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Category: trombone

Monday, 6/18/12

Happy (Day After) Father’s Day 

Nas (son) with Olu Dara (father), “Bridging the Gap” (2004)
(sampling Muddy Waters’ “Mannish Boy”)

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Here’s more from the old man.

David Murray Octet, “Dewey’s Circle” (DM, tenor saxophone; Olu Dara, trumpet; Butch Morris, cornet; George Lewis, trombone; Henry Threadgill, alto saxophone; Anthony Davis, piano; Wilber Morris, bass; Steve McCall, drums), Ming (Black Saint, 1980)

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Muddy Waters, “Mannish Boy” (Chess, 1955)

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reading table

People are mysterious, unfathomable—like divinities: natural objects for reverence. But our habits of thought turn the people around us into objects, the means for our self-protection.

—Lama John Makransky, “Family Practice,”
Tricycle, Summer 2001

Monday, 5/21/12

sounds of Haiti

Rara music, live, Leogane

Friday, 5/11/12

The parade never ends.

Rebirth Brass Band, New Orleans (Treme Sidewalk Steppers Annual Second Line Parade), 2/6/12

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A highly anticipated moment of the social aid and pleasure club parade season is when the Treme Sidewalk Steppers emerge from the African-American Museum. First, comes the call of the trumpet and then a flash of color can be spied as a member waves a feathered fan and dances out the door. One by one, the Steppers strut their stuff as they energetically file down the sidewalk with a “look-at-me” attitude. Those in the waiting crowd on Gov. Nicholls Street, peer through the iron fence that surrounds the lovely building and gardens, trying to get a better look at the spectacle. They cheer at the triumph.

The Treme Sidewalk Steppers . . . was established in 1994 by a group of friends who were enthusiastic second line followers.

“We’d always go to the parades and parade on the sidewalk and have fun,” Sidewalk Steppers president Charlie Brown explains, “so we decided we might as well come up with our own.”

Brown as well as some dozen or so originators, including New Birth Brass Band’s Tanio Hingle and Kerry “Fat Man” Hunter, all hailed from the Treme so the name of their club was a natural. “That’s our neighborhood; that’s where we’re from,” Brown proudly states. “Being the oldest Black neighborhood in America and being raised around all these different musicians and just to have the culture makes it special to us. It’s in your blood–that’s what makes it so authentic with us.

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Since most of the club’s members grew up in the Treme neighborhood, they boast deep roots in and respect for the second-line culture. The Steppers take that base and serve it up with its certain, individual style and personality.

“We try to keep it in the tradition but we have our own little swagger,” Brown says. “We try to be unique in our dress and our ways. We love the fun in dancing and showing off our little parade gear. We take pride in it. We don’t take shortcuts with our parade.”

The Sidewalk Steppers’ outfits are usually specially designed and tailored for them rather than store-bought. Creating their decorative fans is a group effort that’s accomplished under the direction of original member Corey Holmes. . . .

While some clubs keep the colors of their outfits secret, the Treme Sidewalk Steppers declare them right on the route sheet . . .

“We want the people to know,” Brown explains. “Maybe our followers would like to dress in the colors we’re wearing. We invite that. We really love the people that love us and we appreciate them all. The followers made us–they made us as good as we are or are supposed to be.”

The Treme Sidewalk Steppers also kept the second liners in mind when drawing up the parade route. The procession primarily travels on wide thoroughfares like Basin Street, Broad Street, N. Claiborne Ave. and St. Bernard Ave. that offer the crowd room to move.

“We use main streets so people can be comfortable and we try to spread out so you can enjoy us and view us well,” he explains.

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“The Sidewalk Steppers mean everything to me,” Brown says with deep sincerity. “We give thanks to all the people who came before and how they gave this history to us and showed us the way.”

Geraldine Wyckoff

Tuesday, 5/1/12

ready to levitate?

Peter Brötzmann  Chicago Tentet,* “Aziz” (M. Zerang), recorded live in Chicago (Empty Bottle), 9/17/97 (Okka Disk OD-12022)

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art beat: yesterday at the Art Institute of Chicago (after meeting with a client at the nearby federal jail)

Utagawe Hiroshige, Suijin Shrine and Massaki on the Sumida River (from the series One Hundred Famous Views of Edo), c. 1856

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reading table

Were I to choose an auspicious image for the new millennium, I would choose . . . the sudden agile leap of the poet-philosopher who raises himself above the weight of the world, showing that with all his gravity he has the secret of lightness, and that what many consider to be the vitality of the times—noisy, aggressive, revving and roaring—belongs to the realm of death, like a cemetery for rusty old cars.

