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Category: soul

Friday, 3/16/12

only rock ’n’ roll

What’s old is new again.

Alabama Shakes, live
Pegasus Records, Florence, Alabama, 8/21/11

“I Found You”

***

“Hold On”

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lagniappe

Just Like Being There (2012)

Tuesday, 2/28/12

basement jukebox*

Lee Moses, singer & guitarist, 1941-1997

“Bad Girl” (1967)

Part 1

***

Part 2

*****

“Diana (From N.Y.C.)” (1971)

*****

*When I was little, a big bright jukebox lit up our basement. Daily it granted our every wish, communicated with just the touch of a finger. “Wake Up Little Susie” (Everly Brothers). “The Battle of New Orleans” (Johnny Horton). “(The Man Who Shot) Liberty Valance” (Gene Pitney). It taught me something I never forgot—music is magic.

Sunday, 2/19/12

the first voice Whitney heard

Emily “Cissy” Houston (born Emily Drinkard), singer, 1933-

The Drinkard Singers (Cissy Houston, lead vocals), “Lift Him Up,” live (TV broadcast), c. early 1960s

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lagniappe

Live (TV broadcast), 1970

“Be My Baby” (P. Spector, J. Barry & E. Greenwich)

***

“I Just Don’t Know What To Do With Myself” (B. Bacharach & H. David)

*****

listening room: (some of) what’s playing

• Ambrose Akinmusire, When the Heart Emerges Glistening (Blue Note)

• Johann Sebastian Bach, Suites for Unaccompanied Cello, Pierre Fournier, cello (Archiv Production)

• Johann Sebastian Bach, Well-Tempered Clavier, Glenn Gould, piano (Sony)

• Johann Sebastian Bach, Partitas Nos. 3, 4, 6, Jeremy Denk, piano (Azica)

• Ludwig van Beethoven, Piano Sonatas Nos. 14 (“Moonlight”), 8 (“Pathetique”), 23 (“Appassionata”), Rudolf Serkin, piano (CBS)

• Alfred Cortot, The Master Pianist (EMI)

• Claude Debussy, Pour Le Piano, Etudes Books 1 & 2, Gordon Fergus-Thompson, piano (Musical Heritage Society)

• The Dirtbombs, Ultraglide In Black (In the Red Records)

• Morton Feldman, For Bunita Marcus, John Tilbury, piano (London Hall)

• Morton Feldman, Piano and String Quartet, Aki Takahashi (piano), Kronos Quartet (Nonesuch)

• Mary Halvorson Quintet, Saturn Sings (Firehouse)

• Slim Harpo, The Best of Slim Harpo (Hip-O)

• Paul Hindemith, Benjamin Britten, Krzysztof Penderecki; Kim Kashkashian (viola), Stuttgarter Kammerorchester (Dennis Russell Davies, cond.), Lachrymae (ECM)

• Steve Lehman Octet, Travail, Transformation, and Flow (Pi Recordings)

• Jimmie Lunceford, The Complete Jimmie Lunceford Decca Sessions (Mosaic)

• Guilliaume de Michaut, Motets, The Hilliard Ensemble (ECM)

• Paul Motian Trio (with Joe Lovano, Bill Frisell), Sound of Love (Winter & Winter)

• Mudd Up!, WFMU-FM (DJ/Rupture, “new bass and beats”)

• Pee Wee Russell, Swingin’ with Pee Wee (Prestige)

• Pharoah Sanders, Karma (GRP)

• Pharoah Sanders, Live (Evidence)

• Giacinto Scelsi, Natura Renovatur (ECM)

• Arnold Schoenberg, Piano Works, Peter Serkin, piano (Arcana)

• Sinner’s Crossroads, WFMU-FM (Kevin Nutt, gospel)

• Craig Taborn, Avenging Angel (ECM)

• Toru Takemitsu, Peter Serkin Plays the Music of Toru Takemitsu, Peter Serkin, piano (RCA/BMG)

• Anton Webern, Complete Music for String Quartet, Quartetto Italiano (Philips)

• Anton Webern, Works for String Quartet, Emerson Quartet (Deutsche Grammaphon)

• Wild Flag, Wild Flag (Merge)

Tuesday, 2/14/12

two takes

“La-La (Means I Love You)” (T. Bell & W. Hart)

Bill Frisell (guitar) with Tony Scherr (bass) & Kenny Wollesen (drums)
Live, Rochester (NY), 2007

***

The Delfonics, 1968

(First clip originally posted 5/28/10.)

