music clip of the day

jazz/blues/rock/classical/gospel/more

Category: saxophone

Monday, 1/17/11

Back in the ’70s, when I was at Alligator Records, I worked with this guy—coproducing albums, booking live performances, traveling to New York for a series of “showcase” performances (little pay, big exposure) at the Bottom Line (opening for Buddy Guy & Junior Wells). But I was a fan before that. In college I had a weekly radio show, where I often played his first album, released in 1973. Now, like so many others I worked with (Hound Dog Taylor, Big Walter Horton, Fenton Robinson, Koko Taylor, Albert Collins, et al.), he’s gone.

Son Seals, August 13, 1942-December 20, 2004

“I Think You’re Fooling Me,” live (TV broadcast), 1987

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“Your Love Is Like A Cancer” (The Son Seals Blues Band, Alligator, 1973)

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lagniappe

reading table

for . . . Son Seals, who left to work a better room

—Andrew Vachss, Mask Market: A Burke Novel (2006)

Thursday, 1/13/11

Talking with a Jamaican-born client, I mention Gregory Isaacs’ passing.

He responds, “He died too?”

Sugar Minott, May 25, 1956-July 10, 2010

1983:”Rough Ole Life (Babylon),” Reggae Sunsplash, Jamaica

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2009: Rehearsal, Lovers Rock Gala Awards, England

“Lovers Rock”

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“Good Thing Going”

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More? Here (Sugar Minott Memorial Broadcast, WKCR-FM).

Wednesday, 1/12/11

Subtlety has its place; but so does noise.

Whoopie Pie with guest Marc Ribot (guitar), live, New York, 2009

Vodpod videos no longer available.

More Marc Ribot? Here.

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lagniappe

reading table

It might be thought the height of poor taste to ascribe good fortune to a healthy man with a young family struck down at the age of sixty by an incurable degenerative disorder from which he must shortly die. But there is more than one sort of luck. To fall prey to a motor neuron disease is surely to have offended the Gods at some point, and there is nothing more to be said. But if you must suffer thus, better to have a well-stocked head.

—Tony Judt, The Memory Chalet (2010)

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radio

Simone Dinnerstein, featured here a couple weeks ago, was on NPR’s All Things Considered the other day.

Tuesday, 1/11/11

[D]ance first and think afterwards . . . . It’s the natural order.

—Samuel Beckett, Waiting for Godot (English-language premiere, 1955)

Al Minns & Leon James, New York (Savoy Ballroom, Harlem), 1950s

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lagniappe

art beat

Helen Levitt, New York, c. 1940

Monday, 1/10/11

Happy Birthday, Max!

No drummer is more clear, more precise, more melodic.

Max Roach, January 10, 1924-August 16, 2007

“The Third Eye,” live

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“The Drum Also Waltzes” (Drums Unlimited), 1966

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With Sonny Rollins (saxophone), “St. Thomas” (Saxophone Colossus), 1956

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With Clifford Brown (trumpet), “Sweet Clifford” (Brown and Roach Incorporated), 1955

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With Dizzy Gillespie (trumpet), Charlie Parker (saxophone), Bud Powell (piano), Charles Mingus (bass), “Salt Peanuts,” live, 1953

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lagniappe

musical thoughts

In this music, you have to find out who you are, what you feel, what you want to say. That’s one of the reasons that it’s so American. You have to be yourself.

That’s also one way jazz is different from classical music. In classical music, you learn to study and come up with the finest interpretation of a work that you can. That’s a different way of expressing your personality. You have to learn to use what’s written already to express yourself. In jazz, you have to learn to be who you are, and create the music from that.

—Max Roach (in Gene Santoro, Highway 61 Revisited [2004])

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radio

Today it’s all Max all day at WKCR-FM (broadcasting from Columbia University).


Saturday, 1/8/11

Don’t try this at home.

Captain Beefheart & His Magic Band, live, Detroit, 1971

Vodpod videos no longer available.

More? Here.

Friday, 1/7/11

This would be riveting even with the sound off.

James Brown, “I Got You (I Feel Good),” live (TV broadcast), c. 1965

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Like Lester Young and Charlie Parker and John Coltrane, James Brown floats over the bar lines, defying, as he dances, the gravitational pull of the downbeat.

Want more? Here.

Thursday, 1/6/11

street music

The brass band goes uptown.

Asphalt Orchestra, live, New York

#1 (2009)

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#2 (2010)

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Monday, 1/3/11

Perhaps the greatest drummer who has ever lived . . .

—Brian Eno

Tony Allen

Live, “New Morning”

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Secret Agent, 2010

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lagniappe

When I sit down there [at the drums], that’s what I’ve been waiting for . . .

—Tony Allen

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reading table

The time to make up your mind about people is never!

—Tracy Lord, The Philadelphia Story

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You get to decide what to worship.

David Foster Wallace

Zadie Smith, Changing My Mind (2009), epigraphs

Saturday, 12/25/10

Merry Christmas!

Bessie Smith (with Joe Smith, cornet; Charlie Green, trombone; Fletcher Henderson, piano), “At the Christmas Ball” (1925)

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Lowell Fulson, “Lonesome Christmas (I & II)” (1950)

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Sonny Boy Williamson, “Sonny Boy’s Christmas Blues” (1951)

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lagniappe

radio: all Bach, all the time

WKCR-FM (broadcasting from Columbia University) is currently in the midst of their annual Bach Festival, which runs through the end of the year.

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reading table

Barn’s burnt down—
now
I can see the moon.

—Mitzuta Masahide (trans. Lucien Stryk and Takashi Ikemoto), 1657-1723

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going forward

I won’t be here every day; but I’ll be here often.