

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#2 (live, 1953, New Orleans)

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#3 (recording, 1928, Chicago)

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lagniappe

more

Louis Armstrong & His Hot Five, “West End Blues,” 1928, Chicago

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radio

The federal government, in its wisdom, gives you the day off so you can listen to Louis Armstrong.

—Phil Schaap, 7/2/11, Traditions in Swing, WKCR-FM
(broadcasting from Columbia University), which today is all Pops, all day 

*****

reading table

Summer afternoon — summer afternoon; to me those have always been the two most beautiful words in the English language.

—Henry James

*Louis Armstrong gave July 4th as his birthday, something that was determined, after his death, not to be true—at least not literally.

Saturday, 7/2/11

Here’s a different take—one deeply indebted to Lester Bowie—on the
brass band.

Dave Douglas & Brass Ecstasy
DD, trumpet; Louis Bonilla, trombone; Vincent Chancey, horn (AKA French horn); Marcus Rojas, tuba; Nasheet Waits, drums

“Bowie,” recording session (Spirit Moves, 2009)

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“Spirit Moves,” “This Love Affair,” “Twilight of the Dogs”
Live, Washington, D.C., 2009

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lagniappe

reading table

How can I possibly sleep
This moonlit evening?
Come, my friends,
Let’s sing and dance
All night long.

—Ryokan (1758-1831), trans. John Stevens

Friday, 7/1/11

scenes from New Orleans
(an occasional series)

Rebirth Brass Band, live, Maple Leaf Bar (where RBB plays Tuesday nights), New Orleans, 2011

“Big Chief”

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“I Like It Like That”

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More? Here. And here. And here. And here.

Saturday, 6/25/11

nadir, n. the lowest point.

On July 29, 1946, Charlie Parker was arrested in Los Angeles, after starting a fire in his hotel room. Earlier that day, unable to score heroin, scratchy, drunk on whiskey, he recorded this track, which, depending on your point of view, is either one of the worst records he ever made (Parker’s view) or, despite (because of?) its raggedyness, among the greatest (Charles Mingus’s opinion). After his arrest he was confined, for six months, at Camarillo State Mental Hospital.

Charlie Parker, “Lover Man” (CP, alto saxophone; Howard McGhee, trumpet; Jimmy Bunn, piano; Bob Kesterson, bass; Roy Porter, drums), rec. 7/29/46

More? Here.

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lagniappe

rewarding the deserving

So often, it seems, when arts awards are announced, my initial reaction is: “Huh?” Not this time. The National Endowment of the Arts just announced their 2012 Jazz Masters Awards, which recognize, with Lifetime Honors, “living musicians for career-long achievement.” And the winners are Jack DeJohnette, Jimmy Owens, Charlie Haden, Sheila Jordan, and Von Freeman.

*****

reading table

The cafeteria in the hospital’s basement was the saddest place in the world, with its grim neon lights and gray tabletops and the diffuse forboding of those who had stepped away from suffering children to have a grilled cheese sandwich.

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The next day, I set up an iPod dock and played music, not only in the willfully delusional belief that music would be good for a painful, recovering brain but also to counter the soul-crushing hospital noise: the beeping of monitors, the wheezing of respirators, the indifferent chatter of nurses in the hallway, the alarm that went off whenever a patient’s condition abruptly worsened.

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One early morning, driving to the hospital, I saw a number of able-bodied, energetic runners progressing along Fullerton Avenue toward the sunny lakefront, and I had a strong physical sensation of being in an aquarium: I could see out, the people outside could see me (if they chose to pay attention), but we were living and breathing in entirely different environments.

—Aleksandar Hemon, “The Aquarium: A Child’s Isolating Illness” (behind a paywall), New Yorker, 6/13 & 20/2011

Thursday, 6/9/11

kaleidoscopic, adj. 1. changing form, pattern, color, etc., in a manner suggesting a kaleidoscope. 2. continually shifting from one set of relations to another. E.g., the music of the Art Ensemble of Chicago.

Art Ensemble of Chicago (Roscoe Mitchell, saxophone; Joseph Jarman, saxophone; Lester Bowie, trumpet; Malachi Favors, bass; Don Moye, drums), live, Europe, 1980s

Part 1

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One of my all-time favorite musicians—no matter the instrument, no matter the genre—is the guy playing bass. If I’m feeling down, he lifts me up. If I’m feeling good, he makes things even better.

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Part 2

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How many trumpeters play so many different colors?

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Part 3

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Part 4

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Part 5

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Part 6

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Avant-garde? Their use of polyphony recalls the earliest New Orleans jazz.

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Part 7

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How many musicians not only roam so widely but swing so hard?

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lagniappe

more

Art Ensemble of Chicago with Fontella Bass, “Theme de Yoyo” (1970)

More? Here.

Monday, 6/6/11

sui generis, adj. A person or thing that is unique, in a class by itself. E.g., Anthony Braxton, composer, reed player, professor, MacArthur “genius” grant winner, one-time professional chess hustler.

Happy (Belated 66th) Birthday, Anthony!
(born June 4, 1945)

Anthony Braxton with his 12+1tet, Ghost Trance Music
New York (Iridium), 2008

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lagniappe

musical thoughts

I wanted to live. I wanted to be alive. This experience goes by very quickly. Part of the radiance of a moment, in my opinion, involves that which we call music.

