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Category: trombone

Saturday, 3/12/11

Have you heard of Brandt Brauer Frick?

Rachael Z., the 20-something stylist who cuts my hair

The Brandt Brauer Frick Ensemble, live (rehearsal), Germany (Berlin), 2010

Vodpod videos no longer available.

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lagniappe

reading table

Teenager

Me — a teenager?
If she suddenly stood, here, now, before me,
would I need to treat her as near and dear,
although she’s strange to me, and distant?

Shed a tear, kiss her brow
for the simple reason
that we share a birthdate?

So many dissimilarities between us
that only the bones are likely still the same,
the cranial vault, the eye sockets.

Since her eyes seem a little larger,
her eyelashes are longer, she’s taller
and the whole body is closely sheathed
in smooth, unblemished skin.

Relatives and friends still link us, it is true,
but in her world almost all are living,
while in mine almost no one survives
from that shared circle.

We differ so profoundly,
talk and think about completely different things.
She knows next to nothing —
but with a doggedness deserving better causes.
I know much more —
but nothing for sure.

She shows me poems,
written in a clear and careful script
that I haven’t used for years.

I read the poems, read them.
Well, maybe that one
if it were shorter
and fixed in a couple of places.
The rest do not bode well.

The conversation stumbles.
On her pathetic watch
time is still cheap and unsteady.
On mine it’s far more precious and precise.

Nothing in parting, a fixed smile
and no emotion.

Only when she vanishes,
leaving her scarf in her haste.

A scarf of genuine wool,
in colored stripes
crocheted for her
by our mother.

I’ve still got it.

—Wislawa Szymborska (trans. Clare CavanaghStanisław Barańczak; Here [2010])

*****

five desert-island poets

Wislawa Szymborska

William Bronk

John Berryman

Emily Dickinson

Kobayashi Issa

Thursday, 3/10/11

Happy (108th) Birthday, Bix!

God the poet, the master of metaphor, wanting to comment on what a big, open, unruly country this is, put the birthdays of Ornette Coleman, born in 1930 in Fort Worth, Texas, and Bix Beiderbecke, born in 1903 in Davenport, Iowa, back to back.

Bix Beiderbecke, cornet, with Frankie Trumbauer and His Orchestra
“I’m Coming, Virginia,” “Way Down Yonder In New Orleans,” 1927

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lagniappe

Speaking of Bix’s playing, Louis Armstrong said:

Those pretty notes went right through me.

*****

. . . “I’m Coming, Virginia” became the most beautiful thing in my life . . . The coherence of its long Bix solo still provides me with a measure of what popular art should be like: a generosity of effects on a simple frame. The melodic line is particularly ravishing at its points of transition: there are moments when even a silent pause is a perfect note, and always there is a piercing sadness to it, as if the natural tone of the cornet, the instrument of reveille, were the first sob before weeping.

—Clive James, London Times, 5/16/07

*****

radio

Yesterday, at WKCR-FM (broadcasting from Columbia University), it was all Ornette all day; today it’s Bix. (Listening to so much Ornette seems to have rearranged my brain cells—permanently, I hope.)

(Some of this was previously posted on Bix’s last birthday.)

Tuesday, 3/8/11

Today, in celebration of Fat Tuesday, let’s go to New Orleans.

Rebirth Brass Band, Treme Sidewalk Steppers Parade
Live, New Orleans, 2/6/11

Vodpod videos no longer available.

More? Here. And here. And here.

*****

TBC Brass Band, Krewe de Vieux Parade
Live, New Orleans, 2/19/11

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*****

A great brass band and a great mix have something in common. You can tell a great mix—as we used to say at Alligator Records—even from the next room. And you can tell a great brass band even from the next block.

Monday, 1/31/11

Roy Eldridge, January 30, 1911-February 26, 1989

No you, no me.

Dizzy Gillespie

“I Can’t Get Started,” live (TV broadcast), 1958

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“After You’ve Gone,” 1937

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“Wabash Stomp,” 1937

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“Let Me Off Uptown” (Gene Krupa Orchestra with Anita O’Day), 1942

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lagniappe

radio Roy Eldridge

WKCR-FM’s centennial birthday celebration, mentioned yesterday, continues until midnight.

Friday, 1/28/11

Today MCOTD celebrates its 500th post. When this started, I thought I might eventually run out of material. But what I’ve found is the opposite: the more you hear, the more there is to hear.

Percy Sledge, “When A Man Loves A Woman,” live (TV broadcast), c. 1966

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lagniappe

reading table

Haiku

That was fast.
I mean life.

—Ron Padgett

 

Monday, 1/17/11

Back in the ’70s, when I was at Alligator Records, I worked with this guy—coproducing albums, booking live performances, traveling to New York for a series of “showcase” performances (little pay, big exposure) at the Bottom Line (opening for Buddy Guy & Junior Wells). But I was a fan before that. In college I had a weekly radio show, where I often played his first album, released in 1973. Now, like so many others I worked with (Hound Dog Taylor, Big Walter Horton, Fenton Robinson, Koko Taylor, Albert Collins, et al.), he’s gone.

Son Seals, August 13, 1942-December 20, 2004

“I Think You’re Fooling Me,” live (TV broadcast), 1987

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“Your Love Is Like A Cancer” (The Son Seals Blues Band, Alligator, 1973)

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lagniappe

reading table

for . . . Son Seals, who left to work a better room

—Andrew Vachss, Mask Market: A Burke Novel (2006)

Tuesday, 1/11/11

[D]ance first and think afterwards . . . . It’s the natural order.

—Samuel Beckett, Waiting for Godot (English-language premiere, 1955)

Al Minns & Leon James, New York (Savoy Ballroom, Harlem), 1950s

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lagniappe

art beat

Helen Levitt, New York, c. 1940

Thursday, 1/6/11

street music

The brass band goes uptown.

Asphalt Orchestra, live, New York

#1 (2009)

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#2 (2010)

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Saturday, 12/25/10

Merry Christmas!

Bessie Smith (with Joe Smith, cornet; Charlie Green, trombone; Fletcher Henderson, piano), “At the Christmas Ball” (1925)

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*****

Lowell Fulson, “Lonesome Christmas (I & II)” (1950)

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*****

Sonny Boy Williamson, “Sonny Boy’s Christmas Blues” (1951)

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lagniappe

radio: all Bach, all the time

WKCR-FM (broadcasting from Columbia University) is currently in the midst of their annual Bach Festival, which runs through the end of the year.

*****

reading table

Barn’s burnt down—
now
I can see the moon.

—Mitzuta Masahide (trans. Lucien Stryk and Takashi Ikemoto), 1657-1723

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going forward

I won’t be here every day; but I’ll be here often.

Thursday, 12/9/10

Some music asks nothing more than to be a source of delight.

Wim Mertens Ensemble, “Maximizing the Audience,” live, Spain (Madrid), 1998

Vodpod videos no longer available.