—Italo Calvino, “Lightness,” in Six Memos for the New Millenium (1988, translated from Italian by Patrick Creagh)

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*PB, tenor sax/clarinet/tarogato; Mars Williams, tenor/alto/soprano sax/clarinet; Ken Vandermark, tenor sax/clarinet/bass clarinet; Mats Gustafsson, baritone sax/fluteophone; Joe McPhee, pocket cornet/valve trombone/soprano sax; Jeb Bishop, trombone; Fred Lonberg-Holm, cello; Kent Kessler, bass; Michael Zerang, drums/percussion; Hamid Drake, drums/percussion.

Friday, 4/20/12

passings

Levon Helm, drummer, singer, songwriter, actor, etc.
May 26, 1940-April 19, 2012

Live,  2/12, Woodstock, NY (Levon’s home)

“Ophelia”

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“The Weight”

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“When I Go Away,” recording (Electric Dirt, 2009)

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Levon Helm will always hold a special place in my heart. He was as great of an actor as a musician. For me watching him play the role of my daddy in Coal Miner’s Daughter is a memory I will always treasure.

Loretta Lynn

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When I heard The Band’s Music from Big Pink, their music changed my life. And Levon was a big part of that band. Nigel Olson, my drummer, will tell you that every drummer that heard him was influenced by him. He was the greatest drummer and a wonderful singer and just a part of my life that was magical. They once flew down to see me in Philadelphia and I couldn’t believe it. They were one of the greatest bands of all time. They really changed the face of music when their records came out. I had no idea he was sick so I’m very dismayed and shocked that he died so quickly. But now my son [Zachary Jackson Levon Furnish-John] has his name.

Elton John

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He was my bosom buddy friend to the end, one of the last true great spirits of my or any other generation. This is just so sad to talk about. I still can remember the first day I met him and the last day I saw him. We go back pretty far and had been through some trials together. I’m going to miss him, as I’m sure a whole lot of others will too.

Bob Dylan

Wednesday, 4/18/12

Peter Brötzmann, reed player, composer, bandleader
German Blues, performances 1999-2002, interview 2000

You can have the blues even if you’re German . . .

—Peter Brötzmann

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found words: AOL Headlines

Autistic Cheerleader Inspires Her Squad

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Kayaker Drowns After Swan Attack

Tuesday, 4/10/12

Boi Akih (Monica Akihary, vocals; Niels Brouwer, guitar) with guest Wolter Wierbos (trombone), live, Netherlands, 2008

Instruments, too, are often stereotyped. Take the trombone. Loud? Blustery? Bull in a china shop? Not here.

Saturday, 3/10/12

Happy (109th) Birthday, Bix!

How many sonic experiences are as dizzying as the one offered this time each year by WKCR-FM (Columbia University)? First there’s 24 hours, straight, of Ornette. The next 24? Bix, Bix, Bix.

Frankie Trumbauer and His Orchestra (feat. Bix Beiderbecke, cornet), “There’ll Come A Time (Wait and See),” 1928

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found words

A distinctive psychiatric hospital

—advertisement, New Yorker, 3/5/12

Monday, 3/5/12

Has there ever been a finer hour of jazz—of music—on TV?

The Sound of Jazz (CBS), 1957*

(A couple excerpts have been posted previously—here and here—but until the other day I’d never seen the whole show.)

*With Count Basie (piano), Thelonious Monk (piano), Billie Holiday (vocals), Jimmy Rushing (vocals), Coleman Hawkins (tenor saxophone), Ben Webster (tenor saxophone), Lester Young (tenor saxophone), Gerry Mulligan (baritone saxophone), Jimmy Giuffre (tenor saxophone, clarinet), Pee Wee Ellis (clarinet), Henry “Red” Allen (trumpet), Roy Eldridge (trumpet), Vic Dickenson (trombone), Danny Barker (guitar), Freddie Green (guitar), Jim Hall (guitar), Milt Hinton (bass), Jo Jones (drums), et al.

Thursday, 2/23/12

street music

Hypnotic Brass Ensemble, New York, 2007

#1 (“Ballicki Bone”)

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#2

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#3

The horn players—all eight of them—are sons of Sun Ra Arkestra trumpeter and AACM (Association for the Advancement of Creative Musicians) cofounder Phil Cohran.