Charisma needs no translation.
Mahmoud Ahmed & Badume’s Band, live, France (Festival de Sete), 2008
“Belomi Benna”
Vodpod videos no longer available.***
“Atawurulegn Lela”
Vodpod videos no longer available.three takes
Blues guitarists—great ones, anyway—aren’t instrumentalists; they’re singers with two voices.
“Born Under A Bad Sign” (W. Bell, B.T. Jones)
Albert King, live, Sweden, 1980
Vodpod videos no longer available.***
Albert King, recording, 1967 (Stax)
Vodpod videos no longer available.***
Jimi Hendrix, recorded in 1969 (Blues, 1994)
Vodpod videos no longer available.What makes this last take effective? Part of it is the phrasing: Jimi, like Albert, doesn’t play anything that couldn’t be sung.
More Albert? Here.
Don Byron New Gospel Quintet (DB, tenor saxophone & clarinet; DK Dyson, vocals; Xavier Davis, piano; Brad Jones, bass; Pheeroan akLaff, drums), “Precious Lord” (T. A. Dorsey), live, Brazil (São Paulo), 2010
Vodpod videos no longer available.Last night I heard these folks live at the University of Chicago. Whenever I go out and hear someone, I’m reminded, again, that even (especially?) today, when records and the ’net make more music more available than ever before, there’s no substitute for live music. No recording offers the textures and nuances of a great live performance. (Never, for instance, have I heard a recording that truly reproduces the sounds of a drum kit, much less the interplay between horn and drums.) Not only is there more to hear live, your focus is sharper: you know you won’t have another opportunity to experience these sounds. And when you go to a club or a concert hall, you become, for that night, a member of an ad hoc musical community—something you can’t do sitting in your living room.
Happy (85th) Birthday, Trane!
John Coltrane, September 23, 1926-July 17, 1967
John Coltrane Quartet (JC, tenor saxophone; McCoy Tyner, piano; Jimmy Garrison, bass; Elvin Jones, drums), “I Want To Talk About You,” live, Sweden (Stockholm), 1962
Vodpod videos no longer available.More? Here. And here. And here. And here.
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lagniappe
radio
All Trane, all day: WKCR-FM (broadcasting from Columbia University).
Never heard of this guy?
You’re not alone.
But for serious mental illness, he would have been a big star.
James Carr, singer, June 13, 1942-January 7, 2001
Live, “You Got My Mind Messed Up”
Vodpod videos no longer available.***
Live, “Pouring Water on a Drowning Man”
Vodpod videos no longer available.***
“The Dark End of the Street” (D. Penn & C. Moman), Goldwax, 1967
Vodpod videos no longer available.What may be my favorite moment in this track is one that’s easy to miss; a throwaway, it comes at 1:37—the muted, fleeting “huhh.” The whole welter of emotions Carr brings to this performance—anxious, defiant, rueful, resigned—can be heard in this single syllable.
Miles Davis Quintet (MD, trumpet; Wayne Shorter, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams, drums), “Footprints” (W. Shorter), live, Sweden, 1967
Vodpod videos no longer available.Time for just one note? 3:34. (Shorter’s entire solo is a marvel [1:54-3:54]: it’s as intimate and delicate as a dream.)
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lagniappe
reading table
just the other day
we said goodbye . . .
dewy grave—Kobayashi Issa, 1790s (trans. David G. Lanoue)
hearing colors, seeing sounds
John Coltrane, “Giant Steps,” excerpt (Giant Steps, Atlantic, 1970)
Animation by Michal Levy (2001)
(Yo, Michael: Thanks for the tip!)
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lagniappe
Synesthesia is a rare neurological condition that leads stimulation in one sensory pathway to trigger an experience in another. Basically, a short-circuiting in the brain that enables such strange phenomena like perceiving letters and numbers as inherently colored (color-graphemic synesthesia) or hearing sounds in response to visual motion. More than 60 types of synesthesia have been identified, with one of the most common being the cross-sensory experience of color and sound — “hearing” color or “seeing” music.
Israeli artist and jazz musician Michal Levy . . . is an actual synesthetic: When she listens to music, she sees shapes and colors as different tones, pitches, frequencies, harmonies, and other elements of the melody unfold.
What’s surprising here isn’t that there are so many wonderful moments. Given the line-up, you’d expect that. What you wouldn’t expect is for these guys to sound so cohesive, as if they’d been playing together for years.
Sun Ra All Stars (SR, keyboards; Don Cherry, pocket trumpet, vocals; Lester Bowie, trumpet; Archie Shepp, tenor saxophone, vocals; John Gilmore, tenor saxophone; Marshall Allen, alto saxophone, percussion; Philly Joe Jones, drums; Clifford Jarvis, drums; Famadou Don Moye, drums, percussion), live, Germany (Berlin), 1983
Vodpod videos no longer available.More Sun Ra? Here. And here. And here.
More Don Cherry? Here. And here. And here.
More Lester Bowie? Here. And here. And here. And here.
More Archie Shepp? Here.
Happy Birthday, Bird!
Charlie Parker, alto saxophonist, August 29, 1920-March 12, 1955
According to Miles Davis, the history of jazz can be summarized in four words: Louis Armstrong, Charlie Parker.
Charlier Parker & Dizzy Gillespie, “Hot House,” live (TV broadcast), 1952
(Originally posted 10/17/09.)
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lagniappe
radio
WKCR-FM’s Lester Young/Charlie Parker birthday marathon runs until midnight—today’s all Bird.
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musical thoughts
Don’t play the saxophone. Let it play you.
—Charlie Parker
Happy Birthday, Lester!
Lester Young, tenor saxophonist, August 27, 1909-March 15, 1959
Lester Young (ts) with Carl “Tatti” Smith (trumpet), Count Basie (piano), Walter Page (bass), Jo Jones (drums) (10/9/36, Chicago)
“Oh, Lady Be Good”
Vodpod videos no longer available.***
“Shoe Shine Boy”
Vodpod videos no longer available.
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lagniappe
radio: 72 glorious hours
Assuming Irene doesn’t crash the party, the folks at WKCR-FM (broadcasting from Columbia University)* will be playing Lester Young all day today and into tomorrow, when, at some point, they’ll make the transition to Charlie Parker, whose birthday is Monday. As I wrote last year: “Something happens—something delicious—when you surrender your ears and yourself to someone’s music for such a sustained period of time. Little by little, that musician moves in, taking up residence in your brain. Their distinctive voice becomes, for a time, inseparable from everything else you’re hearing and seeing and thinking and feeling.”
*Later note (2:45 p.m. [CST]): When I just checked, their website seemed to be down; you can also get them via iTunes (radio/college).
music clip of the day 