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lagniappe

reading table

And this disease which was Swann’s love had so proliferated, was so closely entangled with all his habits, with all his actions, with his thoughts, his health, his sleep, his life, even with what he wanted after his death, it was now so much a part of him, that it could not have been torn from him without destroying him almost entirely: as they say in surgery, his love was no longer operable.

—Marcel Proust, Swann’s Way (translated from French by Lydia Davis)

Saturday, 2/11/12

two takes

“I’m Your Puppet” (D. Penn & S. Oldham)

James & Bobby Purify, TV show, 1966

***

Dan Penn (guitar, vocals) & Spooner Oldham (keyboards), TV show, 1999

***

This is one of the sadder, and stranger, love songs I know. “I’ll do funny things if you want me to”: someone who’ll “do funny things” on command but isn’t, as far as we can tell, otherwise funny is someone who’s desperate to please. And that, to me, is what this song’s about more than anything else—desperation. This is a guy who’ll “do anything.” He’s “hanging on a string.”

Friday, 12/9/11

Janis Joplin, “Get It While You Can” (J. Ragovoy)
Live, TV broadcast (The Dick Cavett Show), 1970

If she had lived, what would she sound like, at 68, today?

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lagniappe

reading table

We shall not ever meet them bearded in heaven,
Nor sunning themselves among the bald of hell;
If anywhere, in the deserted schoolyard at twilight,
Forming a ring, perhaps, or joining hands
In games whose very names we have forgotten.
Come, memory, let us seek them there in the shadows.

—Donald Justice, “On the Death of Friends in Childhood”

Thursday, 12/8/11

 passings

Howard Tate, singer, August 13, 1939-December 2, 2011

“Get It While You Can” (J. Ragovoy)

Live (with Jerry Ragovoy, piano), Paris, 2003

Like a lot of performances, this gets better as it goes along. At first he seems a bit tentative. He’s trying to find his way. Then, at around 1:07, he starts to settle in and, before long, he’s inhabiting the song. If this were a recording session and I had a hand in it, I know what I’d do as this was ending. I’d ask them, without missing a beat, to keep going: “Again, from the top.”

*****

Recording, 1967

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lagniappe

Howard Tate, 72, an immensely talented soul singer who dropped out of the music business in frustration after the often brilliant albums he made in the late 1960s and early 1970s failed to reach a wide audience, died Friday of multiple myeloma and leukemia in his apartment in Burlington City.

Born in Georgia and raised in Philadelphia, Mr. Tate returned to recording and performing in the 2000s after a chance encounter in a South Jersey supermarket led to his rediscovery.

Working with Philadelphia producer and songwriter Jerry Ragovoy, Mr. Tate recorded one undeniably classic album: Get It While You Can, a 1966 release on Verve whose title track became much better known when sung by Janis Joplin.

***

Neither his debut nor the subsequent Reaction (1969) and Howard Tate (1972) earned him a large audience. Mr. Tate, who had sung early in his career with organist Bill Doggett and with his fellow North Philadelphia soul man Garnet Mimms (in the doo-wop group The Gainors), wound up disappearing from the music business altogether – an absence that made his legend grow stronger.

Without music in his life, Mr. Tate, who was raised in the neighborhood around 13th and Norris Streets, sold insurance and raised six children. He started drinking after his daughter was killed in a fire in his Wynnefield home in 1976, he told The Inquirer in 2004. After his marriage crumbled, his life took a harrowing turn.

