music clip of the day

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Category: saxophone

Sunday, 1/22/12

With voices like these who needs microphones?

Davis Sisters, “On the Right Road,” live (TV Broadcast), c. 1964

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lagniappe

my back pages

Thirty-five years ago tonight—how could I possibly begin a sentence “thirty-five years ago tonight” and be referring to something that happened when I was, at least nominally, an adult? Well, this actually happened that night so I guess it must be possible. On that cold, clear January night, at a small church thirty miles north of Chicago, Suzanne and I were married. Yes, there was music. Tenor saxophonist Von Freeman and pianist John Young (now gone) played before and after the ceremony. The processional was Duke Ellington’s “In a Sentimental Mood,” played by Von alone. What did all this sound like? Thanks to my friend (and ace recording engineer) James C. Moore, these sounds can be heard, thirty-five years later, here (M4A—give it a few seconds).

Friday, 1/20/12

passings

Johnny Otis, December 28, 1921-January 17, 2012, singer, songwriter, piano player, bandleader, disc jockey, TV host, etc.

“Willie and the Hand Jive” (The Johnny Otis Show), c. late 1950s

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lagniappe

Genetically, I’m pure Greek. Psychologically, environmentally, culturally, by choice, I’m a member of the black community.

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Society wants to categorize everything, but to me it’s all African-American music. The music isn’t just the notes, it’s the culture—the way Grandma cooked, the way Grandpa told stories, the way the kids walked and talked.

—Johnny Otis

Monday, 1/16/12

The other night my son Alex took me—this was my Christmas present—to see this guy at a small concert hall on the north side of Chicago (Old Town School of Folk Music). We’d last seen him together 20 years ago, in 1992, at a little club not far from where we live (FitzGerald’s). Alex wasn’t even five years old. It was an early evening set, part of a big Fourth of July festival. The night was stormy. The power went out. He played by candlelight.

 Alejandro Escovedo (1951-), singer, songwriter, guitarist, bandleader

“Anchor” (A. Escovedo & C. Prophet)
Live, Austin, Tx., 2010

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“Always a Friend” (A. Escovedo & C. Prophet)
Live (with Bruce Springsteen), Asbury Park, N.J., 2010

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“Tender Heart” & “Street Songs” (A. Escovedo & C. Prophet)
Live, Austin, Tx., 2010

Saturday, 1/7/12

Roy Hargrove Quintet,* “Strasbourg/Saint Denis,” live, Paris, 2008

What better way to begin the new year than with live music, which is what I did last Sunday (with my wife Suzanne and older son Alex), catching these guys at Chicago’s Jazz Showcase, where they played an ebullient set for the overflow crowd.

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lagniappe

reading table

In January baseball lives in the imagination.

Now he was stuck at this ramshackle ballpark between a junkyard and an adult bookstore on the interstate outside Peoria.

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“The shortstop is a source of stillness at the center of the defense. He projects this stillness and his teammates respond.”

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When your moment came, you had to be ready, because if you fucked up, everyone would know whose fault it was. What other sport not only kept a stat as cruel as the error but posted it on the scoreboard for everyone to see?

—Chad Harbach, The Art of Fielding (2011)

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*RH, trumpet; Justin Robinson, alto saxophone; Gerald Clayton, piano; Danton Boller, bass; Montez Coleman, drums

Tuesday, 1/3/12

the other night

Just a week after hearing vibist Jason Adasiewicz’s Sun Rooms trio there, my older son Alex (home for the holidays) and I went back to the Hideout, a small club on Chicago’s north side, to hear these guys.

DKV Trio (Hamid Drake, drums; Kent Kessler, bass; Ken Vandermark, reeds), live, Chicago (Hideout), 12/28/11

Monday, 12/26/11

This week we revisit a few favorites from the past year.

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[D]ance first and think afterwards . . . . It’s the natural order.

—Samuel Beckett, Waiting for Godot (1953, 1955 [English-language premiere])

Al Minns & Leon James, New York (Savoy Ballroom, Harlem), 1950s

Vodpod videos no longer available.

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lagniappe

art beat

Helen Levitt, New York, c. 1940

(Originally posted 1/11/11.)

Saturday, 12/24/11

When I was little, I would go into Chicago to hear live music—Peter, Paul & Mary, Kingston Trio, Beach Boys—with my father. Then, as a teenager, I’d go into the city with my brother Don to hear the Velvet Underground and the MC5, the Who, Tim Hardin and Tim Buckley, Muddy Waters. Now I make these trips with my sons. The other night, for instance, my older son Alex (now 24 and home for the holidays) and I went to the Hideout, a small club on Chicago’s north side, not far from where I once went with my father (now gone) and my brother (now hundreds of miles away), to hear this guy.

Jason Adasiewicz’s Rolldown (JA, vibraphone; Josh Berman, cornet; Aram Shelton, alto saxophone; Jason Roebke, bass; Frank Rosaly, drums), “Hide,” live, c. 2008

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lagniappe

reading table

No, the human heart
Is unknowable.
But in my birthplace
The flowers still smell
The same as always.

—Ki no Tsurayuki (872-945; trans. Kenneth Rexroth)

Monday, 12/19/11

Rebirth Brass Band, Treme Sidewalk Steppers Parade, New Orleans, 2/6/11

If there’s a God, He loves parades.

More? Here. And here. And here. And here. And here.

Saturday, 12/10/11

If sounds define a space as much as walls and windows, you don’t need to knock out a wall to open up a room—just play this.

International Contemporary Ensemble with Steve Lehman
Impossible Flow (S. Lehman), live, New York (Le Poisson Rouge), 4/19/11

The moment this ends I want to hear it again. Is there any higher compliment?

More Steve Lehman? Here.

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lagniappe

reading table

A strange old man
Stops me,
Looking out of my deep mirror.

—Kakinomoto no Hitomaro (c. 662-710; trans. Kenneth Rexroth)

Monday, 12/5/11

recipe

1 river

1 bridge

1 brass band

Mix lightly.

Raya Brass Band, live, Poughkeepsie, New York
Walkway Over The Hudson Grand Opening, 10/3/09

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