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Suddenly, Coltrane solos become the “it” of music, when in fact, the records and the notated solos are the sonic footprints, the bone structure of what actually happened in the music.

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I wanted a system that would be equal to the dynamics of curiosity. I wanted to have a music where I could have some fun.

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There is the wonderful discipline of music and the ability of music to keep on opening up fresh prospects. I must say, what a discipline!

—Anthony Braxton

Friday, 6/3/11

scenes from New Orleans
an occasional series

Neville Brothers (with Irvin Mayfield, trumpet)
“Indian Red,” live, New Orleans (Jazz Fest), 5/8/11

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art beat

Lance Rosenfield, New Orleans, 2/5/08 (young Mardi Gras Indian preparing for his first Mardi Gras with the Wild Magnolias)

Monday, 5/30/11

Today we remember him with a mix of new clips and old favorites.

Gil Scott-Heron, April 1, 1949-May 27, 2011

new clips

“The Bottle,” live, Jamaica (Montego Bay, Reggae Sunsplash), 1983
Cool Runnings: The Reggae Movie (1983)

*****

“We Almost Lost Detroit,” live, Austria (Vienna), 2010

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Interview, England (London), 2010

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old favorites

Here’s a voice I didn’t know if I’d ever hear again.

Gil Scott-Heron, I’m New Here (out this week)

“Where Did The Night Go” (Gil Scott-Heron)

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“Me And The Devil” (Robert Johnson)

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lagniappe

I’ve had bad times in my life when I’d rather be somewhere else doing something else, for sure. But you get to my age, that shit happens. You get in trouble; you maybe lose some folks—a parent or a friend. Maybe your marriage breaks up, you lose your wife, lose touch with your kid. But what life does not have those things in it?—Gil Scott-Heron (in yesterday’s Guardian)

(Orignially posted 2/8/10.)

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I’m the person I see least of over the course of my life, and even what I see is not accurate.

—Gil Scott-Heron (New Yorker, 8/9/2010 [Alec Wilkinson, “New York Is Killing Me”])

Gil Scott-Heron, “I’m New Here” (2010)

(Originally posted 8/24/10.)

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It’s a remix world.

Gil Scott-Heron, “New York Is Killing Me” (2010), Chris Cunningham remix

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lagniappe

Here’s the original track, followed by a couple more remixes.

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With Nas

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With Mos Def

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langiappe

musical thoughts

In the dark times, will there also be singing? Yes, there will be singing. About the dark times.

—Bertolt Brecht

(Originally posted 12/16/10.)

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remembrances

Alec Wilkinson (New Yorker)

Richard Russell (XL Recordings; produced and released GSH’s last album)

Eminem, Chuck D, Cee Low Green, Talib Kweli, et al.

Friday, May 20, 2011

Who else (besides, of course, Bob Dylan) has played so many different roles so brilliantly?

Miles Davis (with Robben Ford & guest Carlos Santana, guitars), “Burn”
Live, Giants Stadium, East Rutherford, New Jersey, 6/15/86

Listen to stuff long enough and it changes—or you do, anyway. Once I might have faulted this for being repetitive. But that’s a bit like faulting roast beef for being meat. Of course it’s repetitive. That’s part of what makes it soar.

More? Here.

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lagniappe

listening room: what’s playing

Rashied Ali Quintet, Live In Europe (Survival Records)

• Paul Motian (with Chris Potter, Jason Moran), Lost In A Dream (ECM)

Charlie Parker, The Complete Royal Roost Live Recordings on Savoy, Vol. 3 (Columbia Japan)

Eric Dolphy At The Five Spot, Vol. 2 (with Booker Little, Mal Waldron, Richard Davis, Ed Blackwell; Prestige)

• Various Artists, Fire In My Bones: Raw + Rare + Other-Worldly African-American Gospel (1944-2007) (Tompkins Square)

• Reverend Charlie Jackson, God’s Got It: The Legendary Booker and Jackson Singles (CaseQuarter)

Group Doueh, Guitar Music from the Western Sahara (Sublime Frequencies)

Mozart: Piano Sonata No. 8 in A Minor, Helene Grimaud, Resonances (Deutsche Grammophon)

Beethoven: Piano Sonata No. 23 (“Appasionata”) and No. 29 (“Hammerklavier”), Solomon, The Master Pianist (EMI Classics)

Anton Webern: String Quartet, Six Bagatelles for String Quartet, String Quartet Op. 28, LaSalle Quartet (Brilliant Classics)

• Arnold Schoenberg: String Quartet in D major, LaSalle Quartet (Brilliant Classics)

Roger Sessions: String Quartet No. 2, Julliard String Quartet (Composers Recordings)

Morton Feldman: For Bunita Marcus, John TilburyMorton Feldman, All Piano (London HALL)

WKCR-FM (broadcasting from Columbia University)
Bird Flight (Phil Schaap, jazz [Charlie Parker])
Morning Classical (Various)
Amazing Grace (Various)

WFMU-FM
Mudd Up! (DJ/Rupture, “new bass and beats”)
Sinner’s Crossroads
(Kevin Nutt, gospel)
—Give The Drummer Some
(Doug Schulkind, sui generis)
—Fool’s Paradise
(Rex, sui generis)
Transpacific Sound Paradise (Rob Weisberg, “popular and unpopular music from around the world”)