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Category: trombone

Friday, 9/17/10

Many years ago, when I was younger than my sons are now (22, 19), I listened to this album (Forever Changes) day after day after day.

Arthur Lee and Love, “Alone Again Or,” “A House Is Not A Motel,” England (London), 2003

Saturday, 9/11/10

To these ears, this is just inches shy of insufferable—too cute, too precious, too fey. But those inches make all the difference. As it is, I find it beguiling.

Clare and the Reasons, “Wake Up (You Sleepyhead),” 2009

For those who’re interested in such genealogical details (and are old enough to remember), Clare is the daughter of Geoff Muldaur.

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reading table

Utterly unbelievable, incontrovertibly real: his poems, at their best, have the associative logic of a dream.

Russell Edson, “Let Us Consider”

Thursday, 8/26/10

When I die, I’m moving to New Orleans for the funeral.

Funeral, Trumpeter John Brunious, New Orleans, 2/23/08

Saturday, 8/21/10

replay: a clip too good for just one day

If spirit could be sold, New Orleans would be rich.

Rebirth Brass Band, live, New Orleans, 2009

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Brass band musicians are a wild bunch. They’re hard to control. The street funk that the Rebirth Brass Band plays definitely isn’t traditional—it might be in thirty years time.

—Lajoie “Butch” Gomez (in Mick Burns, Keeping the Beat on the Street: The New Orleans Brass Band Renaissance [2006])

(Originally posted on 9/11/09.)

Thursday, 8/12/10

my new mantra

Say ‘bye bye, bogeyman.’

—Whispering Jack Smith

Whispering Jack Smith, “Happy Days” (Happy Days [shot in 1929, released in 1930])

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more music to chase away the bogeyman

Sidney Bechet (clarinet, with Henry “Red” Allen, trumpet; J.C. Higginbotham, trombone; James Tolliver, piano; Wellman Braud, bass; J.C. Heard, drums), “Egyptian Fantasy” (1941)

Tuesday, 7/6/10

What the world needs now?

Nah, not love.

What the world needs now—what it cries out for, daily—is inspired silliness.

Brave Combo, live

“The Denton Polka,” Texas (Denton), 2007

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“Louie, Louie,” Illinois (Berwyn [FitzGerald’s]), 2008

Brave Combo played a wild set Sunday night (the 4th) at FitzGerald’s American Music Festival—everything from “Beer Barrel Polka” to a hard-rockin’ “Hokey Pokey” to a polka-inflected “Ode to Joy” (“Any Beethoven fans in the house?”) to a Tejano-style “America the Beautiful.” By the end of the 90-minute set, everybody’s IQ, it seemed, had gone up 15 points. Or was it down?

Wednesday, 6/16/10

movies/part 3

Once upon a time, before the Gulf oil spill, before Katrina, there was a city . . .

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New Orleans (1947)

Billie Holiday, Louis Armstrong

“Do You Know What It Means To Miss New Orleans?”

Want more Billie Holiday? Here. Here.

More Louis Armstrong? Here.

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The impact of the oil from the Gulf of Mexico spill now soiling the Louisiana shoreline was felt far inland on Thursday as P&J Oyster Company, the country’s oldest oyster processor and distributor, ceased its shucking operations.

“The bottom line is that the guys that we purchase from are not working,” said Sal Sunseri, referring to the oyster harvesters who’ve been idled by the mass closure of harvesting areas and freshwater diversions. “Today’s our last day of shucking.”

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“Having the guy down the street deliver oysters that were shucked just that morning to our doorstep is an amazing thing,” said John Besh, who featured P&J Oysters at his five New Orleans area restaurants. “The relationship is so valuable, knowing that I can count on them to source the best oysters from the saltiest areas and deliver them in a consistent, uniform manner.”

“They provide wonderful oysters,” said Darin Nesbit, chef at the Bourbon House, whose relationship with P&J is so tight Sal Sunseri helped shuck oysters the first night the restaurant opened following Hurricane Katrina. “Even in times of trouble, they’ve always taken care of us.”

P&J was started in 1876 by John Popich, a Croatian immigrant who took on partner Joseph Jurisich at the turn of the century. In 1921, Popich and Jurisich purchased a shucking house at the corner of Toulouse and North Rampart streets. Alfred Sunseri, the current owners’ grandfather, who was married to Popich’s cousin, joined the company soon after.

—Brett Anderson, “P&J looks to bring oysters in from the West Coast for the first time In its 134 years,” New Orleans Times-Picayune, 6/10/10

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mail

You’re right, not only can’t you lip-synch this stuff; you can’t really sing it if you don’t know it in your heart. That’s why it’s sooooo good. [The Pilgrim Jubilees, 6/13/10]

Tuesday, 6/15/10

movies/part 2

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Stormy Weather (1943)

Cab Calloway and His Orchestra; Nicholas Brothers, dancers; “Jumpin’ Jive”

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Fred Astaire told the [Nicholas] brothers that the “Jumpin’ Jive” number in Stormy Weather was the greatest number he had ever seen on film. He would have been more impressed had he known that the choreography was filmed all in one take.

—Constance Valis Hill, Tap Dancing America: A Cultural History (2010)

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Want more tap-dancing?

Here (Will Gaines).

Here (Marilyn Miller).

Here (Teddy Hale, Gregory Hines, Will Gaines).

Monday, 6/14/10

movies/part 1

I feel a rhythmic brainstorm comin’ on . . .

—Slim Gaillard

Hellzapoppin’ (1941)

Slim Gaillard, piano, guitar; Slam Stewart, bass; Rex Stewart, drums; Elmer Fane, clarinet; Jap Jones, trombone; C.P. Johnston, drums; Harlem Congeroos, dancers

Saturday, 5/8/10

New Orleans Jazz & Heritage Festival, 2010/part 2

Scene 1: Parade of the New Orleans Social Aid and Pleasure Club

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Scene 2: Chouval Bwa

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Scene 3: Trombone Shorty and Orleans Avenue, “Backatown” (record-store performance)

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Scene 4: Pinettes Brass Band (outside another record store)

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