Wednesday, 2/22/12
old stuff
Jimmie Lunceford and his Dance Orchestra, “Rhythm Coming to Life Again,” “Rhythm Is Our Business,” “You Can’t Pull the Wool Over My Eyes,” “Moonlight on the Ganges,” “Nagasaki,” “Jazznochracy,” 1936
More? Here.
old stuff
Jimmie Lunceford and his Dance Orchestra, “Rhythm Coming to Life Again,” “Rhythm Is Our Business,” “You Can’t Pull the Wool Over My Eyes,” “Moonlight on the Ganges,” “Nagasaki,” “Jazznochracy,” 1936
More? Here.
Some places actually exist because they could never be imagined.
Treme Sidewalk Steppers Second Line, Rebirth Brass Band (with guest Troy “Trombone Shorty” Andrews, trumpet), New Orleans, 2/1/09
Happy Mardi Gras!
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lagniappe
Mardi Gras in New Orleans (with Arthur Hardy)
This week we revisit a few favorites from the past year.
*****
[D]ance first and think afterwards . . . . It’s the natural order.
—Samuel Beckett, Waiting for Godot (1953, 1955 [English-language premiere])
Al Minns & Leon James, New York (Savoy Ballroom, Harlem), 1950s
Vodpod videos no longer available.**********
lagniappe
art beat
Helen Levitt, New York, c. 1940
(Originally posted 1/11/11.)
If sounds define a space as much as walls and windows, you don’t need to knock out a wall to open up a room—just play this.
International Contemporary Ensemble with Steve Lehman
Impossible Flow (S. Lehman), live, New York (Le Poisson Rouge), 4/19/11
The moment this ends I want to hear it again. Is there any higher compliment?
More Steve Lehman? Here.
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lagniappe
reading table
A strange old man
Stops me,
Looking out of my deep mirror.—Kakinomoto no Hitomaro (c. 662-710; trans. Kenneth Rexroth)
old stuff
Best two minutes of the whole day?
Jimmie Lunceford and his Orchestra (with Jimmy Crawford, drums)
“White Heat,” 1939
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lagniappe
musical thoughts
It’s difficult to name one favorite drummer, because . . . I’ve got a lot of favorites. But Jimmy Crawford—they called him “Craw”—with the Jimmie Lunceford band? He was a motherfucker.
*****
reading table
How should I not be glad to contemplate
The clouds clearing beyond the dormer window
And a high tide reflected on the ceiling?
There will be dying, there will be dying,
But there is no need to go into that.
The lines flow from the hand unbidden
And the hidden source is the watchful heart.
The sun rises in spite of everything
And the far cities are beautiful and bright.
I lie here in a riot of sunlight
Watching the day break and the clouds flying.
Everything is going to be all right.—Derek Mahon, “Everything Is Going to Be All Right”
Labels are often worse than useless. This guy, for instance, is often tagged as “cerebral.” But here’s something you can’t—I can’t, anyway—listen to without smiling.
Anthony Braxton, Composition No. 58
Taylor Ho Bynum Chicago Big Band,* live, 2009, Chicago
*****
Here’s another take—Braxton’s original recording (The Complete Arista Recordings of Anthony Braxton [Mosaic], rec. 1976).
More? Here.
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lagniappe
reading table
To obtain the value
of a sound, a movement,
measure from zero.***
A sound has no legs to stand on.
***
The world is teeming: anything can
happen.—John Cage, “2 Pages, 122 Words on Music and Dance” (excerpts)
*Taylor Ho Bynum & Josh Berman (cor), Jaimie Branch (tpt), Jeb Bishop & Nick Broste (tb), Nicole Mitchell (fl), Caroline Davis, Keefe Jackson & Dave Rempis (saxes), Jeff Parker (g), Jason Adasiewicz (vib), Nate McBride (b), Tim Daisy & Tomas Fujiwara (d)
Happy (Belated) 70th Birthday, Lester!
Lester Bowie, October 11, 1941-November 8, 1999
trumpet player, bandleader, irrepressible spirit
Lester Bowie Brass & Steel Band, Umbria Jazz Festival (Italy), 1996
Part 1
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Part 2
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Part 3
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Part 4
More? Here. And here. And here. And here. And here.
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lagniappe
musical thoughts
Jazz is neither specific repertoire nor academic exercise . . . but a way of life.
—Lester Bowie
three takes
Blues guitarists—great ones, anyway—aren’t instrumentalists; they’re singers with two voices.
“Born Under A Bad Sign” (W. Bell, B.T. Jones)
Albert King, live, Sweden, 1980
Vodpod videos no longer available.***
Albert King, recording, 1967 (Stax)
Vodpod videos no longer available.***
Jimi Hendrix, recorded in 1969 (Blues, 1994)
Vodpod videos no longer available.What makes this last take effective? Part of it is the phrasing: Jimi, like Albert, doesn’t play anything that couldn’t be sung.
More Albert? Here.