“I turned to cocaine, and it was the worst thing I could have ever done,” he said. “It destroyed my willpower. I became homeless, roaming around those drug neighborhoods in Camden. I actually thought I was going to be found dead in an alley. It was like I was waiting to die.”

Instead, however, the Baptist preacher’s son turned to the Lord. In 1994, he founded the Gift of the Cross Church and began preaching in living rooms in West Philadelphia and South Jersey.

Presumed dead by many, he ran into a former member of Harold Melvin & the Blue Notes in a Willingboro supermarket on New Year’s Day in 2001, who told him that an oldies DJ, Phil Casem of WNJC in Sewell, N.J., had been making inquiries about his whereabouts on the radio.

Two years later, Mr. Tate returned with Rediscovered, an album that included “Either Side of the Same Town,” a song Elvis Costello and Ragovoy, who died earlier this year, wrote for Mr. Tate. With his remarkable voice miraculously preserved after nearly three decades out of action, he returned to performing, and released two more albums, A Portrait of Howard (2006) and Blue Day (2008).

Mimms, now pastor of the Bottom Line Revival Church in Cheltenham, recalled Tuesday the days when he sang lead and Mr. Tate sang tenor in the Gainors, the quintet that came together after Mimms got out of the U.S. Army in 1958.

“We were very close,” said Mimms, who introduced Mr. Tate to Ragovoy and had his own Ragovoy-penned classic soul hit, “Cry Baby,” in 1963.

Mr. Tate “was a very nice dresser, and very famous with the young ladies,” Mimms said. “He was an all outgoing guy, and his falsetto was unique. I had a high range myself, but I couldn’t do that falsetto stuff he did. He could come out of his natural, and go right into it. He had a great voice.”

—Dan DeLuca, Philadelphia Inquirer (obituary), 12/7/11

Saturday, 10/15/11

serendipity

Want to feel no better than you do right now?

If so, don’t bother with this stuff.

Last night, while I was listening to the radio,* these tracks came on back to back to back to back, brightening my mood considerably.

Valorie Keys, “Listen Here” (Double Shot 1966)

***

Arthur Alexander, “You Better Move On” (Dot 1961; London [UK] 1962))

***

Bessie Banks, “Go Now” (Blue Cat 1964; Soul City re-release 1966)

***

Dee Dee Warwick, “You’re No Good” (Jubilee 1963)

***

*WFMU-FM (Betsy Nichols, subbing for Mr. Fine Wine)

Saturday, 9/17/11

Mahogani Music Promotional Video, Detroit (2010)

Vodpod videos no longer available.

Yeah, the interplay between these two is awfully cliche.

But there’s a lot to like here: the sounds,* the colors, the composition, the sense of place.

I dig the camera-shy dog, too.

*Joe Simon, “Theme from Cleopatra Jones” (1973)

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lagniappe

art beat

Yesterday at the Art Institute of Chicago (after an oral argument in the nearby federal court of appeals, in a drug case involving 20 kilos of cocaine—from the sordid to the sublime):

Vasily (AKA Wassily) Kandinsky

Painting with Green Center, 1913

*****

Improvisation No. 30 (Cannons), 1913

Friday, 9/16/11

Never heard of this guy?

You’re not alone.

But for serious mental illness, he would have been a big star.

 James Carr, singer, June 13, 1942-January 7, 2001

Live, “You Got My Mind Messed Up”

Vodpod videos no longer available.

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Live, “Pouring Water on a Drowning Man”

Vodpod videos no longer available.

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“The Dark End of the Street” (D. Penn & C. Moman), Goldwax, 1967

Vodpod videos no longer available.

What may be my favorite moment in this track is one that’s easy to miss; a throwaway, it comes at 1:37—the muted, fleeting “huhh.” The whole welter of emotions Carr brings to this performance—anxious, defiant, rueful, resigned—can be heard in this single syllable.